IMDb-BEWERTUNG
6,3/10
27.992
IHRE BEWERTUNG
Ein Blick in den Tag im Leben des Assistenten einer mächtigen Führungskraft.Ein Blick in den Tag im Leben des Assistenten einer mächtigen Führungskraft.Ein Blick in den Tag im Leben des Assistenten einer mächtigen Führungskraft.
- Auszeichnungen
- 4 Gewinne & 25 Nominierungen insgesamt
James C.B. Gray
- Postal Worker
- (as James Gray)
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Let's just say, that whoever did this, has experience when it comes to the life of an assistant. There is nothing fancy here and the ticks and tocks are subtle and not in your face. The life of an Assistant is not glamouros (in realityt that is and in the way it is depicted here) - this could easily be a documentary then.
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
This was my life for 5 years in my 20s. Dreadful and boring; being treated like complete crap by anyone in positions of authority save a few people, being ignored, asked to smile more, dress more or less sexy, catcalled, and asked to do things that were morally wrong for myself. So I relate to this movie. Some may find it boring but if you've worked in a toxic environment whether your male or female you'll see similarities that aren't always picked up on. Brilliantly done.
Following on from the Harvey Weinstien scandal and other instances of sexual abuse and harrassment by the rich and powerful I'm sure movies like "The Assistant" are going to become more common place but I doubt if many of them will be this strange, this unsettling or indeed this good. Although fiction, "The Assistant" looks and feels like it could be a documentary and Kitty Green, whose first feature this is, does indeed come from a documentary background.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
Very accurate and realistic representation of a work day in a life of the newly assigned assistant to the boss, who's a creep and uses his status to fulfill his desires.
Do not expect anything graphic - everything is done very subtle and all the bad stuff happens behind the scenes.
Do not expect any action either - it is all just as low key and as mundane as it sounds like.
I recommend it, if knowing all that you're still up for it.
Do not expect anything graphic - everything is done very subtle and all the bad stuff happens behind the scenes.
Do not expect any action either - it is all just as low key and as mundane as it sounds like.
I recommend it, if knowing all that you're still up for it.
"It's not my place to question your decisions. I'm grateful for the continued opportunity." Jane (Julia Gardner) to her boss (Tony Torn)
Jane is a recent college grad who has taken a new job in the city with a media-related firm that has her as an assistant who fears more will be asked of her than the usual go-fer tasks. The above quote just about summarizes her abasement after Boss discovers Jane has complained to HR about his seemingly-predatory practices with young aspirants.
Writer-director Kitty Green has perceptively caught in The Assistant what we all suspected from the Harvey-Weinstein debacle-the sexism and sexual harassment that seem almost a part of a low-level young woman's job description. Plain Jane is constantly on camera, frequently in closeups and peering around the office finding stains on the couch she must clean and compromising conversations she must overhear. These shots do nothing to make her appealing other than to mark her as a good girl caught in compromising situations.
With little affect, Jane is the willing subordinate who might compromise herself should Boss advance on her but who probably is free of the harassment because she is "not his type." So says the HR officer, who listens to her concerns about her boss's predations with new or potential hires.
This scene should be seen by anyone who wants a feel for the imbalances in Weinstein-like worlds, where HR just might tell what you complained about to the Boss and co-workers, and where the fear that she might be fired if she complains keeps her from formally complaining. Jane must be complicit by not complaining or she will lose her precious job. Green makes a compelling case for the gloomy perspective through scenes that demean the protagonist and the office crew.
The Assistant has a Seinfeld theme of being about nothing but really everything. The rumbles are underneath the surface and almost undetectable, so the surface seems cool and accommodating. Yet, looking at Jane's bland face and seeing her capitulate to power and advancement makes on want to certify every minute Harvey stays behind bars.
Jane is a recent college grad who has taken a new job in the city with a media-related firm that has her as an assistant who fears more will be asked of her than the usual go-fer tasks. The above quote just about summarizes her abasement after Boss discovers Jane has complained to HR about his seemingly-predatory practices with young aspirants.
Writer-director Kitty Green has perceptively caught in The Assistant what we all suspected from the Harvey-Weinstein debacle-the sexism and sexual harassment that seem almost a part of a low-level young woman's job description. Plain Jane is constantly on camera, frequently in closeups and peering around the office finding stains on the couch she must clean and compromising conversations she must overhear. These shots do nothing to make her appealing other than to mark her as a good girl caught in compromising situations.
With little affect, Jane is the willing subordinate who might compromise herself should Boss advance on her but who probably is free of the harassment because she is "not his type." So says the HR officer, who listens to her concerns about her boss's predations with new or potential hires.
This scene should be seen by anyone who wants a feel for the imbalances in Weinstein-like worlds, where HR just might tell what you complained about to the Boss and co-workers, and where the fear that she might be fired if she complains keeps her from formally complaining. Jane must be complicit by not complaining or she will lose her precious job. Green makes a compelling case for the gloomy perspective through scenes that demean the protagonist and the office crew.
The Assistant has a Seinfeld theme of being about nothing but really everything. The rumbles are underneath the surface and almost undetectable, so the surface seems cool and accommodating. Yet, looking at Jane's bland face and seeing her capitulate to power and advancement makes on want to certify every minute Harvey stays behind bars.
Wusstest du schon
- WissenswertesThe drugs Jane puts in the storage box are Alprostadil injections for erectile dysfunction.
- PatzerIt has been noted as a "revealing mistake" that Jane has a driver in the morning but not in the evening. There are two plausible plot lines for this: 1. It is critical for Jane to be at work earlier than anyone to prepare the office for the day, so having her driven to the office is worth the expense, but not so important at the end of the work day; and 2. her boss was headed to L.A. that night and was using the driver for airport transport. Both plot lines continue the theme of Jane having value only when it is convenient or worthwhile to the overall office.
- Zitate
Boss: [Over the phone] I'm not gonna yell at you. Am I yelling? No... Because you're not someone even worthy of that. Because you didn't even have the fucking courtesy to talk to me about whatever the fuck fantasy you decided to spew all over me... So, let me ask, do you want to keep this job?
Jane: Yeah.
Boss: Okay... Then send me a fucking apology.
- VerbindungenFeatured in IMDb Originals: A Salute to Women Directors (2020)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- La asistente
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.100.313 $
- Eröffnungswochenende in den USA und in Kanada
- 79.141 $
- 2. Feb. 2020
- Weltweiter Bruttoertrag
- 1.338.881 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Seitenverhältnis
- 2.00 : 1
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