Im Safe wartet der Tod

Colin Gordon and Ann Lynn are closing up the bank branch for the long Easter weekend, when three masked men enter to rob the bank. When the charwomen enter the bank, they tie them up and gag them, shut them in the vault and sneak out. They are, it turns out, three ordinary, decent criminals in their first (and they hope their only) job. While two of them head off with the money, the other drives to a nearby town, where he will phone the police and leave the vault keys. They'll split 30,000 quid, Gordon and Miss Lynn will have a great story to tell, and everyone will be happy. Then the police come to the door. The third robber was in a road accident and killed. The two survivors work out he hadn't made the call yet, and there's only so much air in the vault. The evidence clerk has the keys, but wont release them.

There are some very useful coincidences in the story, but it's certainly a well told one. Will the two robbers return to the scene of their crime, lest they become murderers? Will they get the trapped people out? Will the police catch on to what they are doing? the result is an exciting one with nice performances and interesting characters.

STRONGROOM is a simple and straightforward thriller that manages to pack oodles of tension into its brief running time. It was helmed by B-movie maestro Vernon Sewell who had a long career throughout the 1940s and beyond making B-movie thrillers before ending his career in schlock horror with the likes of CURSE OF THE CRIMSON ALTER and BURKE & HARE.

This tale is a simple one about the usual bank robber antiheroes who rob a bank and lock a couple of employees in a vault. However, the twists of the plot mean that they quickly realise that the employees will die if they don't rescue them, and this against-the-clock tale unfolds alongside a typical police procedural investigation.

STRONGROOM benefits from a compelling performance from Derren Nesbitt as the chief robber; he brings a ruthless, sweaty streak to the role and makes this quite compulsive watching. And there's always plenty of suspense to be had from a "running out of air" storyline such as this; the ending is particularly strong.

"Strongroom" is a classic example of how a supposedly insignificant "B" film, can catch the viewers attention, and hold onto it like a vice. Of many such films produced in the UK, during the mid-50's/early 60's, it is quite probably the best. The story, outlined by other reviewers, is quite novel and the acting is generally top notch, given the film's limited budget. The script, and more importantly the direction, is absolutely first class and Vernon Sewell does an excellent job in cranking up the tension throughout the film. The ending is hard-hitting and unexpected. All-in-all, a super little movie that won't disappoint anyone who seeks it out.

Strongroom is directed by Vernon Sewell and written by Max Marquis and Richard Harris. It stars Derren Nesbit, Colin Gordon, Ann Lynn, Keith Faulkner and W. Morgan Sheppard. Music is by Johnny Gregory and cinematography by Basil Emmott.

Three men enact a bank robbery and lock up the manager and his secretary in the vault. Upon making their getaway it dawns on them that the two in the vault could die from lack of oxygen and thus landing them as murderers should they be caught...

Every once in a while a "quota quickie" or "B" crime movie really strides out on its own to stand tall and proud, Strongroom is one such film. Originally the support feature to the George Chakiris film Two and Two Make Six, Sewell's picture went down well enough with the public that it often became the main feature in some theatres.

Compact at just 80 minutes in length, it's a picture heavy on claustrophobia and thematic stings, embracing that old noir devil of fate along the way. It's directed in a tight no-nonsense way by Sewell, who manages to keep things moving without it being at cost to nail biting suspense. Well performed by all involved, it's a film that never once cops out, right up to, and including, the quite brilliant finale. 8/10

This is not a good film to watch if you suffer from claustrophobia. It's a little gem produced in the early sixties and usually tucked away in the early hours of the morning. There were many of these B movies produced in the 50s and 60s and most are quickly forgotten. However this one stands out. Derren Nesbitt makes for a convincing baddie bringing his particular brand of menace to the role. Colin Gordon plays it with a very stiff upper lip and Ann Lynn provides the glamour. Despite being just over an hour long it packs a useful punch and sustains the tension through to the end. Watch it with the door open and a glass of cold water to hand.