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IMDbPro

Ich tanze nur für dich

Originaltitel: Dancing Lady
  • 1933
  • Approved
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
6,8/10
2803
IHRE BEWERTUNG
Clark Gable, Joan Crawford, Jean Alden, Gail Arnold, Lee Bailey, Lynn Bari, Bonita Barker, Kathryn Barnes, Esther Brodelet, Edna Callahan, Lorena Carr, Shirley Chambers, Dalie Dean, Shirley Deane, Dorothy Dearing, Dale Dee, Florine Baile, Elizabeth Cooke, Alan DeAstray, Francis Belmont, and Louis Delgardo in Ich tanze nur für dich (1933)
SlapstickComedyMusicalRomance

Füge eine Handlung in deiner Sprache hinzuAn attractive dancer is rescued from jail by a rich man who helps her to have her first big opportunity at a musical play on Broadway.An attractive dancer is rescued from jail by a rich man who helps her to have her first big opportunity at a musical play on Broadway.An attractive dancer is rescued from jail by a rich man who helps her to have her first big opportunity at a musical play on Broadway.

  • Regie
    • Robert Z. Leonard
  • Drehbuch
    • Allen Rivkin
    • P.J. Wolfson
    • James Warner Bellah
  • Hauptbesetzung
    • Joan Crawford
    • Clark Gable
    • Franchot Tone
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    2803
    IHRE BEWERTUNG
    • Regie
      • Robert Z. Leonard
    • Drehbuch
      • Allen Rivkin
      • P.J. Wolfson
      • James Warner Bellah
    • Hauptbesetzung
      • Joan Crawford
      • Clark Gable
      • Franchot Tone
    • 60Benutzerrezensionen
    • 18Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Fotos45

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    Topbesetzung99+

    Ändern
    Joan Crawford
    Joan Crawford
    • Janie Barlow
    Clark Gable
    Clark Gable
    • Patch Gallagher
    Franchot Tone
    Franchot Tone
    • Tod Newton
    May Robson
    May Robson
    • Dolly Todhunter - Tod's Grandmother
    Winnie Lightner
    Winnie Lightner
    • Rosette LaRue
    Fred Astaire
    Fred Astaire
    • Fred Astaire
    Robert Benchley
    Robert Benchley
    • Ward King
    Ted Healy
    Ted Healy
    • Ted Healy's Stooges
    • (as Ted Healy and His Stooges)
    Arthur Jarrett
    Arthur Jarrett
    • Art Jarrett
    • (as Art Jarrett)
    Grant Mitchell
    Grant Mitchell
    • Jasper Bradley, Sr.
    Nelson Eddy
    Nelson Eddy
    • Nelson Eddy
    Maynard Holmes
    Maynard Holmes
    • Jasper Bradley, Jr.
    Sterling Holloway
    Sterling Holloway
    • Pinky - the Show's Author
    Gloria Foy
    • Vivian Warner
    Moe Howard
    Moe Howard
    • Moe - Stagehand
    Curly Howard
    Curly Howard
    • Curly - Stagehand
    • (as Jerry Howard)
    Larry Fine
    Larry Fine
    • Harry - Pianist
    Shirley Aaronson
    • Chorus Girl
    • (Nicht genannt)
    • Regie
      • Robert Z. Leonard
    • Drehbuch
      • Allen Rivkin
      • P.J. Wolfson
      • James Warner Bellah
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen60

    6,82.8K
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    7blanche-2

    MGM jumps on that 42nd Street bandwagon

    Like the other studios, MGM wasted no time cashing in on the success of 42nd Street with its own backstage musical, complete with ersatz Busby Berkeley choreography.

    This one is "Dancing Lady," and she's young Joan Crawford costarring with Franchot Tone and Clark Gable. A dancer named Fred Astaire makes his official film debut, and Nelson Eddy pops in for a song.

    Crawford is an ambitious dancer being pursued by a rich boyfriend (Tone), but she's blinded by the footlights of Broadway. He helps her out by getting her into a show directed by tough guy Gable, and when he sees her talent and perseverance, he gives her the "top spot" in the show. Of course, he's attracted to her, too, and she to him.

    It's easy for all of them to be attracted to one another because they're all gorgeous. 30 years after this film, Franchot Tone would play a dying President in "Advise and Consent"...and look it. Here he's a smooth dazzler in his top hat, tails, brilliant smile and dimples.

    Gable is muscular, sexy, and rough around the edges. Crawford sparkles with her athletic figure, beautiful legs, and surely a pair of the most spellbinding eyes ever in film. She is perfection in her Adrian outfits.

    Though she does well in her big number with Astaire, Crawford really was from the Ruby Keeler School of Hoofing - lots of arms, big steps, and a ton of noise.

    The musical itself - uh, "Dancing Lady" - is tuneful and pleasant, and its spectacular finale gives one the impression that Louis B screamed for the kitchen sink - Berkeley-type choreography, a Nelson Eddy solo, and Astaire.

    It's wonderful to see these stars so young and energetic, and they are all great to watch. Look for an uncredited appearance by a blond Eve Arden and Lynn Bari somewhere in the chorus. Lots of fun from MGM.
    7Incalculacable

    What a swell movie!

    'Dancing Lady' (1933) is about a woman (Joan Crawford) who lives to dance. After being arrested for dancing at a burlesque house, she meets a rich playboy (Franchot Tone), who, behind the scenes, paves the way for her to get her big break. Clark Gable is the director of the musical and makes you fall in love with him! Joan Crawford is a reasonable dancer - no Fred Astaire or Eleanor Powell - but she is quite good.

    This lavish glossy Busby Berkley-ish musical dazzles you from start to finish! A combination witty, quick lines, the appeal of the stunning Joan Crawford and dashing Clark Gable plus some great songs and dances makes this 1933 movie a mega hit! This movie went surprisingly fast and was a pleasure to watch. Definitely recommend it.
    7lugonian

    Burlesque to Broadway

    "Dancing Lady" (MGM, 1933), directed by Robert Z. Leonard, with David O. Selznick credited as executive producer, became MGM's introduction into the new cycle of backstage musicals that began with "42nd Street," "Gold Diggers of 1933" and "Footlight Parade," all for Warner Brothers. But what makes this particular backstage story stand apart from the others is the casting of its leading players in offbeat roles. First there is Joan Crawford as Janie Barlowe, a burlesque dancer who not only struggles to succeed, but strives for success. In spite of her wanting to become a dancer, she gets very little screen time in doing so. And when she does dance, it appears more strange than different from the usual dancing style of others. Second, there is Clark Gable as Patch Gallagher, the director of stage musicals with a rough exterior and a kind heart, but tries not to show it. With this being the fourth Crawford and Gable pairing, the two work quite well together, and it shows on screen. But any movie that has The Three Stooges (Moe Howard, Larry Fine and Jerry "Curly" Howard); Fred Astaire and Nelson Eddy as themselves performing in the stage numbers; Winnie Lightner, formerly of Warner Brothers, appearing in her sole venture at MGM , as Rosette Henrietta LaRue, occupation "hip swinging," along with some bizarre production numbers, one presenting Joan Crawford in long blonde pig tails and Fred Astaire in mustache, both unrecognizable dancing in Bavarian clothes, is worth seeing at all costs.

    The plot is simple: Set in New York City, 1933, a burlesque theater where Janie Barlowe (Joan Crawford) is performing, is raided by the police, sending all the employees who are unable to pay the fine, to serve thirty days in jail. One of the patrons, Tod Newton (Franchot Tone), a millionaire playboy with limited morals and overabundance of girlfriends, comes to court and takes an interest in Janie. He decides to not only bail her out of jail, but offers her marriage. But Janie, determined to succeed as a dancer, chances her odds by taking Tod's second offer, by accepting a job in the chorus in one of Patch Gallagher's (Clark Gable) musical shows, which Tod is backing. At first things are a little rough for Janie when she tries to get through an audition, having Gallagher's assistant, Steve (Ted Healy) and Stooges (Moe, Larry and Jerry, a/k/a Curly) giving her the "brush off" before Steve comes to realize that Janie really does have plenty of talent and convinces Patch to hire her. The rest becomes cliché from there, with little conviction, but above all else, "Dancing Lady" in its 92 minutes, became a box office success and helped to boost Crawford's then sagging career. But unlike the Warner Brothers entries, "Dancing Lady" had very little exposure on local television revivals over the past few decades, but with the help of MGM/UA Video and cable's Turner Classic Movies, where it is shown frequently, it can be rediscovered by a new generation of movie lovers or curiosity seekers.

    Songs featured include: "Hey, Young Fella" (sung by chorus); "Hold Your Man" (sung by Winnie Lightner), by Arthur Freed and Nacio Herb Brown; "Everything I Have Is Yours" (sung by Art Jarrett) by Harold Adamson and Burton Lane; "My Dancing Lady" (sung by Jarrett during rehearsals) by Dorothy Fields and Jimmy McHugh; "Tango Dance," "Heigh Ho, the Gang's All Here" (sung by chorus/ with Joan Crawford and Fred Astaire); "Let's Go Bavarian" (chorus/ Crawford and Astaire) both by Adamson and Lane; "That's the Rhythm of the Day" (sung by Nelson Eddy) by Richard Rodgers and Lorenz Hart; and "My Dancing Lady" (sung by chorus).

    The production numbers, directed by Sammy Lee and Eddie Prinz, try not to duplicate the choreography of Busby Berkeley over at Warners. Aside from only one overhead camera shot, the camera virtually remains focused from the audience point-of-view. The finale, however, with chorus girls riding on a carousel that forms some unusual mirror effects, is quite clever, but otherwise, the staged show comes off with four brief musical segments with an orchestral score coming in loud and clear and sounding like ragtime from the 1920s. A stage number that was deleted from the final print of "Dancing Lady" can be seen in one of MGM's musical short subjects, that sometimes plays on TCM's ONE REEL WONDERS.

    In the supporting cast are May Robson as Dolly Todhunter, Tod's hard-of-hearing grandmother; Robert Benchley as Ward King, a critic; Gloria Foy as Vivian Warner; with Sterling Holloway, Maynard Holmes and Grant Mitchell. Along with lavish sets, "Dancing Lady" presents some risqué dialog and scenes (such as Crawford getting a pat on her "fanny" by Gable, with her response being, "Thank you!"), that tries to outdo the daring-dos at Warners, and almost succeeds. There is even a kissing scene between Crawford and Tone in the swimming pool from under water. Aside from this being the movie debuts of future stars, Fred Astaire and Nelson Eddy, there is Art Jarrett, another newcomer who sings like future tenor, Dennis Day, but never made it to immortality. In conclusion, one has to have a quick eye to find future movie and TV comedienne Eve Arden as Marcia, the phony Southern actress, appearing in a brief bit. (***)
    6brianina

    MGM goes to 42nd Street, sort of

    Where else are you going to see Joan Crawford dancing to the accompaniment of The Three Stooges? Add to that Winnie Lightner with a Shirley Temple hairdo doing a striptease, Fred Astaire in his screen premiere and enough Art Deco to fill a warehouse.

    However, for those used to the Warner Brothers musicals of that time, "Dancing Lady" does have its drawbacks. The pace is a good bit slower (over 90 minutes with only two complete musical numbers!) and the choreography has little of the saucy snap Berkeley was providing at the WB. Joan Crawford isn't as bad in the Terpsichore department as everyone has said, even holding her own against Astaire. The drawbacks are the songs which are putrid. The Astaire-Crawford number is "Let's Go Bavarian" as they sing about the glories of beer! One can only hope Hitler saw it and got indigestion. MGM does have one advantage over the more famous competition; Clark Gable, who brings a good bit more heat to the screen than Warner Baxter. One pre-code moment: in the last musical number historical figures march through an arch which turns them into modern characters. A knight in armor goes under and turns into a mincing handkerchief-waver!
    schappe1

    A Hollywood Curio

    Perhaps the most eclectic cast in movie history. Here we have Clark Gable and Joan Crawford, Franchot Tone in his man-about-town mode, Fred Astaire playing himself in his movie debut, Nelson Eddy in his second film, Robert Benchley contrasting with Ted Healy and the Three Stooges, (in by far their most prominent role before the TV era) and even a young Eve Arden. Gable spends the film snarling at everybody and demanding that they produce a "modern, up-to-date musical" that's about what's happening now. Somehow this morphs into a finale in which Astaire and Crawford are prancing about in liederhosen, (which has a relevance to 1933 they perhaps didn't anticipate). What it all proves it that MGM, while it had the know-how to make the greatest musicals of all-time in the 1940's and 1950's, just didn't quite "get it" yet in 1933. RKO and Warners were still miles ahead of them.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Co-stars Franchot Tone and Joan Crawford were married from 1935-39. They made seven films together between 1933-37.
    • Patzer
      Ted Healy's The Three Stooges have small parts in the movie as stagehands. (at around 28 mins) Larry asks Moe, "How are you in the country?" Moe slaps Larry, at which time a large bridge or other dental appliance shoots out of Larry's mouth, bounces off of Curly, and falls to the floor. None of the other cast members seem to notice, and Larry stays in character and continues to deliver his lines.
    • Zitate

      Patch Gallagher: Yes, yes, yes, the top spot. Where if you drop, you've got twice as far to fall. Maybe I'm a sap for trying. And maybe I can make something out of you if you can stand up when I get through with you.

      Janie 'Duchess' Barlow: I've got good legs, Mr. Gallagher.

      Patch Gallagher: Yes, so I've noticed, but don't let them run away with you.

    • Verbindungen
      Edited into The Big Idea (1934)
    • Soundtracks
      Hold Your Man
      (1933) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      Sung and Danced by Winnie Lightner and chorus

    Top-Auswahl

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    FAQ17

    • How long is Dancing Lady?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 12. Oktober 1934 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • YouTube - Video
    • Sprache
      • Englisch
    • Auch bekannt als
      • Dancing Lady
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Budget
      • 923.055 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 32 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Clark Gable, Joan Crawford, Jean Alden, Gail Arnold, Lee Bailey, Lynn Bari, Bonita Barker, Kathryn Barnes, Esther Brodelet, Edna Callahan, Lorena Carr, Shirley Chambers, Dalie Dean, Shirley Deane, Dorothy Dearing, Dale Dee, Florine Baile, Elizabeth Cooke, Alan DeAstray, Francis Belmont, and Louis Delgardo in Ich tanze nur für dich (1933)
    Oberste Lücke
    By what name was Ich tanze nur für dich (1933) officially released in India in English?
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