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1980. Gilbert and his friends feel that they will not live like their parents and their future is uncertain.

A surrealistic and fantastic view of the world through the eyes of a film projectionist and a movie he projects which takes him to mysterious and dreamy places and situations while the audience to whom the film is destined doesn't seem to care with what goes on the screen. A tale about the human degradation.

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869-1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

Four versions of the same story, first in the perspective of a theatre play, second in the perspective of a silent film, third in the perspective of a film of the 50s and finally in a biblical philosophical perspective.

A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.

An old man remembers the troubled relationship he had with his mother, the erotic games, and the fantasies in which she managed to entrap him.

A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we wake when we die. And that dreams may be as real as life.

Three brothers, who spy on and mistrust each other, live together in a large neglected house. They are holding an elderly painter prisoner, trying by all means to make him paint again.

Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.

A feature documentary written by a collective of young workers in the aftermath of France's May 1968 events, and based on the premise that a film about a group of people should be made by those people themselves and not by others.