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7,2/10
2753
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Der Geheimagent Steed, der für einen namenlosen Zweig des britischen Geheimdienstes arbeitet, kämpft gemeinsam mit zwei Partnern gegen üble Komplotte um die Weltherrschaft, Robotik und ander... Alles lesenDer Geheimagent Steed, der für einen namenlosen Zweig des britischen Geheimdienstes arbeitet, kämpft gemeinsam mit zwei Partnern gegen üble Komplotte um die Weltherrschaft, Robotik und andere Bedrohungen.Der Geheimagent Steed, der für einen namenlosen Zweig des britischen Geheimdienstes arbeitet, kämpft gemeinsam mit zwei Partnern gegen üble Komplotte um die Weltherrschaft, Robotik und andere Bedrohungen.
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Knock me over with a feather! At first I was not sure what I was watching on late night Detroit or Windsor television -- then it dawned. I made it my business every Friday night after the news to catch THE NEW AVENGERS, but probably saw little more than half.
No, it was not the old time religion, because the old chemistry would be impossible to create. This programme stood on its own, suffering in comparison only if one wanted the more of same. THE NEW AVENGERS was "bigger" (which does not make it better), less wacky, and to employ the amorphous, less artistic. The budgets of the 1960s were no doubt modest, forcing more creativity.
None the less, it was well cast with Steed as more of an elder statesman -- not "old" at 54 as another commentator was unkind enough to allege. Purdy was not Rigg or Blackman, but then she created her own viable character as a woman, much distinguished from the "youth market" Tara of 1968-9.
I make no comment upon individual episodes, because it would not be fair given the time elapsed, for me 1980 at latest. Having no cable television, nor being a videophile, I have not seen THE NEW AVENGERS since.
No, it was not the old time religion, because the old chemistry would be impossible to create. This programme stood on its own, suffering in comparison only if one wanted the more of same. THE NEW AVENGERS was "bigger" (which does not make it better), less wacky, and to employ the amorphous, less artistic. The budgets of the 1960s were no doubt modest, forcing more creativity.
None the less, it was well cast with Steed as more of an elder statesman -- not "old" at 54 as another commentator was unkind enough to allege. Purdy was not Rigg or Blackman, but then she created her own viable character as a woman, much distinguished from the "youth market" Tara of 1968-9.
I make no comment upon individual episodes, because it would not be fair given the time elapsed, for me 1980 at latest. Having no cable television, nor being a videophile, I have not seen THE NEW AVENGERS since.
THE NEW AVENGERS Is the sequel series to THE AVENGERS, and for new viewers sees John Steed still as a top secret agent, this time teamed up with the unruffled Purdey, and the dangerous but kind-hearted Mike Gambit. THE NEW AVENGERS Is slightly different to the sixties original, since It takes a polished and lavish look, and makes It tougher and grittier (like a cop show). It Is very difficult to say what kind of AVENGERS fans will like this, but It should satisfy most people.
Actually, there is a very simple way to describe the series. There are episodes which have THE AVENGERS spirit, and others which have not. Period. Not having AVENGERS spirit doesn't mean the story is not good or interesting, just different. The same, having the AVENGERS spirit doesn't necessarily mean that the story is excellent. I speak here about the atmosphere thru plot line, settings, situations.
The idea of The New Avengers was to combine the idiosyncrasies of the old show, yet update it to compete with the then current cop show genre. Thereby capture the audience of middle America.
Ultimately it failed commercially and where The Avengers, with Steed and Emma Peel, led The New Avengers followed. The strengths were some cracking stories and performances from the three lead actors (special mention to Joanna Lumley - a worthy successor to Emma Peel). Weaknesses were some rushed and hurried plots and a continued lack of funding.
By following the trends of the 1970s it became far more dated than it's more stylish predecessor.
Ultimately it failed commercially and where The Avengers, with Steed and Emma Peel, led The New Avengers followed. The strengths were some cracking stories and performances from the three lead actors (special mention to Joanna Lumley - a worthy successor to Emma Peel). Weaknesses were some rushed and hurried plots and a continued lack of funding.
By following the trends of the 1970s it became far more dated than it's more stylish predecessor.
This is an apology for all the cursing and bad-mouthing that I had done before having actually seen this show. For those who have not watched the New Avengers, you may feel the same way. How can there be Avengers without Emma Peel? I went in with a skeptical mind, and came out feeling ashamed. There is nothing wrong with these episodes (I should say that I have not seen them all) that is as bad as what has been said about them.
Certainly, it will be said that I am an American, and that I would never see any harm in fist-fights and coarse manners. I enjoy every episode of the refinement that the 1960's Steed brought to the show. I feel that the New Avengers is not about reviving the prior series, but about giving it some new direction. Not many will agree that the two series have much in common, but what is there is done well. Patrick Macnee is still there, but he is seen as more of a fatherly figure than that of a partner. The rest of the cast is superb, though there are several serious gaffs.
If you are an Avengers fan expecting to find Emma Peel in her leather outfit toasting champaign with a brolley toting Steed, you won't be satisfied by this show. If you do have the time, and are willing to be unbiased in your opinion, please try this one out. It surprised me, and I feel as thought it may surprise you too.
Certainly, it will be said that I am an American, and that I would never see any harm in fist-fights and coarse manners. I enjoy every episode of the refinement that the 1960's Steed brought to the show. I feel that the New Avengers is not about reviving the prior series, but about giving it some new direction. Not many will agree that the two series have much in common, but what is there is done well. Patrick Macnee is still there, but he is seen as more of a fatherly figure than that of a partner. The rest of the cast is superb, though there are several serious gaffs.
If you are an Avengers fan expecting to find Emma Peel in her leather outfit toasting champaign with a brolley toting Steed, you won't be satisfied by this show. If you do have the time, and are willing to be unbiased in your opinion, please try this one out. It surprised me, and I feel as thought it may surprise you too.
Wusstest du schon
- WissenswertesIn 1975, French producer Rodolphe Roffi arranged a champagne commercial starring Patrick Macnee and Linda Thorson. He thought that Mit Schirm, Charme und Melone (1961) was still in production; learning that he was wrong, he was determined to revive the show.
- Crazy CreditsThe opening credits begin with the same fanfare that was used at the start of the original Mit Schirm, Charme und Melone (1961) series.
- VerbindungenFeatured in Good Morning... with Anne and Nick: Folge #2.81 (1994)
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By what name was Mit Schirm, Charme und Melone (1976) officially released in Canada in English?
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