Als der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erlebenAls der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erlebenAls der visionäre Architekt László Toth und seine Frau Erzsébet 1947 aus dem Nachkriegseuropa fliehen, um ihr Erbe wieder aufzubauen und die Geburt des modernen Amerikas zu erleben
- Regie
- Drehbuch
- Hauptbesetzung
- 3 Oscars gewonnen
- 136 Gewinne & 344 Nominierungen insgesamt
Ausgewählte Rezension
"Brutalist," much like the architectural style it's named after, is imposing, cold, and ultimately, quite boring. This film, which chronicles the decades-spanning career of an ambitious architect, aims for epic grandeur but instead delivers a bloated and convoluted narrative that collapses under its own weight.
While the film boasts a striking visual style, meticulously recreating period details and crafting impressive architectural set pieces, this commitment to aesthetic flourishes comes at the expense of a compelling story. We are presented with a series of loosely connected vignettes, each more ponderous than the last, detailing the triumphs and tribulations of a man more cipher than character.
The film's central problem is its length. Clocking in far too long, "Brutalist" feels like a never-ending tour of a building you've already seen every corner of. The complicated, multi-stranded plot, only adds to the confusion, leaving the audience struggling to piece together a narrative that feels unnecessarily fragmented.
Ultimately, "Brutalist" is a classic case of style over substance. It's a film that clearly prioritizes visual spectacle over emotional resonance, leaving the viewer feeling impressed but ultimately detached. It's a beautifully constructed edifice with nothing inside, a testament to the fact that even the most impressive facade can't mask a hollow core. This film is less a moving story and more an endurance test, a stark reminder that bigger isn't always better, and that sometimes, less is truly more. Save your time and admire a well-designed building instead.
While the film boasts a striking visual style, meticulously recreating period details and crafting impressive architectural set pieces, this commitment to aesthetic flourishes comes at the expense of a compelling story. We are presented with a series of loosely connected vignettes, each more ponderous than the last, detailing the triumphs and tribulations of a man more cipher than character.
The film's central problem is its length. Clocking in far too long, "Brutalist" feels like a never-ending tour of a building you've already seen every corner of. The complicated, multi-stranded plot, only adds to the confusion, leaving the audience struggling to piece together a narrative that feels unnecessarily fragmented.
Ultimately, "Brutalist" is a classic case of style over substance. It's a film that clearly prioritizes visual spectacle over emotional resonance, leaving the viewer feeling impressed but ultimately detached. It's a beautifully constructed edifice with nothing inside, a testament to the fact that even the most impressive facade can't mask a hollow core. This film is less a moving story and more an endurance test, a stark reminder that bigger isn't always better, and that sometimes, less is truly more. Save your time and admire a well-designed building instead.
- TheBigSick
- 19. Jan. 2025
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere is no Brutalist-style church in Doylestown, Pennsylvania. In terms of the building, Brady Corbet's source of inspiration is St. John's Abbey Church in Collegeville, Minnesota. Based on the plans by Hungarian-born, Bauhaus-educated modernist architect Marcel Breuer from 1953, this complex was completed in 1961 and comprises a church, library, dormitory accommodation, science department, and a center for ecumenical research. Constructed to accommodate 1,700 individuals, it is trapezoidal in shape, with a white granite altar end raised upon a circular platform. The church is naturally illuminated by low windows, the entrance, and an amber roof-light. A crucifix is suspended above the altar.
- PatzerIn a 1950s scene in Pennsylvania USA, during the card-playing, money put on the table includes US one-dollar bills with bright green ink, indicating they are Federal Reserve Notes, first issued in 1963. One-dollar Silver Certificates, having blue and black ink on the front, are appropriate for the era.
- Zitate
László Tóth: Is there a better description of a cube than that of its construction?
- Crazy CreditsA recreation of the 1950s VistaVision logo is shown during the opening logos.
- Alternative VersionenIn India, some sexual content (visuals of genitals, a black-and-white porn clip and an intimate scene involving a prostitute) was censored by the Central Board of Film Certification for theatrical release. Also, anti-smoking spots as well as static disclaimers for scenes of smoking/drinking/drug consumption were added.
- VerbindungenFeatured in The 7PM Project: Folge vom 10. Dezember 2024 (2024)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El Brutalista
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 16.279.129 $
- Eröffnungswochenende in den USA und in Kanada
- 266.791 $
- 22. Dez. 2024
- Weltweiter Bruttoertrag
- 49.270.647 $
- Laufzeit3 Stunden 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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