Die kleine Annemarie

Although the concept of a 32 year old woman portraying a 12 year old girl might be a stretch for today's

sophisticated audiences,in the 1920's this was what the fans of Mary Pickford desired and expected from their favorite star. The opening scene displays Annie's tomboyish character as the apparent leader of a multi-ethnic street gang in comic "battle" with a rival group. The sight of a young girl being socked in the jaw and kicked may be a bit crude, but the scene is played in such an "Our Gang" fashion that it would be hard to take any of this seriously. Anyway, Annie can dish it out as well as take it. Once Annie returns to her tenement home and replaces her street duds with more girlish attire, it becomes more difficult (especially in close-ups) to imagine this beautiful young woman as a street urchin. However, for those who can muster the required suspension of disbelief, the rest of the movie has it's rewards. Vacillating between comedy (Annie's gang puts on a show) to sentiment (Annie plans a birthday surprise for her Irish policeman father) to tragedy (her father is killed on his birthday), the film gives Mary ample opportunity to display a range of emotions that would please her fans of any era.

Of course the requisite "happy ending" is eventually achieved; the evildoers are apprehended with the help of Annie's friends and rivals and she is last seen in the company of her pals riding down a busy thoroughfare on a sunny day. Which is a good a way as any for a Mary Pickford movie to end.

LITTLE ANNIE ROONEY (United Artists, 1925), directed by William Beaudine, stars Mary Pickford in one of her famous signature roles, that of a pre-teen girl in the POLLYANNA tradition. Though now a grown woman in her thirties, being of short stature, she was able to be convincing playing a character much younger in her years, down to her blonde curls and pony tails. Playing an Irish girl, naturally she is tough but charming, even characterized as a "wildcat" by one of the neighborhood kids. Yet this is what the public liked, and very much preferred, and for this, Pickford gave them what they wanted playing not Miss, but Little Annie Rooney.



Taken from a story by Catherine Hennessey, the opening title reads, "Uptown a gang calls itself "society," - downtown a gang calls itself a gang - and let it go at that. LET'S GO DOWNTOWN. Following a scenic view of the New York City tenements of multi-ethnic residents ranging from Negroes, Jews, young and old, but most of all, the Irish, including a young tomboy named Little Annie Rooney (Mary Pickford). Following a gang fight started by little Mickey Kelly (Joe Butterworth), leader of the "Kid Kellys," sworn to make life miserable for Annie by singing the title song she hates. Annie has a father (Walter James), a widower who not only copes with his daughter and older son, Tim (Gordon Griffith), but his beat being the officer of the law by profession. Also in the area of the slums is Mickey's older brother, Joe (William Haines), leader of the "Big Kelly Gang." Aside from being a loafer "whose hardest work is selling tickets to a dance or benefit," he also hangs out with a gang of crooks, including Tony (Carlo Schipa) and Spider (Hugh Fay). Even though Annie takes an interest in Joe, Officer Rooney warns this young man to change his ways. On the night of Rooney's birthday, where his children prepare a celebration for him, a fight breaks out at the Pansy Club Dance where Rooney gets shot and killed in the dark. One of the gang members puts the blame on Joe, leading Annie to prevent her brother from avenging her father's murder. Others in the cast include: Spec O'Donnell (Abey Levy); Viola Vale (Mamie); and Eugene Jackson (Humidor).

A fine mix of humor and sentiment in the Pickford tradition that no doubt made LITTLE ANNIE ROONEY a box office success in 1925. Mary, director Beaudine, and co-star, O'Donnell would reunite the following year in SPARROWS (1926), hailed by many to be Pickford's best or most memorable performance. Director Beaudine keeps the pace going here, even through the first hour of plot development, character introduction and daily activities take precedence before changing to the basics are provided. Showing children together of all ethnic background makes one think of the Hal Roach "Our Gang" comedy shorts featuring children as the center of attention. Other than street fights where Annie isn't afraid to fight with the boys, there's also a scene where the kids stage a neighborhood play for a benefit.

By the time of Mary Pickford's death in 1979, several of her silent movie works were distributed as part of the rediscovery of her movies that haven't been shown in decades, especially LITTLE ANNIE ROONEY and SPARROWS, presented either in revival movie houses or public television as LITTLE ANNIE ROONEY did on New York City's WNET, Channel 13, June 1, 1979 . Part of the Paul Killian collection, LITTLE ANNIE ROONEY had been shown on television to excellent William Perry piano scoring, even including that old tune to "Little Annie Rooney." This was the print used for home video by Blackhawk Films in the 1990s as well as Turner Classic Movies (TCM premiere, September 19, 1999), before restoration and re-scoring took place around 2014 and television broadcasts thereafter.

Regardless of visual restoration to this fine movie with additional footage, the new orchestral scoring, found on DVD and TCM, is unsatisfactory, giving it a different feel, taking away from the film's initial enjoyment from its 1970s "The Silent Years" television series appeal. Not to be confused with MISS ANNIE ROONEY (United Artists, 1942), starring Shirley Temple as a remake or sequel, the original LITTLE ANNIE ROONEY comedy-drama ranks one of many Pickford titles that deserves modern-day recognition. (***)

Rambunctious Little Annie Rooney (Mary Pickford) lives in a poor tenement and leads her gang of fellow pre-teens in fighting against another group of kids. Her father is a respected incorruptible neighborhood policeman. Her brother Tim is hanging around the wrong crowd.

Thirty three year old Pickford returns to playing a child as she had done earlier in her career. It may seem unnatural for this work but there is a modern equivalent TV show right now. Pen15 has two young women around thirty playing 13 year olds around other actual 13 year olds. The comedy works because the surreal element allows more comedy to be injected. Once that happens, it can slip in some real heartfelt drama. That's what's happening here in this movie. It's great that the movie starts with that tenement fight between the two groups of kids. It's fun and the hilarity opens up the heart. Pickford was once a great Hollywood star and this shows why.

...written by and starring Mary Pickford, with direction by William Beaudine. Pickford plays the title role, a young girl who runs with a gang of innocently delinquent kids in the Bowery area. Her older brother Tim (Gordon Griffith) runs with the older boys who are little more than gangsters. Annie's beloved pa (Walter James) is a beat cop who is liked and respected by the multi-ethnic immigrant community. When tragedy strikes, and Little Annie is devastated, things look like they may take an even darker turn in response. Also featuring William Haines.

Pickford was 33 when she filmed this, still playing a juvenile. Her short stature, combined with larger sets and tall co-stars, help sell her casting. Pickford is very charming, as are many of the kids in her gang. Schipa was also good as the hot-tempered Tony. I enjoyed seeing the camaraderie between the disparate racial and immigrant population, among them Irish, Greek, Italian, Jewish, Chinese and black. Showing this kind of unity is especially touching in today's increased tribalism, nationalism, and anti-immigrant sentiment.

Honestly, if you're thinking of seeing your first ever silent film, this probably shouldn't be the one you see. Things like a 33-year-old actress playing a child are a little bizarre even if you think you're used to the style of the era. But as a showcase for Mary Pickford, it's a great film. The story and pacing is a little uneven, but her acting is excellent. The Flicker Alley DVD is a beautiful restoration and the score on the DVD is fascinating - not old-fashioned like a "typical" silent film score but not so modern like some other scores (usually for movies like Nosferatu or Metropolis) that are so good at making things seem terrifying or futuristic - I think it's a good fit for the movie, which is not horror or science fiction but has a little bit of just about every other genre you could imagine. Basically, you're in for quite a ride when you watch this movie. So glad this was available on DVD!