Ein Jugendlicher aus Brooklyn glaubt, dass seine einzige Chance auf Erfolg darin besteht, König der Tanzfläche zu werden. Seine jugendliche Unbeschwertheit und das Tanzen am Wochenende helfe... Alles lesenEin Jugendlicher aus Brooklyn glaubt, dass seine einzige Chance auf Erfolg darin besteht, König der Tanzfläche zu werden. Seine jugendliche Unbeschwertheit und das Tanzen am Wochenende helfen ihm dabei, die Realität seines trostlosen Lebens zu vergessen.Ein Jugendlicher aus Brooklyn glaubt, dass seine einzige Chance auf Erfolg darin besteht, König der Tanzfläche zu werden. Seine jugendliche Unbeschwertheit und das Tanzen am Wochenende helfen ihm dabei, die Realität seines trostlosen Lebens zu vergessen.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 6 Gewinne & 14 Nominierungen insgesamt
- Dan Fusco
- (as Sam J. Coppola)
- Paint Store Customer
- (as Robert Costanza)
It wouldn't be until years later that I understood what a great story this is. It's a coming of age movie. It's a modern day tragedy. It's a love story.
The first thing that people think about when they hear Saturday Night Fever is disco and bell bottoms, but the story is timeless. Travolta plays Tony Manero, a loser in a nowhere job who only feels alive when he is on the dance floor at the local disco. There he is adored by his friends, by women and by strangers. There he is king. Everywhere else he is nobody. Even at home.
Tony becomes infatuated with a woman named Stephanie. On the surface Stephanie appears to be much better off than Tony. For the most part Stephanie is a big talker, but Tony is bothered by her observations.
"Let me guess. You work all week long at some dead end job and then you go and blow it at all at 2001 (the disco) on the weekends. You're a cliché. You're no one, going nowhere." As much as Tony is upset by her words he can't argue with them. Soon Tony becomes frustrated with his "station in life" and tells Stephanie he wants out (of Brooklyn).
What makes Saturday Night Fever work so much for me is Tony is very typical of a lot of males who would rather have a good time and party now than build something toward the future. Bars are full of guys like Tony. Guys who are super stars in their local drinking establishments, but have no life outside of the night life.
And of course there's the superb dance scenes that most people remember Saturday Night Fever for. The soundtrack is also one of the best out there.
For whatever reason, Saturday Night Fever also has my favorite closing shot of all time. It's really nothing special, but I get choked up every time I see it.
Saturday Night Fever is also a snapshot of a period in recent American history. The movie took place in 1977. The country was a mess after the Vitenam war ended and before Reagan stormed Washington and once again instilled a sense of pride in Americans. There was no longer a war to protest, but the average American didn't have much faith in our country. I think Saturday Night Fever does an excellent job of capturing what was probably a common attitude among young adults during the late 70's. Live for the moment because the future is pretty bleak.
- Bandit1974
- 4. Jan. 2006
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
- PatzerWhen Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
- Zitate
Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.
- Crazy CreditsWhen the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
- Alternative VersionenIn 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
- 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
- 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
- 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
- 4) Tony signs for a telegram that tells his father has been asked to go back to work.
- 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
- VerbindungenFeatured in Les rendez-vous du dimanche: Folge vom 16. April 1978 (1978)
- SoundtracksHow Deep Is Your Love
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Fiebre de sábado por la noche
- Drehorte
- 86th Street, Brooklyn, New York City, New York, USA(opening sequence: Tony's Walk)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 94.213.184 $
- Eröffnungswochenende in den USA und in Kanada
- 3.878.099 $
- 18. Dez. 1977
- Weltweiter Bruttoertrag
- 237.113.184 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1