Als ein geläuterter Juwelendieb verdächtigt wird, sein altes Laster wieder aufgenommen zu haben, muss er den wahren Dieb aufspüren, um seine Unschuld zu beweisen.Als ein geläuterter Juwelendieb verdächtigt wird, sein altes Laster wieder aufgenommen zu haben, muss er den wahren Dieb aufspüren, um seine Unschuld zu beweisen.Als ein geläuterter Juwelendieb verdächtigt wird, sein altes Laster wieder aufgenommen zu haben, muss er den wahren Dieb aufspüren, um seine Unschuld zu beweisen.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 1 Gewinn & 5 Nominierungen insgesamt
George Adrian
- Detective
- (Nicht genannt)
John Alderson
- Detective at the Costume Ball
- (Nicht genannt)
Martha Bamattre
- Kitchen Helper
- (Nicht genannt)
René Blancard
- Commissaire Lepic
- (Nicht genannt)
Eugene Borden
- French Waiter
- (Nicht genannt)
Nina Borget
- Frenchwoman
- (Nicht genannt)
George Boyce
- Party Guest
- (Nicht genannt)
John Breen
- Party Guest
- (Nicht genannt)
Margaret Brewster
- Cold-cream Woman
- (Nicht genannt)
Ralph Brooks
- Casino Patron
- (Nicht genannt)
Ausgewählte Rezension
This Hitchcock movie is not about suspense. It is about Grace Kelly, Cary Grant and the French Riviera. If you don't worry about the plot and just watch THEM, you will enjoy it immensely. Hitchcock went through what I call his "travelogue phase" which consisted of Dial M for Murder (London), Vertigo (San Francisco), North by Northwest (Mount Rushmore), and, here, The French Riviera. I consider this phase the time of his masterworks (before he became fixated on the macabre) and although this particular movie is the most insipid of the lot, it is his finest travelogue. For Americans of this period, the mention of Europe must have invoked black and white images of war. Not here!! One really wishes he could take a time machine back to this gloriously beautiful time and place. A movie that can enjoyably be watched time and again. However, I do agree with others that Grant was somewhat miscast as a thief -- even a high-class one.
Handlung
WUSSTEST DU SCHON:
- WissenswertesCary Grant had announced his retirement from acting in February 1953, stating that, since the rise of Method actors like Marlon Brando, most people were no longer interested in seeing him. He was also angry at the way Sir Charles Chaplin had been treated by the HUAC. He was lured out of his retirement to make this movie, and thereafter continued acting for a further eleven years.
- PatzerJohn says he'll leave his clothes with Danielle, but later, when he is at the flower market, he's in the same clothes.
However it is quite likely that he met up with her before going to the market and this meeting was simply omitted as it contributes nothing else to the story. This is the only plausible explanation, since he was unlikely to be concealing money in his swimming trunks either, and it's improbable that he walked the 20 miles from Cannes to Nice for the meeting, barefoot in just his trunks.
- Zitate
Frances Stevens: Mother, the book you're reading is upside down!
- Crazy CreditsThe opening title sequence shows the window of a travel agent, with the text of the titles superimposed. The bottom of the window is not quite horizontal because the window is seen from a slight angle to perpendicular. The text of the titles is given slight parallelogram distortion so the bottom line of text is parallel to the window-sill, and therefore it is not horizontal and parallel with the film frame.
- VerbindungenEdited into Geschichte(n) des Kinos: Seul le cinéma (1994)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Para atrapar al ladrón
- Drehorte
- 335 Route de Saint-Jeannet, St Jeannet, Frankreich(John Robie's villa)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 7.117 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Über den Dächern von Nizza (1955) officially released in India in Hindi?
Antwort