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Tony Sokol Feb 13, 2020

Last summer's Aladdin made Disney rich enough to impress a princess. Studio stands by its oath loyalty to a sequel or three.

There's still a lot of gray area, but after the billion-dollar success of last summer’s reboot, Disney is developing a sequel to Aladdin, according to Variety. Director Guy Ritchie is scheduled to return to the helm. Aladdin starred Will Smith as Genie, Mena Massoud as Aladdin and Naomi Scott as Jasmine, who are expected to take another ride on the carpet.

Aladdin 2 will be an original story and not follow the sequels to 1992's Aladdin, 1994's The Return of Jafar or Aladdin and the King of Thieves (1996), which went straight-to-dvd. The Aladdin 2 screenplay will be written by John Gatins, who was nominated for an Academy Award for writing the Denzel Washington film Flight, and Andrea Berloff, who was nominated for an Oscar...

As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out. The great movie factories were so prolific, none of them have succeeded in making anything like all their major works available on the repertory circuit, home video, television, or streaming, but Fox now seems particularly indifferent to providing any access to their catalog, so focusing on them seems fair. I hope to illuminate the movies Fox ought to be proud of, and a few you couldn't blame them for wanting to hide under a rock.Oh, and we're doing it chronologically, so first up is a crummy kids' film from 1917.Aladdin and the Wonderful Lamp is directed by workhorses Sidney and Chester M. Franklin, perhaps best remembered for the Dorothy Gish...

Films by Charlie Chaplin, Cecil B. DeMille, and Buster Keaton are among the “hundreds of thousands” of books, musical scores, and motion pictures that will enter the public domain on January 1, according to The Atlantic. All of the works were first made available to audiences in 1923, four years before the introduction of talkies. Due to changed copyright laws, this will be the largest collection of material to lose its copyright protections since 1998.

Artists looking to incorporate black-and-white era throwbacks into their modern creations will have lots of new options. The Atlantic consulted unpublished research from Duke University School of Law’s Center for the Study of the Public Domain, which shared with IndieWire a list of 35 films that will soon become available to all.

“Our list is therefore only a partial one; many more works are entering the public domain as well, but the relevant information to confirm this may...