The Man with Nine Lives

A doctor researching "frozen therapy" seeks out Boris Karloff, the therapy's originator. Boris has been missing from his island laboratory for ten years. After ignoring requests to stay off the island by locals, the doctor and his beautiful nurse discover Boris frozen in secret caves beneath the lab. Boris has been frozen along with a host of villagers. Through flashback it is learned these others came to arrest Boris for murder ten years earlier and they all wound up being gassed and frozen. This is the proof Karloff needs to vindicate his research. He sets out to duplicate his accidental results, his methods become increasingly Machiavellian. Ultimately he is his own undoing. This movie is hard to catagorize. The film makers tried to add shock to an interesting scifi story. The film succeeds in spite of the efforts to punch it up. The acting is uneven but overall this is a top notch "B" effort. The science is very plausible, a rarity in old laboratory films. See it and be pleasantly surprised

"The Man with Nine Lives" is my second favourite Boris Karloff movie from "Columbia" after "The Devil Commands."

The man himself doesn't make his first appearance until about 25 minutes into the film but it hardly matters as he makes up for it.

The film strives for a more claustrophobic look and succeeds brilliantly.

The number of characters aren't many but that's the idea of it.

Karloff always had the knack of emoting both sympathy as well as menace.

The rather modest budget is obvious in places but this film is still worth the viewing.

It's an unusually intelligent storyline for a horror flick. In short, what are the ethical limits to scientific experimentation, even in finding a cure for cancer. Using what is now called "cryogenics", Dr. Kravaal (Karloff) crowds those limits while experimenting with a cancer cure on a remote island. Unfortunately, the promising experiments require live subjects who may not be so lucky. Dr. Mason (Pryor), one of the men trapped on the island with Kravaal, is torn by Kravaal's challenge to conventional ethics. So he's the one we sympathize with as we struggle with the same dilemma-- just how much can be sacrificed in finding a cure.

By no means does Karloff ham up his role. Instead he's perfect as a dedicated and distinguished medical scientist, more obsessed than evil. Except for actor Brown's overdone Adams, the rest of the cast also manages conflicted roles. Credit Columbia for the riveting sets-- for example, the cabin about to be eaten by dead plants, the many dingy underground scenes that really do look subterranean, the laboratory that really looks worked in. All in all, it's an unusually well mounted flick for its subject matter. If there's a problem, it's with the absence of a clear bad guy to heighten a sense of horror amid the dark surroundings. I don't get a sense of menace common to the genre. Instead, the 74-minutes is more like a "think piece", which all in all, may be more worthwhile than a good scare.

Boris Karloff plays Dr. Kravaal, a pioneer in human cryogenics who, at one time past, was conducting unethical experiments before he mysteriously vanished along with a small group of law officials who were apprehending him for his crimes at that time. We then fast forward ahead ten years to the 'present' day of 1940 where young Dr. Mason (Roger Pryor) and his fiancée/assistant, Judy (Jo Ann Sayers) are making great strides in the treatment of cancer patients through means of 'Frozen Therapy,' a process originally spearheaded by the missing Kravaal himself. Curious to know exactly what happened to the old doctor, Mason and Judy embark on a search to Kravaal's long abandoned residence. Descending many steps downward below the surface of his home, they discover the scientist mysteriously preserved alive inside his own ice chamber, along with the men who tried to arrest him. Once all the main players are revived, Kravaal remains as wrapped up in his experiments as ever, and is now determined to continue them at any price -- even if it means using the people around him as unwilling human guinea pigs. This was another in a series of similar mad doctor movies which Karloff made for Columbia Pictures in the 1940s. As far as this series go, this one is an interesting offering. **1/2 out of ****

It's not exactly a major shock that Boris Karloff plays a mad scientist in this film, though it is very unusual the way he plays this role. Instead of the evil twisted genius set on making monsters or ruling the world, Karloff's goals are incredibly noble. And, when he later kills, you really understand with and could possibly condone why he did this. The moral implications of the film are astounding! As for the rest of the film, the writing for this sort of B-movie is very good, the acting fine and production values work out well (proving you don't need a huge budget to make a good film). About the only negatives at all are the ending (I would have just ended the film a minute or two earlier without the unnecessary final scene) and a mistake in the film about how deep the lab was under the earth. In the beginning, they count 191 steps to the bottom of the shaft to the lab, but later, it's just a homemade ladder about 12 feet long. Regardless, it didn't harm the film in any serious way and the film is a very good 'mad scientist' flick that actually is good entertainment and well thought-out.