Within the logic confines of the Cold War and the eternal quest for the upper hand in annihilation, space becomes a frontier for seeking the next new biological weapon. When a US satellite crash-lands in a remote town of Piedmont in New Mexico a sudden outbreak of a cosmic threat causes almost the entire town to die in mid-step. The terrifying reality of an uncontrollable epidemic initiates a clandestine Wildfire project, where the finest scientific minds are whisked away to a secure underground facility with state of the art technology and a self-detonating nuclear device set to explode to prevent any potential outbreak. The project itself was formed by a group of prominent scientists led by Dr. Jeremy Stone (Arthur Hill) specifically for this eventuality: to counterattack any extraterrestial form of life, that could cause a deadly epidemic. Together with fellow scientists Charles Dutton (David Wayne), Ruth Leavitt (Kate Reid) and Mark Hall (James Olson) they descend into the facility, where they attempt to isolate the new life form and diagnose the two survivors of Piedmont: an crackpot drunkard and a helpless infant.
Transcending into Robert Wise's feature is a prolonged pay-off, mostly focused on the procedural side of such a scenario, slowly building the story and only about midway do we finally get down to actually finding out what the titular Andromeda strain is, which in turn leads to an intense and riveting finale. Meanwhile however we snail downward the facility with five separate levels - each with scenes of progressive sterilisation. The journey to the heart of the facility, where the nitty gritty essence of the research starts, is essentially tedious, albeit serving its purpose of setting up the final act and acknowledging the relapsed tension that such an occurrence would create. Although the fate of the world being at hand, the road to salvation is slow, meticulous and affords no space for a misstep. Despite the slow unwinding there is also little in the way of character development, possibly only Kate Reid's cantankerous Ruth offering a stronger imprint on proceedings, which are otherwise dominated by the science and the crawling Armageddon.
Midway the lethargic pacing stalled my interest, but once the story unfolds all the pieces fall into place delivering a high-tempo ending within this otherwise sedentary movie. Coupled with arguably the most exact scientific jargon in sci-fi features history and a overall believable background (despite some ridiculous mumbo-jumbo by one of the scientists about the possibility of microorganisms being sentient) delivers a sombre piece that can bore most, but will engage those who offer the movie their mind and body.
