New Wave director Claude Chabrol goes off in an odd direction with this Francophone adaptation of Hamlet. Convinced that his father was murdered, the heir to an estate behaves like a madman as he sets out to unmask the killers. The ‘castle’ is a country manse guarded by thugs as a precaution against the signeur’s striking union workers. Special added attraction: the stars to see are Alida Valli and Juliette Mayniel of Eyes without a Face.
Ophélia
Blu-ray
Olive Films
1963 / B&W / 1:66 widescreen / 104 min. / Street Date April 25, 2017 / available through the Olive Films website / 29.95
Starring: Alida Valli, Juliette Mayniel, Claude Cerval, André Jocelyn, Robert Burnier, Jean-Louis Maury, Sacha Briquet, Liliane Dreyfus (David), Pierre Vernier.
Cinematography: Jacques Rabier, Jean Rabier
Film Editor: Jacques Gaillard
Original Music: Pierre Jansen
Written by Claude Chabrol, Paul Gégauff, Martial Matthieu from a play by William Shakespeare
Produced and Directed by Claude Chabrol
I suppose...
Ophélia
Blu-ray
Olive Films
1963 / B&W / 1:66 widescreen / 104 min. / Street Date April 25, 2017 / available through the Olive Films website / 29.95
Starring: Alida Valli, Juliette Mayniel, Claude Cerval, André Jocelyn, Robert Burnier, Jean-Louis Maury, Sacha Briquet, Liliane Dreyfus (David), Pierre Vernier.
Cinematography: Jacques Rabier, Jean Rabier
Film Editor: Jacques Gaillard
Original Music: Pierre Jansen
Written by Claude Chabrol, Paul Gégauff, Martial Matthieu from a play by William Shakespeare
Produced and Directed by Claude Chabrol
I suppose...
- 25.4.2017
- von Glenn Erickson
- Trailers from Hell
What are your three top noirs you'd love to see discussed this month? I mean besides the obvious choices like Gilda (a personal fav) and films we've discussed in the past few years already like Double Indemnity, Blood Simple, The Bigamist, and Woman in the Window.
Easy Access Fyi:
• Netflix has a paltry selection of Noir but they are offering Dressed to Kill, Don't Bother to Knock, Laura, and House on Telegraph Hill
• Amazon Prime is streaming The Killer is Loose, The Man in the Attic, The Hitchhiker, Shoot to Kill, Scarlett Street, Dark Passage, Strange Woman, Fear in the Night, The Stranger, Port of New York, Strange Illusion, Whistle Stop and Woman on the Run
• The new FilmStruck service has several foreign titles mostly from Japan and France...
Easy Access Fyi:
• Netflix has a paltry selection of Noir but they are offering Dressed to Kill, Don't Bother to Knock, Laura, and House on Telegraph Hill
• Amazon Prime is streaming The Killer is Loose, The Man in the Attic, The Hitchhiker, Shoot to Kill, Scarlett Street, Dark Passage, Strange Woman, Fear in the Night, The Stranger, Port of New York, Strange Illusion, Whistle Stop and Woman on the Run
• The new FilmStruck service has several foreign titles mostly from Japan and France...
- 10.11.2016
- von NATHANIEL R
- FilmExperience
By 1934 Boris Karloff was certainly no stranger to great movie entrances. In 1931, under the direction of James Whale, he seared his image, and that of the monstrous creation of Dr. Henry Frankenstein, into the collective consciousness by shuffling on screen and staring down his creator, and of course the terrified audience, embodying and fulfilling unspeakable nightmares. Frankenstein, an instant phenomenon, was one of 16 pictures Karloff made that were released in 1931.
And in the following year, 1932, in addition of Howard Hawks’ Scarface, Whale’s The Old Dark House and Charles Brabin’s The Mask of Fu Manchu, Karloff had another terrifying entrance in cinematographer-turned-director Karl Freund’s horror landmark The Mummy. As the title fiend, Imhotep, Karloff is first glimpsed in full bandage, sarcophagus laid open behind an unfortunate archaeologist who, engrossed in the parchments he’s discovered, doesn’t notice the mummy’s arm slide down from its bound position.
And in the following year, 1932, in addition of Howard Hawks’ Scarface, Whale’s The Old Dark House and Charles Brabin’s The Mask of Fu Manchu, Karloff had another terrifying entrance in cinematographer-turned-director Karl Freund’s horror landmark The Mummy. As the title fiend, Imhotep, Karloff is first glimpsed in full bandage, sarcophagus laid open behind an unfortunate archaeologist who, engrossed in the parchments he’s discovered, doesn’t notice the mummy’s arm slide down from its bound position.
- 27.3.2016
- von Dennis Cozzalio
- Trailers from Hell
If you’ve hunted around for movie bargains, you’ve probably seen some of Mill Creek Entertainment’s 50-Movie Packs on DVD. Apart from other great releases by Mill Creek, these packs are phenomenal boons to cinephiles looking to collect older titles.
There are three new packs available, and I want to not only let you in on a discount code, but I have one of the packs available for you to win.
I know a lot of people may be quick to overlook these packs, and not every movie included stands out as a major value, but there are some great titles in each of them, and fans of the genres will be pleasantly surprised by what they get out of the deal. I have to admit that there is something about seeing a 50-movie pack, especially when it doesn’t cost a couple of hundred dollars, or more,...
There are three new packs available, and I want to not only let you in on a discount code, but I have one of the packs available for you to win.
I know a lot of people may be quick to overlook these packs, and not every movie included stands out as a major value, but there are some great titles in each of them, and fans of the genres will be pleasantly surprised by what they get out of the deal. I have to admit that there is something about seeing a 50-movie pack, especially when it doesn’t cost a couple of hundred dollars, or more,...
- 10.5.2012
- von Marc Eastman
- AreYouScreening.com
In 1929, in a Berlin still in full artistic bloom—not yet ravaged by economic devastation or National Socialism—a group of young filmmakers pooled their creative resources to make a movie. The director: Robert Siodmak, who later found fame in Hollywood with dark-toned thrillers like The Killers and Criss Cross. His assistant: Edgar G. Ulmer, who went on to make the even-darker crime pictures Detour and Strange Illusion. The script was by Robert’s brother Curt, a science-fiction/horror novelist who later wrote the screenplays for The Wolf Man and I Walked With A Zombie. Curt was assisted by ...
- 13.7.2011
- avclub.com
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