Ein Versicherungsvertreter lässt sich zur Planung eines Mordes und Versicherungsbetrugs überreden, der schließlich den Verdacht eines Versicherungsdetektivs erregt.Ein Versicherungsvertreter lässt sich zur Planung eines Mordes und Versicherungsbetrugs überreden, der schließlich den Verdacht eines Versicherungsdetektivs erregt.Ein Versicherungsvertreter lässt sich zur Planung eines Mordes und Versicherungsbetrugs überreden, der schließlich den Verdacht eines Versicherungsdetektivs erregt.
- Für 7 Oscars nominiert
- 5 Gewinne & 9 Nominierungen insgesamt
Lev Abramov
- Stage Hand
- (Nicht genannt)
James Adamson
- Pullman Porter
- (Nicht genannt)
John Berry
- Bit Part
- (Nicht genannt)
Raymond Chandler
- Man Reading Magazine Outside Keyes' Office
- (Nicht genannt)
Edmund Cobb
- Train Conductor
- (Nicht genannt)
Kernan Cripps
- Conductor
- (Nicht genannt)
Betty Farrington
- Nettie - Dietrichsons' Maid
- (Nicht genannt)
Bess Flowers
- Norton's Secretary
- (Nicht genannt)
Ausgewählte Rezension
No need to recap the plot or echo consensus points.
From the minute he sees her slinking down the stairs in that spangled ankle bracelet, he's hooked. Walter Neff's already boarded that long, lonely trolley down the one-way track. Yes indeed, sultry Phyllis appears to be just the ticket he's been looking for. Great noir classic. All in all, Neff should have paid attention to that other member of the oddball triangle. Old man Keyes may be a born cynic, but despite himself, he's a father figure looking for a son to take his place, and warning Neff about the "Margie's" of the world. What he doesn't know is that this "Margie" definitely doesn't drink out of a bottle. What's more, Neff's already chosen to ride with the flashy crowd, get out of that dumpy apartment, and get into Phyllis's vicious little insurance swindle. As Keyes tellingly remarks, "You're not smarter than the rest, Walter, just a little taller." I like to think that Walter finally realizes his folly in that brilliant final scene, even if it is too late. Still, the film's cynical veneer is misleading. Because beneath all the deceits, betrayals, and ironies, lies a lighted match and one of the odder father-son relationships in Hollywood annals.
From the minute he sees her slinking down the stairs in that spangled ankle bracelet, he's hooked. Walter Neff's already boarded that long, lonely trolley down the one-way track. Yes indeed, sultry Phyllis appears to be just the ticket he's been looking for. Great noir classic. All in all, Neff should have paid attention to that other member of the oddball triangle. Old man Keyes may be a born cynic, but despite himself, he's a father figure looking for a son to take his place, and warning Neff about the "Margie's" of the world. What he doesn't know is that this "Margie" definitely doesn't drink out of a bottle. What's more, Neff's already chosen to ride with the flashy crowd, get out of that dumpy apartment, and get into Phyllis's vicious little insurance swindle. As Keyes tellingly remarks, "You're not smarter than the rest, Walter, just a little taller." I like to think that Walter finally realizes his folly in that brilliant final scene, even if it is too late. Still, the film's cynical veneer is misleading. Because beneath all the deceits, betrayals, and ironies, lies a lighted match and one of the odder father-son relationships in Hollywood annals.
- dougdoepke
- 23. Apr. 2013
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesAuthor James M. Cain later admitted that if he had come up with some of the solutions to the plot that screenwriters Billy Wilder and Raymond Chandler did, he would have employed them in his original novel.
- PatzerWhen Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes, even back then, but it does give Phyllis something to hide behind and increases the tension.
- Zitate
[last lines]
Walter Neff: Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya.
Barton Keyes: Closer than that, Walter.
Walter Neff: I love you, too.
- Crazy CreditsOpening credits are shown over a silhouette of a man on crutches, walking toward the camera.
- VerbindungenEdited into Tote tragen keine Karos (1982)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Pacto de sangre
- Drehorte
- 6301 Quebec Drive, Hollywood Hills, Los Angeles, Kalifornien, USA(Dietrichson house)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 927.262 $ (geschätzt)
- Weltweiter Bruttoertrag
- 21.026 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1
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