Neuigkeiten

Luis Buñuel (left) and Jean-Claude Carrière (right).“The screenplay is not the last stage of a literary journey. It is the first stage of a film.” —Jean-Claude Carrière, The Secret Language of FilmThe screenwriting career of Jean-Claude Carrière begins with a gag. Or, it at least seems like a gag that one of the most prolific and distinguished of French screenwriters should have gotten his start by doing the very opposite of what he became known for—that is, by writing novelizations of two films. Having just published his first novel Lizard in 1957, the 25-year-old Carrière was approached by his publisher Robert Laffont to enter a curious writing contest. The prize? A commission to turn Jacques Tati’s Monsieur Hulot’s Holiday (1953) and Mon Oncle (1958)—the latter still in production at the time—into written works. Recalling the incident later on, Carrière writes: “I agreed, and won—thus deciding, although...

Dernier amour

French director Benoît Jacquot returns to period filmmaking with his 25th feature, Dernier amour (Casanova). Reuniting with Vincent Lindon, who also starred in Jacquot’s The School of Flesh (1998), Keep It Quiet (199) and his 2015 remake of The Diary of a Chambermaid, the cast is also comprised of Stacy Martin, esteemed Italian actress and director Valeria Golino, and Sri Lanka’s Antonythasan Jesuthasan. Produced by Kristina Larsen for Les Films du Lendemain and Jean-Pierre Guerin for Jpg films, the project is also notably co-produced by Jean-Pierre and Luc Dardenne.…...

Eva

Several months after premiering his Don DeLillo adaptation Never Ever out of competition in Venice 2016, the prolific Benoît Jacquot returned to work with Isabelle Huppert (with whom he has collaborated five times prior, including The Wings of the Dove, The School of Flesh, False Servant, Keep it Quiet, and Villa Amalia) for a remake of Joseph Losey’s 1962 film Eva, which starred Jeanne Moreau (Jacquot recently remade Bunuel’s The Diary of a Chambermaid, which also starred Moreau).

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