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IMDbPro

Gefährliche Flitterwochen

Originaltitel: Above Suspicion
  • 1943
  • Approved
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,5/10
2615
IHRE BEWERTUNG
Joan Crawford and Fred MacMurray in Gefährliche Flitterwochen (1943)
DramaThrillerWar

Füge eine Handlung in deiner Sprache hinzuOxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of ... Alles lesenOxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of World War II.Oxford Professor Richard Myles and his new bride Frances are off on a European honeymoon. It isn't the typical honeymoon: they are on a spying mission for British Intelligence on the eve of World War II.

  • Regie
    • Richard Thorpe
  • Drehbuch
    • Keith Winter
    • Melville Baker
    • Patricia Coleman
  • Hauptbesetzung
    • Joan Crawford
    • Fred MacMurray
    • Conrad Veidt
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    2615
    IHRE BEWERTUNG
    • Regie
      • Richard Thorpe
    • Drehbuch
      • Keith Winter
      • Melville Baker
      • Patricia Coleman
    • Hauptbesetzung
      • Joan Crawford
      • Fred MacMurray
      • Conrad Veidt
    • 41Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos31

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    Topbesetzung99+

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    Joan Crawford
    Joan Crawford
    • Frances Myles
    Fred MacMurray
    Fred MacMurray
    • Richard Myles aka Edward Smith
    Conrad Veidt
    Conrad Veidt
    • Hassert Seidel
    Basil Rathbone
    Basil Rathbone
    • Sig von Aschenhausen
    Reginald Owen
    Reginald Owen
    • Dr. Mespelbrunn
    Richard Ainley
    Richard Ainley
    • Peter Galt
    Cecil Cunningham
    Cecil Cunningham
    • Countess
    Ann Shoemaker
    Ann Shoemaker
    • Aunt Ellen
    Sara Haden
    Sara Haden
    • Aunt Hattie
    Felix Bressart
    Felix Bressart
    • Mr. A. Werner
    Bruce Lester
    Bruce Lester
    • Thornley
    Johanna Hofer
    Johanna Hofer
    • Frau Kleist
    Lotte Palfi Andor
    Lotte Palfi Andor
    • Ottilie
    • (as Lotta Palfi)
    George Aldwin
    • Student
    • (Nicht genannt)
    Edit Angold
    • German Woman
    • (Nicht genannt)
    Frank Arnold
    • Poet at Frisky Rabbit
    • (Nicht genannt)
    Felix Basch
    • Guide
    • (Nicht genannt)
    Frederick Bauer
    • German Boy
    • (Nicht genannt)
    • Regie
      • Richard Thorpe
    • Drehbuch
      • Keith Winter
      • Melville Baker
      • Patricia Coleman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen41

    6,52.6K
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    Empfohlene Bewertungen

    6blanche-2

    pleasant

    Well, if Joan Crawford didn't know the end was near for her at MGM, she knew it when she was handed "Above Suspicion," based on the novel of the same name by Helen MacInnes. I read the novel years ago and confess I don't remember much of it.

    The year is 1939, before war breaks out. Crawford plays a newlywed, and Fred MacMurray her American husband, who teaches at Oxford. The couple are asked by the foreign office to track down someone while honeymooning in Germany, a man who can help the Allies regarding a German secret weapon. This weapon is a magnetic water bomb that is pulled to a ship and explodes. At first, it's fun; then it becomes dangerous.

    This is an entertaining film in part thanks to a good cast of Crawford, MacMurray, Basil Rathbone, and Conrad Veidt. There are some suspenseful sequences. There is also some real stuff of spy books and films - special hats, song codes, codes on maps and in books.

    "Above Suspicion" doesn't seem very big budget and despite some Bavarian costumes and quaint German towns, it's all Hollywood set. Given the huge films Crawford took part in at MGM, this black and white movie must have seemed like a come-down. It was. Louis B didn't want over the hill actresses - i.e., those over 30. There's nothing special about her part, which could have been done by any MGM stock player. And at 38, for those days, she was a little old to be a bride. Better things were on the horizon for Crawford, though she couldn't have known it at the time.

    Worth seeing.
    8barzinsamimi

    Above Suspecion is an Excellent piece of intrigue, fun and entertainment

    Those wonderful movies of the past. The film's setting is in the days prior to the outbreak of the Second World War. Although it would have been highly unlikely that British Intelligence would have asked two non-Britishers and non-professionals to do a bit of spying for them which could turn very dangerous for them and give the whole thing away plus creating an international scandal (the World War had not yet started), yet it is always interesting to see how it would have developed. Good slick direction by Mr. Thorpe, excellent acting by Mr. McMurray and specially by Miss Crawford, excellent set design which does not forget the overcoats needed on the Brenner Pass between Austria (in the Film the country is called Southern Germany) and Itally (which did not get into the War until 1940). Good to see two decent people doing the right thing for the right cause endangering their own lives to get away from the Nazi and back to safety. Good work and fun to watch and don't forget the inimitable Mr. Veidt. He should have been in Hollywood a decade earlier.

    Barzin Samimi

    Tehran, Iran
    secondtake

    Weak story a bit out of synch, but the American odd couple lead a convincing charge into Nazi land

    Above Suspicion (1943)

    An odd movie even for its time, being clearly anti-Nazi and a bit of an American adventure on behalf of the British, but set in the months before the war began, earlier 1939. Yet it was made and was released in the thick of the war, four years later, well after even the Americans were involved. It must have seemed a bit lightweight at the time, and it certainly is a bit breezy now, too.

    Joan Crawford is at her best when life is going wrong, when the screws are applied or when she has to be a tough and independent women. Here she plays a cheerful and rather carefree newlywed. What Crawford character is truly carefree? Well, in this case her husband is perfectly cast, because Fred MacMurray knows what carefree is better than anything. When the Nazi threat becomes violent, things turn out rather okay, at least at first. The only other actor of note is the Nazi figure, played by the guy who plays Sherlock in all those B-Movie Sherlock Holmes films, Basil Rathbone, and you can't quite make him out as the evil menace he needs to be.

    Of course, our leading odd couple has been chosen for this mission by some knowing British officials who see the American innocence as a perfect cover for what is actually pretty dangerous stuff. And the movie, despite all these essential weaknesses, is really fun and a bit dramatic and very well made. Yes, it's a good movie, if far from a great one in either importance or effect.

    The director, Richard Thorpe, is one of the step-in-when-needed guys with a bunch of B-movies under his belt, and an assortment of mediocre oddballs (a Tarzan movie, the last Thin Man, a Presley movie--Jailhouse Rock--some Westerns, and so on). It might be a miracle this is as workable as it is. The script is fair, but the mood and the setting is terrific. And really, as mismatched as they seem, Crawford and MacMurray are not half bad together. They certainly are trying very hard.
    Doylenf

    Entertaining, light-hearted spy yarn with Joan and Fred in top form...

    If you like the kind of spy-romance yarns spun out by Hollywood in the 1940s--the kind with tongue-in-cheek dialogue that lets you know you're not supposed to take any of it too seriously--you'll enjoy this amusing, yet suspenseful film in which Conrad Veidt plays a "nice guy" for a change. Honeymooners Joan Crawford and Fred MacMurray are asked by British intelligence to do some spying while on their European jaunt. The agreeable pair go along with a plan that has them on the trail of an agent and in and out of dangerous situations as they are pursued by Basil Rathbone, chilling as usual as a Nazi.

    Good entertainment with some amusing dialogue and light-hearted performances by Joan and Fred that indicate they should have been teamed more than once. As it is, this is Joan Crawford's last film at Metro after seventeen years with the studio and comes just two years before "Mildred Pierce" at Warners. Good cast and fine production values make it an absorbing treat.
    Michael_Elliott

    Decent WWII Thriller

    Above Suspicion (1943)

    ** 1/2 (out of 4)

    By-the-numbers WWII drama from MGM has Joan Crawford and Fred MacMurray playing newlyweds who are asked by the government to do some spying as they make their way into Nazi controlled territory. ABOVE SUSPICION was one of the hundreds of films turned out by Hollywood to motivate or at least pursued the country to support the war and to show how evil the Nazi party was. With so many films in this sub-genre it's always hard to find a "great" film and this here certainly isn't one of them. While the film remains slightly entertaining from start to finish, there's really no way to deny the fact that there's just nothing overly special here and it's also incredibly uneven. I say uneven because the tone of the film seems to change from one scene to the next. Sometimes you feel as if you're watching some sort of light comedy and then the next minute everything is being handled so heavily. At times there seems to be a wink-wink going on between the two leads and then the next second everything is back to being dead serious. I thought the entire tone of the film was just wrong and it was incredibly hard for me to believe the story or take it too serious. Both Crawford and MacMurray are good in their roles, although I'm not so sure they play were together. I really didn't buy them as a married couple and I also didn't buy them working together on these missions. Conrad Veidt is good in his role as a good German and Basil Rathbone steals the film as the evil German. Reginald Owen has a good supporting part as well. Again, at just 90-minutes the film moves well enough but there's just not enough going on here to make it worth watching except for fans of the cast.

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    • Wissenswertes
      This was the final film Joan Crawford made under her long-term contract with MGM, where she had been for the past eighteen years. Frustrated at being continuously offered what she considered second rate scripts, shortly after completing this, Crawford chose to buy out her studio contract (at great personal expense) and continue her career elsewhere. It was nearly two years later that she appeared in her next leading role, Solange ein Herz schlägt (1945) at Warner Brothers, for which she won the 1945 Academy Award as Best Actress.
    • Patzer
      The song that represents Oxford in the film is the Eton Boating Song.
    • Zitate

      [on their wedding night, a policeman appears at the Myles's hotel room door demanding Richard's depart with him immediately]

      Frances Myles: This is no time for a practical joke.

      Const. Jones: It's no joke, ma'am.

      Frances Myles: It's not practical, either.

    • Verbindungen
      Referenced in Unfinished Business (1985)
    • Soundtracks
      The Wedding March
      (1843) (uncredited)

      from "A Midsummer Night's Dream, Op.61"

      Music by Felix Mendelssohn

      In the score after Frances and Richard's wedding

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • Mai 1943 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
      • Deutsch
      • Arabisch
    • Auch bekannt als
      • Bajo sospecha
    • Drehorte
      • Mount Wilson, Kalifornien, USA
    • Produktionsfirma
      • Loew's
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    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Joan Crawford and Fred MacMurray in Gefährliche Flitterwochen (1943)
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