Swallow

The acting and visuals are great. the story line lacked that punch that could have made this a 7 or 8.

the story is sad but just didn't connect with me and i was dissapointed with the end

6.1

This movie is a perfect example of choosing a secure comfortable life over dreadful, unloving parents and uncaring family. It has been portrayed in many scenes that she wanted to be genuinely loved.

She once asked her husband 'Do you love me unconditionally?'. Also, She loves the garden and he explains about morning glories when her husband ignores her.

There were a lot of cues representing her mental dilemma and trauma. Her mother-in-law asks her 'You fake it till you make it. Are you done faking it?' So clearly she knows that her daughter-in-law struggling but she chooses to ignore it.

Also when explaining to her therapist she says 'My mom doesn't resist me and step-dad is great and sisters love me'.. and then there will be tears. Which means everything is opposite.

Subtle cues made an unloving girl start eating things which she likes just to feel 'she is in control' and she eats things which are indigestible just to portray her own life ..... SHE CAN NOT DIGEST HER LIFE.

An interesting take on a weird condition, Swallow is well-crafted, very captivating film. Yet it feels like it lacks depth, like it lacks a real vision of the world and the characters at its core beyond its aesthetic qualities. A film worth watching but in my opinion it is a bit vacuous.

An extremely self-aware A-to-Z psychological thriller about taking back your life through rituals of control, complete with patriarchal caricatures and metaphors of intrusion left and right (think Aronofsky's "mother!"--but a dark comedy).

Approaches the level of Snakes on a Plane or Teeth on self-aware high-concept absurdity, yet manages to be taken seriously thanks to a great performance by lead actress Haley Bennett, lush cinematography, and a constant stream of creative ways to push the autonomy message over the top (the first frames of the film are close-ups of farm-to-plate preparation of lamb meat).

Swallow is destined to be a cult-classic. It's the quintessentially bold, fun, and unique indie film festival offering (Anna and the Apocalypse was that film for me last year).

Highly recommended, but not for the squeamish.

A disturbing & distressing story of loneliness, trauma, compulsion & isolation that's driven by an exquisitely layered performance from its leading lady, Swallow follows a pregnant housewife living a seemingly idyllic but emotionally stifling domestic life until she develops an obsession that allows her to break free from her controlled & submissive environment.

Written & directed by Carlo Mirabella-Davis in his feature directorial debut, the story utilises a compulsive eating disorder as its narrative tool to cover a woman's journey from a subdued & compliant wife to regaining control over her body & life. The silent camerawork & gradual pace fit the premise, while the neat yet suffocating ambience aptly reflect her own domiciliary existence.

While it is unnerving & uncomfortable to watch her new obsession take over her life, even more unsettling is the lack of empathy from her husband & his parents as they tighten their grip over her life after learning about her psychological disorder. This is one story that never would've made it to the finish line without a strong performance to steer it through, and Haley Bennett more than delivers in that role.

Overall, Swallow is far from an easy sit and is also uneven at times but it manages to create intrigue & interest with its offbeat approach & eccentric story, and exhibits sophistication in several aspects. Bennet's fab performance is the glue that holds it together but if you went in expecting a psychological horror with good dose of thrills, then this indie is bound to leave behind a slightly underwhelming aftertaste. Still not for the squeamish.