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Based on a true story, this film tells the tale of the 1950 U.S. soccer team, who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no U.S. team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.

A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.

The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.

A Romeo-and-Juliet kind of love affair. The difference here is what sets the two lovers apart: their soccer teams. Being a fan of Corinthians, Romeu has to fake he really likes Palmeiras, in order to gain Julieta's heart.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

Marcelo Santiago's period romance Dancing in Utopia (AKA Sonjos E Desejos 2006) explores variations of passion and lust as manifest in a potentially incendiary love triangle ...

Helped by his guardian angel, Xuxinha, the seven year old boy, Guto, will face terrifying monsters, garbage eaters, from XYZ, a planet from a very distant Galaxy. Along with Guto and Xuxinha, will be their friends Txutxucão, a detective-dog; the clumsy partners, Jonas and his guardian angel Biel; and a very wise homeless named Euclides Arquimedes. Together, they will help Guto to investigate a series of weird events around the Big Fart River area, where the garbage eater monsters prepare to attack the city. The story is narrated by Xuxa Meneghel, in live action scenes, with songs specially composed for the feature.

Karina has 2 dreams: to become an actress & to see the world. Antonio is in love with her. He promises to bring the world to "Nordestina", a village in the sticks of Brazil. This backwater village has 2 population groups: those who are leaving, and those who are thinking about leaving. Antonio leaves in what appears to be a suicide crusade - openly promising on TV that he will give his Karina all she could wish for, or he'll face a deadly machine he has invented. To challenge fate, he also declares that he'll travel into the future. The day he has to make good on his promises, all "Nordestina" is there, expecting Antonio to realize his promises.

In search of a powerful hallucinogen, five friends embark on a dangerous journey deep into the Amazon. But a bad trip isn't the only threat, as they discover when they stumble across the hidden camp of the crazed Dr. Moreau and his murderous animal-human hybrid creations...

The musician and writer of the comic book "Ghost with Heart of Stone" Eduardo meets the gorgeous Laura, who is engaged and close to her marriage, in a bookstore and immediately they fall in love for each other. Sooner they get married, and one night, Eduardo unexpectedly dies, but his soul does not move to the Third World. He meets the Ghost with Heart of Stone stranded in his house, stalking his beloved next door neighbor D. Mariana and he asks to the ghost how he can communicate and say farewell to Laura.

While in the hospital, after being run over, Alaíde thinks about her life, specially after the moment she'd found the diary of Madame Clessy, in the house where her family had moved in, which was a former bordello.

The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure, and passion for Brazil. The story shows aging Villa-Lobos going to a gala concert in the Theatre of Rio de Janeiro for a tribute in his honor. This is the last time he is coming out of his house alive. His looks are feverish and attentive. Different scenes of the concert will bring back memories of his life. Villa-Lobos suffers a great many ordeals: his father's violence; his mother's sadness; his first wife Lucilia's disaffection, inability to have children, and rejection of his art; the possible loss of his great love Mindinha; and the abyss between genius and madness. The pieces of this puzzle recreated chronologically confirm his personality: energetic and fragile, humble and megalomaniac, amorous and egocentric, brilliant and naive, adventurous and independent, sensitive and brutal.

A small town is stirred by anonymous notes delivered during the night, telling the secrets of its inhabitants.

Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.

An accident involving a flying manhole cover leads to a chance meeting between two childhood friends: a widow and the owner of a beauty parlor. Thus begins an entertaining game of seduction that brings memories and hidden desires to the surface - furtive passions that end up threatening the hairdresser's de facto marriage.

The adventures of a middle-class divorced man in his forties, his love life, and his relationship with the many women of his life and his teenage daughter.

Apolônio Brasil was a cult pianist who used to play in nightclubs in Rio de Janeiro, in the 1950s and 1960s. Quite a character, Apolônio was loved by women, idolized by his audience and friends, besides being extremely high-spirited and charming. For all that, his brain is removed after his death and becomes the center of a dispute among an American scientist, Dr. Bóris, who wants to study it, his friends and his son Paluca. The film is an attempt to pay homage to the nightlife in Rio de Janeiro of the 50s, and to the "chanchada" a genre of musical-comedy typically Brazilian.

An old comedian travels from São Paulo to a far away town in search of his lost joie de vivre.