Garth Hudson, the keyboardist, sax player and archivist for Rock and Roll Hall of Famers The Band whose farewell show with the group was memorialized in Martin Scorsese’s landmark documentary The Last Waltz, died Tuesday in his sleep at a nursing home in Woodstock, NY. He was 87.
The executor of his estate executor confirmed the news to the Toronto Star.
Born Eric Hudson on August 2, 1937, in Windsor, Ontario, and was trained in classical piano and music theory. He played in local bands before hooking up in the late 1950s with rockabilly singer Ronnie Hawkins’ The Hawks, which eventually would feature many of his Band mates. The group would back Bob Dylan’s on the notorious mid-’60s “Going Electric” tours and, rechristened The Band, they collaborated on groundbreaking album The Basement Tapes, helping to invent the Americana genre.
Related: Ronnie Hawkins Dies: ‘Father Of Canadian Rock ‘N’ Roll’ Was...
The executor of his estate executor confirmed the news to the Toronto Star.
Born Eric Hudson on August 2, 1937, in Windsor, Ontario, and was trained in classical piano and music theory. He played in local bands before hooking up in the late 1950s with rockabilly singer Ronnie Hawkins’ The Hawks, which eventually would feature many of his Band mates. The group would back Bob Dylan’s on the notorious mid-’60s “Going Electric” tours and, rechristened The Band, they collaborated on groundbreaking album The Basement Tapes, helping to invent the Americana genre.
Related: Ronnie Hawkins Dies: ‘Father Of Canadian Rock ‘N’ Roll’ Was...
- 21.1.2025
- von Erik Pedersen
- Deadline Film + TV
Garth Hudson, a virtuoso multi-instrumentalist best known for his distinctive organ and saxophone work with the Band, and who in his later years remained an in-demand player among young musicians — including Neko Case, Norah Jones, and Wilco — died early Tuesday morning at the Ten Broeck Center for Rehabilitation & Nursing in upstate New York in age 87.
Jan Haust, Hudson’s longtime friend and colleague, confirmed his death to Rolling Stone. He declined to reveal a cause of death, but said Hudson “died peacefully” and “yesterday was a day of music and hand-holding.
Jan Haust, Hudson’s longtime friend and colleague, confirmed his death to Rolling Stone. He declined to reveal a cause of death, but said Hudson “died peacefully” and “yesterday was a day of music and hand-holding.
- 21.1.2025
- von Will Hermes and David Browne
- Rollingstone.com
Robert Logan, who succeeded Edd “Kookie” Byrnes as the valet parking attendant on the famed ABC detective show 77 Sunset Strip and starred as the dad in a series of return-to-nature adventure movies, has died. He was 82.
Logan died May 6 of natural causes in Estero, Florida, his son, Anthony Logan, told The Hollywood Reporter. His family chose to wait until this week to announce his death.
After Gerald Lloyd Kookson III was promoted from parking attendant at Dino’s Lodge — a nightclub owned by Dean Martin — to partner and private investigator at the detective agency next door, the Brooklyn-born Logan joined Warner Bros. Television’s 77 Sunset Strip to play his replacement, another hipster named J.R. Hale.
On the swanky series that starred Efrem Zimbalist Jr. and Roger Smith as the crime solvers Stu Bailey and Jeff Spencer, respectively, Logan portrayed Hale on 50 episodes of the show’s final two seasons,...
Logan died May 6 of natural causes in Estero, Florida, his son, Anthony Logan, told The Hollywood Reporter. His family chose to wait until this week to announce his death.
After Gerald Lloyd Kookson III was promoted from parking attendant at Dino’s Lodge — a nightclub owned by Dean Martin — to partner and private investigator at the detective agency next door, the Brooklyn-born Logan joined Warner Bros. Television’s 77 Sunset Strip to play his replacement, another hipster named J.R. Hale.
On the swanky series that starred Efrem Zimbalist Jr. and Roger Smith as the crime solvers Stu Bailey and Jeff Spencer, respectively, Logan portrayed Hale on 50 episodes of the show’s final two seasons,...
- 7.8.2024
- von Mike Barnes
- The Hollywood Reporter - Movie News
Chely Wright and Austin Jenckes take different approaches to chronicling the journey to meet their partners in a pair of excellent new tracks, the Sisterhood aim for summer radio dominance with “Get Up and Go” and Tenille Arts pays tribute to her mother in this week’s group of must-hear songs.
Chely Wright, “Revival”
The title track from Chely Wright’s new Ep finds the singer/songwriter ruminating over past relationships, all of which helped shape her into a worthy partner for her wife. A moving song about closure and forgiveness,...
Chely Wright, “Revival”
The title track from Chely Wright’s new Ep finds the singer/songwriter ruminating over past relationships, all of which helped shape her into a worthy partner for her wife. A moving song about closure and forgiveness,...
- 13.5.2019
- von Robert Crawford
- Rollingstone.com
When Eric Clapton first heard the Band, he knew he was done with Cream. “I’m in the wrong place with the wrong people doing the wrong thing,” the guitarist later recalled thinking, and he wasn’t the only one left stunned by the group’s laid-back revolution. Synthesizing R&B, country, blues and early rock with chops seasoned by years on the road with Ronnie Hawkins and Bob Dylan, Canadians Robbie Robertson, Richard Manuel, Rick Danko and Garth Hudson, along with their Arkansas-born drummer-singer Levon Helm — once collectively known as the Hawks,...
- 26.12.2018
- von Hank Shteamer
- Rollingstone.com
Lucinda Williams, John Prine and Guns N’ Roses guitarist Slash. Which one of these things is not like the other? Or how about Lee Ann Womack, Grateful Dead legend Bob Weir and comedian Marc Maron?
Those acts and others shared the bill this weekend’s Across the Great Divide charity concert in Los Angeles. The show — staged by philanthropic-minded event producers Upperwest Music Group, and benefitting the Americana Music Association and the Blues Foundation — was a powerhouse revue of Americana usual suspects and strange-bedfellow collaborative performances, as backed by a...
Those acts and others shared the bill this weekend’s Across the Great Divide charity concert in Los Angeles. The show — staged by philanthropic-minded event producers Upperwest Music Group, and benefitting the Americana Music Association and the Blues Foundation — was a powerhouse revue of Americana usual suspects and strange-bedfellow collaborative performances, as backed by a...
- 23.10.2018
- von Adam Gold
- Rollingstone.com
Forty years ago, John Prine made his Austin City Limits debut in the venerable music series’ third season. Prine has since returned to the Acl stage several times and will do so again this weekend, performing a mix of classic material and new songs from his most recent album, The Tree of Forgiveness.
An emotional highlight of the singer-songwriter’s 2018 LP is “Summer’s End,” a bittersweet tune that comes to terms not with the change of seasons, but with grief, loss and alienation. Those themes are beautifully brought to...
An emotional highlight of the singer-songwriter’s 2018 LP is “Summer’s End,” a bittersweet tune that comes to terms not with the change of seasons, but with grief, loss and alienation. Those themes are beautifully brought to...
- 11.10.2018
- von Stephen L. Betts
- Rollingstone.com
In what will be a groundbreaking first for two of the most important roots-music organizations in the country, the Americana Music Association and the Blues Foundation are joining forces to stage “Across the Great Divide,” a joint benefit concert set for Friday, October 19th, at the Ace Theatre in Los Angeles.
Artists slated to perform include John Prine, Bob Weir, Lucinda Williams, Lee Ann Womack and Shemekia Copeland, along with Doyle Bramhall II, Larkin Poe, Joe Louis Walker, Tash Neal and other surprise guests. Leading the house band as musical...
Artists slated to perform include John Prine, Bob Weir, Lucinda Williams, Lee Ann Womack and Shemekia Copeland, along with Doyle Bramhall II, Larkin Poe, Joe Louis Walker, Tash Neal and other surprise guests. Leading the house band as musical...
- 22.8.2018
- von Stephen L. Betts
- Rollingstone.com
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