Charlie Chan in Honolulu

A fun opening scene: a dinner table crowded with Chans of all sizes. Charlie (Sidney Toler) tries briefly to quiet down his offspring and enforce some manners; they listen politely to his proverb and then go right back to grabbing food and yelling.

Lots of family involvement in this Charlie Chan picture, especially in the first half. A Chan daughter is about to deliver a first grandchild, to the excitement of all. Number two son Jimmy (Sen Yung) wants to be a detective and has even made business cards: "I bet I could be the best in the islands," he tells his pop, "with your help." 10-year-old Tommy Chan (the hilarious Layne Tom, Jr.) has the same detecting bug as Jimmy.

With Charlie off at the maternity hospital, a case inevitably develops—it's a murder on a ship just arrived in port. Jimmy and Tommy ill-advisedly start the investigation on their own; soon enough, Jimmy nearly gets himself thrown overboard for impersonating an officer. Of course, Charlie arrives on board just in time to rescue him: "Young squirt merely chip masquerading as block."

Eventually, the picture does settle down into a nice study of several suspects. The great George Zucco is suspicious-looking Dr. Cardigan; Phyllis Brooks is a woman travelling with $300,000 in cash and is the only witness to the murder; Richard Lane and Marc Lawrence are a cop and prisoner on their way home to the States; Claire Dodd is a mysterious female who may be keeping some secrets; and Robert Barrat is the ship's captain who can't wait to get his cargo back out to sea. Eddie Collins is comic relief as a scaredy-cat animal trainer in charge of a lower hold full of zoo animals.

It's a pretty good mystery and throws suspicion back and forth quite well; although I've seen this one before, I couldn't remember who did it and I couldn't guess, either!

While this is the first film in the series for both Sidney Toler and Sen Yung, both seem so familiar in their roles that it's hard to evaluate them as newcomers—apparently that's a good indication that both stepped in and became instantly at home.

More humor than most Chan pictures, but solid all the way around.

Warner Oland had died and Sidney Toler took over the role of Charlie Chan. While Lee is apparently in college, Number Two son, Jimmy, becomes the one aspiring to be a detective. During a rather tiresome beginning involving the birth of a grandchild, there is some banter between father and son and other child. While Charlie is at the hospital with the entire here, one of the boys gets a call about a murder aboard a ship. Jimmy and his stowaway brother end up on the ship, impersonating honorable father. In addition to two woman, a strange man who sleeps with a lion, is a weird character played by George Zucco, who was in many horror films. He has a kind of fish tank where he keeps a brain alive. Anyway, things go from bad to worse. One of the women came aboard with 300,000 dollars. It is soon missing. There are numerous suspects and eventually Charlie gets wind of his son's bumbling activities (not terrible, just not very insightful) and heads for the ship. This isn't a bad transition for the series as Toler picks up pretty well where his predecessor left off. This Chan, at least for now, is a bit harsher.

This has to be the wildest of the Charlie Chan movies I've seen. It was Sidney Toler's first effort in the lead role, replacing Warner Oland, and it featured more comedy than any other Chan film to that point.

In this film, Chan and his number two son Tommy, his number five son Charlie Jr., and others including a doctor who keeps a live brain in his suitcase, all provide laughs. Along the way is a funny-faced lunatic animal keeper and a lion on the loose. They provide a lot of laughs.

As far as suspects go, there is a strange psychiatrist (the one with the portable brain), two pretty women, two ship's captains, a guy disguised as a cop and his suspect. I told you it was wild. It's too difficult to figure out "whodunnit," so you just sit back and enjoy the wild action and humor.

Yeah, it's silly.....but it''s tremendously enjoyable.

Fairly good blend of comedy and mystery. There's been a murder aboard ship in Honolulu and Charlie must leave his clan and expectant daughter-in-law to investigate. Highlight for me is George Zucco doing his mad scientist routine with usual straight face. Here he collects human brains in bottles, and when he grabs Jimmy Chan (Sen Yung) to measure his head, it's funnier than all the other antics combined. Fine cast, including fast-talking Dick Lane, sinister Marc Lawrence, Kewpie-doll Phyllis Brooks, and the much-underrated Claire Dodd with a force to her that's good enough for A-pictures. Also, it's a sprightly Sydney Toler in his first turn as the Chinese detective. For me, the rotund rubber-faced Eddie Collins is a matter of taste, but he does have his moments with the pet lion (likely left over from another production). Anyway, it's a good fast 60 minutes with a well-developed array of suspects and a number of chuckles.

This was the first Chan film in which Sidney Toler took over the main role from Warner Oland, and he is immediately masterful and acceptable in the part of the Asian detective. I didn't expect to enjoy Toler, not only since I am an Oland fan, but because my first exposure to him was through seeing one of his later mediocre Monogram Chan quickies from the '40s. But this debut has Toler in fine and confident form.

The film begins with a humorous dinner at the Chan home, with Charlie's wife and 10+ children. We quickly establish who the detective is and where he comes from, and then we see that his enthusiastic #2 son Jimmy (well played by Victor Sen Yung) is as excited about being a detective as his older #1 brother Lee had been in the Oland series. When a call arrives for Chan to investigate a murder aboard a small freighter, son Jimmy intercepts and decides to impersonate his dad to get some quality sleuthing in. Some fun happenings ensue before Charlie Chan himself gets wind of it and ultimately joins Jimmy on board to handle the case.

This is an all-around entertaining chapter in the series, with assistance too from George Zucco, as one of the mysterious suspects aboard the ship who collects criminal brains. There are some annoying bits by one of those typical "silly 1930s funnymen" used for comic relief in the mix, but what makes it all work is how effortlessly Sidney Toler and Sen Yung slip into their roles formerly undertaken by Warner Oland and Keye Luke, as the new father and son. *** out of ****