Eine Schriftstellerin verliert ihr Gedächtnis. Treiben in NYC.Eine Schriftstellerin verliert ihr Gedächtnis. Treiben in NYC.Eine Schriftstellerin verliert ihr Gedächtnis. Treiben in NYC.
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I cannot understand some people's idea of film making and their point or storyline. This is slow, confused, boring, and to a greater extent, senseless!
If it wasn't for the lead actress this film would never have seen the light of day.
If it wasn't for the lead actress this film would never have seen the light of day.
It's good but could've been better. It has an interesting idea, I mean it's just awesome to see Vanessa Kirby walking around NYC and talking to strangers, but the execution is moderate. The editing is messy and annoying. And the screenplay has holes, it needs some more depth. All in all, it's far from being a masterpiece and might be confusing to some but it's still watchable.
Saw that this had a pretty low rating but after watching the trailer, figured maybe it was unfairly judged and I'd give it a go.
I honestly don't think I have the artistic perspective or cerebral capacity to fully understand what the plot was, and the worst part is that I really can't be bothered to care to after watching it. It started off promising but never went anywhere satisfying. There are a few "ah-ha!" moments that didn't work because of the format of the film. It's very scattered. It probably makes complete sense to the writer but the viewer needs something to gnaw on, too. I can appreciate films taking liberties and trying something new but it just does not work here. It's not cohesive enough for the average viewer and I doubt there's enough for arthouse-lovers either. Some might classify it as style-over-substance or even pretentious but I feel like there is something here, it's just not fully realized.
The performances, particularly the ones given by the "teenagers" were actually very good and felt genuine, the camerawork was okay (except for the time they literally lost the actors walking, but maybe that was intentional), sound design and score was good, but it was ultimately a jumbled mess.
The biggest issue for me was: it was boring. It's shorter than most movies but still felt like a slog because I was left guessing until the credits rolled with only brief interludes of interesting characters that never meant much to me even though they're supposed to. If you are going to undertake something more freeform and have the capacity to make an otherwise fine movie from a technical standpoint, and hired a competent actress, why not invest in your main character? You know, the one that the entire movie revolves around and has to carry the audience's attention 'til the end? The way that the story is set up supposedly disallows this and it's a detriment to its ability to create any investment from the viewer.
My prediction was it was going to turn out to be a young author stricken by early-onset dementia or had some form of trauma-related amnesia triggered by something "mundane" on the streets of New York. There were even things that cemented my theories. I thought, surely, sticking with it would pay off in some way. But no, by the end, you're just left with a few decent puzzle pieces of filmmaking while some of the most important ones are lost, leaving you with an incomplete picture.
Most viewers will find themselves asking for their time back, unfortunately. However, if you are someone who can simply enjoy any ride, maybe you'll get something out of this that the rest us couldn't.
I honestly don't think I have the artistic perspective or cerebral capacity to fully understand what the plot was, and the worst part is that I really can't be bothered to care to after watching it. It started off promising but never went anywhere satisfying. There are a few "ah-ha!" moments that didn't work because of the format of the film. It's very scattered. It probably makes complete sense to the writer but the viewer needs something to gnaw on, too. I can appreciate films taking liberties and trying something new but it just does not work here. It's not cohesive enough for the average viewer and I doubt there's enough for arthouse-lovers either. Some might classify it as style-over-substance or even pretentious but I feel like there is something here, it's just not fully realized.
The performances, particularly the ones given by the "teenagers" were actually very good and felt genuine, the camerawork was okay (except for the time they literally lost the actors walking, but maybe that was intentional), sound design and score was good, but it was ultimately a jumbled mess.
The biggest issue for me was: it was boring. It's shorter than most movies but still felt like a slog because I was left guessing until the credits rolled with only brief interludes of interesting characters that never meant much to me even though they're supposed to. If you are going to undertake something more freeform and have the capacity to make an otherwise fine movie from a technical standpoint, and hired a competent actress, why not invest in your main character? You know, the one that the entire movie revolves around and has to carry the audience's attention 'til the end? The way that the story is set up supposedly disallows this and it's a detriment to its ability to create any investment from the viewer.
My prediction was it was going to turn out to be a young author stricken by early-onset dementia or had some form of trauma-related amnesia triggered by something "mundane" on the streets of New York. There were even things that cemented my theories. I thought, surely, sticking with it would pay off in some way. But no, by the end, you're just left with a few decent puzzle pieces of filmmaking while some of the most important ones are lost, leaving you with an incomplete picture.
Most viewers will find themselves asking for their time back, unfortunately. However, if you are someone who can simply enjoy any ride, maybe you'll get something out of this that the rest us couldn't.
The movie did have a style and the movie did have some performances but i just didn't care at all, not only the person but the story and all of that, i just didn't care, at in the end Italian Studies is just a waste of time especially when the movie was less than 80 minutes, it's boring and it feels so long and that's because i did not invest or care about anything inside the movie.
Oh my god. This is complete incoherent junk. Mubmbling no talent acting and script that seems to be improvised by idiots and which goes nowhere. Zero stars.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- İtalyanca Dersleri
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 5.895 $
- Eröffnungswochenende in den USA und in Kanada
- 3.401 $
- 16. Jan. 2022
- Weltweiter Bruttoertrag
- 5.895 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
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Oberste Lücke
By what name was Italian Studies (2021) officially released in India in English?
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