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Autobiographical comedy about a recovering sex addict, about his obsession with prostitutes, and how that affected his relationships and his life altogether.

A documentary shot in the North Atlantic and focused on the commercial fishing industry.

Five families struggle with the ups and downs of cancer treatment over the course of six years.

A rare behind-the-curtain look at the Earth Liberation Front, the radical environmental group that the FBI calls America's 'number one domestic terrorist threat.'

A documentary murder mystery about the filmmaker's family, set in lower Alabama.

On Monday of Last Week follows Kamara, a Nigerian woman, on her journey to self-realization. When Tracy, an artist, finally emerges from her studio one afternoon, Kamara, her son's nanny, is inspired to become Tracy's muse.

Wanda Johnson and Angela Williams, mothers of young Black men victimized by police brutality, come together and build a network of community-led support, mutual aid, and healing.

A pretentious underground filmmaker struggles with his masterpiece while a scuzzy punkoid chick tries to keep her band from fading into obscurity.

Layers of animation featuring more than 600 sculptures, 200 glass pieces and 2200 drawings evoke an inspiring diving exploration in a freshwater lake in Yucatan.

Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel.

By day, Ed Popil worked as the manager of a telemarketing center in post-industrial Rochester, New York for 18 years. By night, he transformed into drag queen Mrs. Kasha Davis. Not your average aspiring pop star drag queen, Mrs. Kasha Davis is a 1960's era housewife trying to liberate herself from domestic toil through performing at night in secret - an homage to Ed's own mother. After seven years of auditioning to compete on reality television show RuPaul's Drag Race, Ed Popil was finally cast onto the show and thrust into a full time entertainment career at the late age of 44. Workhorse Queen explores the complexities of mainstream television's impact on queer performance culture. In addition to following Ed's life and career before and after being cast onto RuPaul's Drag Race, the film focuses on the growing divide between members of a small town drag community - those who have been on television, and those who have not. Throughout the film, Ed Popil navigates the exciting highs and devastating lows of pursuing the fame promised by a reality television platform. With one foot inching toward Hollywood's doorstep and the other cemented firmly within her beloved Rochester community, Mrs. Kasha Davis finds a surprising new audience at home as she works toward becoming the queer role model for children that Ed didn't have and desperately wanted growing up.

Filmmaker Roddy Bogawa reflects on his childhood in Hawaii and his involvement in the Los Angeles punk scene of the 1970s.

Two health care workers Sierra Leone face the Ebola epidemic in their country.