IMDb-BEWERTUNG
7,7/10
25.207
IHRE BEWERTUNG
Ein einarmiger Fremder kommt in eine kleine Stadt mit einer schrecklichen Vergangenheit, die er geheim halten will, wenn nötig mit Gewalt.Ein einarmiger Fremder kommt in eine kleine Stadt mit einer schrecklichen Vergangenheit, die er geheim halten will, wenn nötig mit Gewalt.Ein einarmiger Fremder kommt in eine kleine Stadt mit einer schrecklichen Vergangenheit, die er geheim halten will, wenn nötig mit Gewalt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 3 Oscars nominiert
- 4 Gewinne & 8 Nominierungen insgesamt
Walter Beaver
- Cafe Lounger
- (Unbestätigt)
Billy Dix
- Cafe Lounger
- (Unbestätigt)
Mickey Little
- Cafe Lounger
- (Unbestätigt)
K.L. Smith
- Cafe Lounger
- (Unbestätigt)
Robert Griffin
- Second Train Conductor
- (Nicht genannt)
Harry Harvey
- First Train Conductor
- (Nicht genannt)
Bobby Johnson
- One of Two Porters
- (Nicht genannt)
Francis McDonald
- Tall - White-haired Cafe Lounger
- (Nicht genannt)
Ausgewählte Rezension
A film of rare economy, elegance and stillness. Pretentious as it may sound, there's a perfect balance of tension and space about this film. Not a word or scene or character is wasted or unnecessary.
The other reviewers here give a plot outline and performance details. Tracy dominates the picture, his black and white appearance setting out the clarity of his moral position. The other main presence in this classic picture is the silence. Sturges SHOWS us silence, and what denial can do to a community.
I'd just like to make a recommendation to those who think that great cinema need sound and action - watch Bad Day at Black Rock, and sink yourself into its opening emptiness and cut-to-the-bone story.
9/10
The other reviewers here give a plot outline and performance details. Tracy dominates the picture, his black and white appearance setting out the clarity of his moral position. The other main presence in this classic picture is the silence. Sturges SHOWS us silence, and what denial can do to a community.
I'd just like to make a recommendation to those who think that great cinema need sound and action - watch Bad Day at Black Rock, and sink yourself into its opening emptiness and cut-to-the-bone story.
9/10
- Parthurfilm
- 11. März 2004
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Sturges had already moved on to his next film, Der scharlachrote Rock (1955), so Herman Hoffman took charge of filming the opening. The plan was to shoot the train hurtling toward the audience, almost like a 3-D movie, but it would have been deadly to attempt a helicopter maneuver into the path of a speeding locomotive. Stunt flier Paul Mantz offered the perfect solution: have the train running backwards, fly the copter over the retreating engine, then project the footage in reverse. "It's a helluva shot," Sturges later said, "but I didn't make it."
- PatzerAs the train approaches the town, the horn blows twice, which is the signal for starting up. The mandatory signal for a grade crossing (long, long, short, long) is never blown, although one clearly exists. When the train departs, the conductor makes a confused hand signal to the engineer resembling the horizontal motion that means "stop" rather than the vertical motion that means "go". The engineer never responds with the "long, long" starting signal.
- Zitate
Coley Trimble: You're a yellow-bellied Jap lover! Am I right or wrong?
John J. Macreedy: You're not only wrong. You're wrong at the top of your voice.
Coley Trimble: [gets ready to scrap] You don't like my voice?
- Alternative VersionenTo receive an 'A' (PG) certificate in 1955 the UK cinema version was subject to heavy BBFC cuts. These included Macreedy striking Hector with the brass fire hose nozzle and the climactic shots of Reno on fire. Later TV showings and video releases were fully uncut.
- VerbindungenFeatured in Spencer Tracy: Ein Porträt von Katharine Hepburn (1986)
Top-Auswahl
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Details
Box Office
- Budget
- 1.271.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 10.813 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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