Simon Templar, ein wohlhabender Abenteurer, der als "The Saint" bekannt ist, reist um die Welt, oft in seinem weißen Volvo P1800S. Er löst unlösbare Probleme und stellt Unrecht richtig, wie ... Alles lesenSimon Templar, ein wohlhabender Abenteurer, der als "The Saint" bekannt ist, reist um die Welt, oft in seinem weißen Volvo P1800S. Er löst unlösbare Probleme und stellt Unrecht richtig, wie eine Art Robin Hood des 20. Jahrhunderts.Simon Templar, ein wohlhabender Abenteurer, der als "The Saint" bekannt ist, reist um die Welt, oft in seinem weißen Volvo P1800S. Er löst unlösbare Probleme und stellt Unrecht richtig, wie eine Art Robin Hood des 20. Jahrhunderts.
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Before he was James Bond, Sir Roger Moore was a television star and played the title role of "The Saint." He plays Simon Templar, an agent, who investigates crime like an American movie actress who is kidnapped with her co-star and a jewelry theft. Roger Moore is handsome and charming as the star. The episodes are crisp and fresh. I love the locations in London, England. The episodes are well written and executed in style with a talented cast and crew. The episodes are entertaining without being violent. It's no wonder that he was a perfect successor to play James Bond. I always liked him as Bond the best.
As a devoted 1960's Anglophile, I have been delighted by the re-release of Britain's best adventure series, The Saint, starring Roger Moore. Looking back on the series after all these years, I find it superior to similar ITC entries such as The Avengers, Secret Agent, or The Prisoner because of its realism and intelligence. The mixture of stock travelogue footage and cheesy ITC sets and backdrops works because of the believabilty of Roger Moore as the principal protagonist, Simon Templar. The big-hearted, flamboyant actor is every bit the character he portrays and more. The authenticity of the performance is what still appeals after 42 years. The props and the hairstyles may be dated and the set pieces might never make muster in today's productions, but when Moore is on screen it doesn't matter. I can't wait to acquire the 63'-64'episodes.
Long before the forefront of future spy shows that included "The Man From U.N.C.L.E.","The Avengers","I Spy" and other that were to follow it respectfully,"The Saint",was the first and foremost the originator of the spy series and to this day it has a huge loyal following as well as to become one of the most influential TV spy shows of the 1960's and it continues that format in repeats in some markets around the country. The reason why the show became very successful when it debuted on British television on October 4,1962 and later the next year on American television(where it was originally shown for national syndication on September 19,1963)where it remained in syndication of all of the 71 black and white episodes until May 17,1966 for American television. By September 30,1966 the color episodes of "The Saint" produced 47 episodes until its series finale on March 15,1969. NBC-TV picked up the series on May 17,1967 and ran most of the color episodes until March 15,1969. A total of 118 episodes were produced for New World Productions and ITC (Incorporated Television Company Ltd.)where the series was filmed at Shepperton Studios in London.
What made "The Saint" such a prime asset that made the show shined out was the British actor Roger Moore(who was also starred in "The Alaskans",and "Maverick" during the time that series which he starred opposite James Garner went off the air during the 62' season). Moore's characterization as the international man of mystery Simon Templar(who was a secret agent for his Majesty's secret service) was very suave and elegant and had a sense of style and grace in every scene in did,but there were times when our hero was in great danger from enemy agents and trying to rescue some lady from the evil clutches or himself from a certain fate.
Roger Moore was the master at what he did on that show and he was a genius with it. After "The Saint" television series went off the air in 1969, Roger Moore teamed up with Tony Curtis for the short-lived series "The Professionals",also produced by ITC Television for the ABC-TV network. It was no wonder that after the series went off the air in 1972,Roger Moore was picked to replaced Sean Connery as James Bond,and he shows that in this classic espionage series. However,there were two movies that were based on this series that were shown in theatres while the series was still on the air during its six year run from 1962 to 1969...."Vandetta For The Saint"(1967),and "Revenge Of The Saint"(1969) which starred both Roger Moore. By 1997,almost 28 years after the original "Saint" television series left the air,a big screen version of "The Saint" roared into theatres starring Val Kilmer. Great Entertainment at its finest that will live on forever as a cult favorite.
What made "The Saint" such a prime asset that made the show shined out was the British actor Roger Moore(who was also starred in "The Alaskans",and "Maverick" during the time that series which he starred opposite James Garner went off the air during the 62' season). Moore's characterization as the international man of mystery Simon Templar(who was a secret agent for his Majesty's secret service) was very suave and elegant and had a sense of style and grace in every scene in did,but there were times when our hero was in great danger from enemy agents and trying to rescue some lady from the evil clutches or himself from a certain fate.
Roger Moore was the master at what he did on that show and he was a genius with it. After "The Saint" television series went off the air in 1969, Roger Moore teamed up with Tony Curtis for the short-lived series "The Professionals",also produced by ITC Television for the ABC-TV network. It was no wonder that after the series went off the air in 1972,Roger Moore was picked to replaced Sean Connery as James Bond,and he shows that in this classic espionage series. However,there were two movies that were based on this series that were shown in theatres while the series was still on the air during its six year run from 1962 to 1969...."Vandetta For The Saint"(1967),and "Revenge Of The Saint"(1969) which starred both Roger Moore. By 1997,almost 28 years after the original "Saint" television series left the air,a big screen version of "The Saint" roared into theatres starring Val Kilmer. Great Entertainment at its finest that will live on forever as a cult favorite.
The modern day Robin Hood. This show is a classic. James Bond without the gadgets, or over the top criminals are here. The Saint was the work of Leslie Charteris; an Asian-American writer who penned many books and his character came to life in many 40's B-movies. There was even a show; with Vincent Price as the Saint. The defining Saint was of course Roger Moore's Simon Templar. A suave, sophisticated jet setter who always was available to do a good deed. His character had an edge; a perception at least, of an international rogue. He was first and foremost a man with a strong sense of right and wrong and would do anything to make things right. The Saint ran from 1962-1969 and is still beloved and with good reason. Roger Moore does the Saint with a flair and the supporting characters are always well defined and twists and turns of the plot are always there. There was an informal ensemble cast and many of the same actors play different characters. I had mixed feelings about Inspector Teal (Ivor Dean), he is always duped and his character, although well played, was a bit of an idiot. Still Inspector Teal had some charm. The series had recurring writers including my favorite: Terry Nation. (For those Doctor Who fans, Terry Nation is of course, the creator of the Daleks). Harry Junkin was the writer of the more fluid episodes.
Anyone who appreciates mystery, intrigue and well played characters, has to appreciate the Saint. The Saint gets 9.9/10 stars.
Anyone who appreciates mystery, intrigue and well played characters, has to appreciate the Saint. The Saint gets 9.9/10 stars.
Watching the first series again after a gap of 30 years I must admit I'm surprised at just how enjoyable the b&w TV episodes were. By now I've read loads of Charteris's original novels, and in them Roger Moore was always the Saint for me - he never matched Templar with his later Bond, imho going to prove yet again you can't do everything by throwing money at it. Even if as Bond he had a more sensible haircut! At the end of episode "Luella" he's mistaken for Bond by a female admirer, but he regretfully points to the halo above his head as the clue to his "real" identity.
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
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- WissenswertesRoger Moore was doubled for almost all long shots, even when just walking down the street. This was to save production time and money, meaning the star was free for closer work which couldn't be shot around him, and was common practice on all ITC series.
- PatzerIn many episodes, the beam from a flashlight does not follow the movement from the flashlight, indicating that a spotlight was instead used.
- VerbindungenEdited into Derrick contre Superman (1992)
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- Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, England, Vereinigtes Königreich(Studio, episode "Vendetta for the Saint")
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