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Seitenwechsel

Originaltitel: Passing
  • 2021
  • 12
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
6,6/10
17.228
IHRE BEWERTUNG
Seitenwechsel (2021)
Adapted from the celebrated 1929 novel of the same name by Nella Larsen, PASSING tells the story of two Black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Academy Award nominee Ruth Negga), who can "pass" as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance in late 1920s New York.
trailer wiedergeben1:53
6 Videos
48 Fotos
Period DramaDramaMysteryThriller

"Passing" folgt dem unerwarteten Wiedersehen zweier Highschool-Freunde, deren erneute Bekanntschaft eine gegenseitige Obsession entfacht, die ihre beiden sorgfältig konstruierten Realitäten ... Alles lesen"Passing" folgt dem unerwarteten Wiedersehen zweier Highschool-Freunde, deren erneute Bekanntschaft eine gegenseitige Obsession entfacht, die ihre beiden sorgfältig konstruierten Realitäten bedroht."Passing" folgt dem unerwarteten Wiedersehen zweier Highschool-Freunde, deren erneute Bekanntschaft eine gegenseitige Obsession entfacht, die ihre beiden sorgfältig konstruierten Realitäten bedroht.

  • Regie
    • Rebecca Hall
  • Drehbuch
    • Rebecca Hall
    • Nella Larsen
  • Hauptbesetzung
    • Tessa Thompson
    • Ruth Negga
    • André Holland
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    17.228
    IHRE BEWERTUNG
    • Regie
      • Rebecca Hall
    • Drehbuch
      • Rebecca Hall
      • Nella Larsen
    • Hauptbesetzung
      • Tessa Thompson
      • Ruth Negga
      • André Holland
    • 179Benutzerrezensionen
    • 184Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 4 BAFTA Awards
      • 34 Gewinne & 126 Nominierungen insgesamt

    Videos6

    Official Trailer
    Trailer 1:53
    Official Trailer
    Passing
    Trailer 2:04
    Passing
    Passing
    Trailer 2:04
    Passing
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    Clip 2:17
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    Clip 2:45
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    Clip 2:32
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    Clip 3:49
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    Fotos48

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    + 41
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    Topbesetzung36

    Ändern
    Tessa Thompson
    Tessa Thompson
    • Irene
    Ruth Negga
    Ruth Negga
    • Clare
    André Holland
    André Holland
    • Brian
    Bill Camp
    Bill Camp
    • Hugh
    Gbenga Akinnagbe
    Gbenga Akinnagbe
    • Dave
    Antoinette Crowe-Legacy
    Antoinette Crowe-Legacy
    • Felise
    Alexander Skarsgård
    Alexander Skarsgård
    • John
    Justus Davis Graham
    Justus Davis Graham
    • Ted
    Ethan Barrett
    • Junior
    Ashley Ware Jenkins
    • Zulena
    Stu S. Becker
    • Cabbie
    Tom White
    Tom White
    • Attendant
    Margaret Daly
    Margaret Daly
    • Woman #1
    Kerry Flanagan
    Kerry Flanagan
    • Woman #2
    Buzz Roddy
    • Officer
    Derek Roberts
    Derek Roberts
    • Guest
    Amos J. Machanic
    • Ralph Hazelton
    • (as Amos Machanic)
    Amber Barbee Pickens
    Amber Barbee Pickens
    • Dancer
    • (as Amber Pickens)
    • Regie
      • Rebecca Hall
    • Drehbuch
      • Rebecca Hall
      • Nella Larsen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen179

    6,617.2K
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    Empfohlene Bewertungen

    6katiefanatic-791-306918

    Too much suspense of belief.

    I am a ethnically ambiguous latina. I am half Mexican, half Costa Rican, but always get mistaken for middle eastern so this premise intrigued me. Right away though, this film is a mess. I commend Rebecca Hall's efforts to honor her own history in wanting to acknowledge the black in her family but if you're gonna cast black actresses that pass for white, these two ain't it. You need a meghan markle type, ESPECIALLY for the Tessa Thompson role. Thompson is CLEARLY black. I can't blame Hall for the story. She's working off a book, but it was just silly. All of it. It didn't make sense, it felt disjointed. It felt like two different movies. If that was the point, congrats. If not, whoops!
    8sweidman-28016

    Rebecca Hall Can Direct!

    Passing had me worried going in. With Rebecca Hall's directorial debut, this seemed like something that could go well or horribly wrong. What we've all learned from this is that Rebecca Hall is no longer just a good actress, but also a director. A novel adaption, the film follows the unexpected reunion of two high school friends, whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities. There's a lot to digest here. The script is really thought provoking. It deals with race, gender, sexuality, and much more - sometimes even without mentioning it. Today's climate has evolved so much since the 20s (I believe it's the 20s), but this all still feels so relevant. Tessa Thompson and Ruth Negga give incredible performances. Truly some of the best work they've done. André Holland has a supporting role that he also does well with. Every frame has something to say, whether it's symbolic or straightforward. The use of gorgeous black and white cinematography at a 4:3 aspect ratio speaks so much. The production design is pleasing to look at along with the costumes. It's a really beautiful film to look at. I liked Passing a little more than most. Some have felt the slowness is too much and that it's too quiet. I did think it take a minute to get into but I thought this was extremely well made. A minor issue I had was with the sound. They all talk so quietly that it can be hard to hear sometimes. Hall explained during the Q&A that she intended it to be quiet, but it could've used more work. Honestly, I think we have an early awards contender for next year. The film speaks about race in a way no other has.
    6evanston_dad

    Admirable First Effort

    "Passing" is an admirable freshman directorial effort from actress Rebecca Hall, but the film feels too tightly controlled to ever fully come alive.

    Ruth Negga (looking a bit like Joan Blondell) and especially Tessa Thompson give strong performances as two old friends and maybe more who run into each other again in New York City after years apart. Negga's character is passing for white and has married a vile biggot. Thomspson's character is in a sexless marriage with a doctor and is living a well to do life in Harlem. The act of passing in a racial context is the catalyst for the movie's plot, but the film explores the ways in which all of us are passing for something. It asks the question: Can those we love ever truly know us, and further, can we ever truly know ourselves?

    A large number of Americans right now seem to be having trouble dealing with reality as it actually exists, so I thought a movie about people creating their own realities in an effort to make their lives better, or at least more comfortable, would feel more immediate and tuned in to the times. But Hall keeps such tight control of the reins that the film can't breathe. It's like she wanted so much to avoid any missteps with this sensitive issue that she inadvertently sucked the life out of it.

    Still, the movie does have some things to recommend it. I've mentioned the performances, but it also looks gorgeous, filmed in pristine black and white by Eduard Grau. I'm excited to see what Hall does next, because she has a terrific eye. She just needs to relax.

    Grade: B.
    6AvionPrince16

    Interesting shots but lack of storytelling and. Purpose

    I dont really know what to think about the movie. It have a great ambience and atmosphere and the look white and black is pretty well made. But you need to be warned that the movie is very slow and threat a racial theme. But i didnt find any purpose of this movie and what it want us to think about it. I found 2 womens talk about their lifes and what they loved. Its like two friends who just meet and. Spend times together. Social condition is mentionned but i found it pretty superficial. It still pleasant to watch and some shots were pretty interesting but it clearly lack of storytelling. The visual lack also of storytelling and purpose. Still have a good moment to watch it but nothing more. I didnt find any messages or moral about the movie or surprise. The end is pretty rushed i suppose and it end pretty quick in my opinion. A little bit disappointing about the movie. I excpected more mysteries, suspense and more but nothing at all.
    6i_odin

    Promising but falters in between

    Passing, based on a novel of same name, is a promising story. The premise is unique and draws attention towards a significant aspect of history. And hence makes this adaptation particularly challenging. On certain aspects the film suceeds but the film carries certain fundamental flaws of storytelling which prevents it from being something extraordinary.

    Coming to positives, this film is excuisitly pictured. Each frame is designed like a painting. The performances are magical. And the music is enchanting.

    But the problem lies on storytelling. In a hurry to adapt the whole novel as it is, certain nuances of character building are missing. The writing is not clear enough to present the ideas it is trying to implement. Sometimes even certain stylistic choices hinders the narrative.

    The film starts very well but it fails to captivate in between.

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    • Wissenswertes
      In casting the two main characters, Rebecca Hall said she had to find two actors that could play either role, because both of them are so seduced by and interested in each other's lives. Ruth Negga agreed, suggesting that if they were doing it as a stage play, the actors could trade roles every other night. Tessa Thompson, however, demurred: "I would never want to play Clare. I love Ruth in this part so much, I wouldn't have done it."
    • Patzer
      The toy cars in the early stage of the movie were not possible to be made in the '20s as the toy cars from that era could not be produced at contemporary precision. Such precision was not possible until the '90s. Toy cars from the '30s usually had blunt axles without transparent windows nor interior.
    • Zitate

      Irene: We're all passing for something or other, aren't we?

    • Verbindungen
      Featured in CBS News Sunday Morning: 10-24-2021 (2021)
    • Soundtracks
      The Homeless Wanderer
      Written and Performed by Emahoy Tsegué-Maryam Guèbrou

      Courtesy of The Emahoy Tsege Mariam Music Foundation

    Top-Auswahl

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    FAQ17

    • How long is Passing?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 10. November 2021 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
      • Kanada
    • Offizieller Standort
      • Official Netflix
    • Sprache
      • Englisch
    • Auch bekannt als
      • Passing
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • AUM Group
      • Film4
      • Flat Five Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.37 : 1

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