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1-12 of 12
- Jean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.
- Tomas is too much for his lone mother so she sends him to live with his older brother Federico, aka Sombra, in Mexico City.
- Sebastián joins a prestigious dance company and begins a torrid romance with Arsenio, an attractive dancer. New choreographer Mikael's arrival complicates things, sparking a brutal competition.
- This film tells the story of Emilio, a young Mexican who dreams of being comical. He, his brother and his friends engaged in kidnapping in taxis. One day Tolín kidnap a television host. The meeting of Emilio and Tolín unleashes the plot, as Emilio sees this as his chance to kidnapping to fame.
- Somewhere in the future, Maya and Ulises try to escape a decadent city. They mix up with a dangerous cult that is building a dangerous weapon. After the weapon is activated, Maya and Ulises are taken away from each other. Their nomad life will take them to roam deserted places, in the solitary hope of getting together once again.
- A compendium of testimonies from the relatives of victims of disappearance, researchers and pit trackers in Mexico. Crisscrossing north and south, the lens is grounded at all times to the protagonists restless spirits.
- Mexico's outback. Katia, a mysterious opera singer, will strike reality after finding the abandoned corpse of a woman. Lady Lázaro is an intimate approach to the possibility of fighting tragedy by using the most natural and precious gift that we have: our voice.
- Two teenagers live by themselves in an apartment during their mother's hospitalization. This period of isolation will lead them to face each other's flaws and mend their relationship as they share the ordeals of becoming adults.
- Account of the invention of the sound system developed by Mexican filmmaker Joselito Rodríguez, successfully tried and tested with the first sound film made in México, "Santa" (1931).
- The film portrays the figure of the Spanish poet Luis Cernuda during his exile in Mexico. Through the sensitivity of the poetic language and interviews conducted with Antonio Gamoneda, James Valender, Angel Guinda, Ricardo Vinós and Eduardo Milán; as well as fragments of poems by Cernuda himself; Mohsen Emadi expresses the condition of the exiled poet, which he shares with Luis Cernuda in Mexico, both forced from the homeland by warlike conflicts, the director finds echoes of his own condition in the verses of the Spanish poet.