Biografie

Oja never became the fourth Mrs. Welles. A year after Orson's death, the third Mrs. Welles (actress Paola Mori) and Oja finally agreed on the settling of his will. On the way to their meeting to sign the papers, however, Mrs. Welles was killed in a car accident. Subsequently, Oja reached an agreement with Beatrice Welles, daughter of Mori and Welles.

Around 1969, in a Charles Foster Kane/Susan Alexander like move, Welles renamed Olga "Oja Kodar" and started building her up Svengali-style to become a big star. As in Citizen Kane (1941), it didn't work.

Orson Welles and Oja (real name: Olga Palinkas) met in Zagreb in 1962 while he was making a film (Der Prozeß (1962)). He reportedly wrote a letter to her which he never gave but kept in his pocket until they met again in 1966. They immediately began their relationship.

In 1970, an Italian newspaper published an exposé of Welles' affair with Oja. Welles, who was editing the movie Don Quijote de Orson Welles (1992) for more than a year with editor Mauro Bonanni, angrily left Italy forever to return to America, and Quixote was never finished.

Hers and Welles' first project together, which began filming in 1967, was The Deep (1970) starring Jeanne Moreau and Laurence Harvey. It was abandoned in 1969 and left unfinished - one of the couple's many projects that fell through.