Eine Fehlfunktion des Roboters schafft Chaos und Terror für ahnungslose Urlauber in einem futuristischen, erwachsenen Freizeitpark.Eine Fehlfunktion des Roboters schafft Chaos und Terror für ahnungslose Urlauber in einem futuristischen, erwachsenen Freizeitpark.Eine Fehlfunktion des Roboters schafft Chaos und Terror für ahnungslose Urlauber in einem futuristischen, erwachsenen Freizeitpark.
- Auszeichnungen
- 4 Nominierungen insgesamt
Linda Gaye Scott
- Arlette
- (as Linda Scott)
Michael T. Mikler
- Black Knight
- (as Michael Mikler)
Ausgewählte Rezension
Classic sci-fi thriller, written and directed by Michael Crichton, about a futuristic amusement park called Delos where people can role play in fantasy "worlds" based on the Old West, the Roman Empire, and Medieval Europe. Each of these worlds is inhabited by androids who look, talk, and act like real people. You want to have a sword fight with a knight, you can. You want to shoot it out with a gunslinger, you can. You want to bang an attractive prostitute or wench, have right at it. But this fantasy world turns into a nightmare when the robots malfunction and start killing the tourists!
Richard Benjamin does a great job as the unlikely hero, a newly-divorced and somewhat nerdy man brought to the park by his macho friend James Brolin. Dick Van Patten and Alan Oppenehimer are good in supporting roles. But it's Yul Brynner, as the black-clad gunfighter out to kill Benjamin, that steals the show with his commanding screen presence. The movie takes its time setting things up and building the suspense, showing one small malfunction at a time. It's an hour in before the killing starts. From that point on the pace never slows down and it becomes an exciting cat-and-mouse chase with Brynner hunting Benjamin. The sets and special effects are terrific, particularly when you consider this was made for $1.25 million (with half of that going to pay the cast and crew). I can't say enough good things about Fred Karlin's effective score. This was Crichton's first theatrical directorial effort (he directed a TV movie prior to this). I think it's his best work as a director, although I hold a special place in my heart for Runaway. His script is smart with nice bits of humor throughout. It's a great film that should appeal to a wide variety of people, so long as they are able to enjoy movies made before CGI. Sadly, there are many who can't.
Richard Benjamin does a great job as the unlikely hero, a newly-divorced and somewhat nerdy man brought to the park by his macho friend James Brolin. Dick Van Patten and Alan Oppenehimer are good in supporting roles. But it's Yul Brynner, as the black-clad gunfighter out to kill Benjamin, that steals the show with his commanding screen presence. The movie takes its time setting things up and building the suspense, showing one small malfunction at a time. It's an hour in before the killing starts. From that point on the pace never slows down and it becomes an exciting cat-and-mouse chase with Brynner hunting Benjamin. The sets and special effects are terrific, particularly when you consider this was made for $1.25 million (with half of that going to pay the cast and crew). I can't say enough good things about Fred Karlin's effective score. This was Crichton's first theatrical directorial effort (he directed a TV movie prior to this). I think it's his best work as a director, although I hold a special place in my heart for Runaway. His script is smart with nice bits of humor throughout. It's a great film that should appeal to a wide variety of people, so long as they are able to enjoy movies made before CGI. Sadly, there are many who can't.
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe first use of computer digitized images as part of a feature film (not merely monitor graphics) was the Gunslinger's point of view in Westworld. After the process was finally developed enough to produce satisfactory results, it took a mere eight hours to produce each ten seconds of footage for the Gunslinger's pixelated POV.
- Patzer(At around 1h 17 mins) The Gunslinger's clothes are unaffected after being splashed with hydrochloric acid. However, some fabrics are hardly affected by hydrochloric acid.
- Zitate
Robot Gunslinger: [to Peter Martin, trying to provoke a fight] Sloppy with your drink?
[Martin tries to ignore him, unsure of how to react]
Robot Gunslinger: [to the bartender] Get this boy a bib!
- Alternative VersionenEarly prints contain a scene in Medieval world where a guest is tortured on a rack. That scene was deleted from television and video.
- VerbindungenFeatured in On Location with Westworld (1973)
- SoundtracksHome on the Range
(uncredited)
Lyrics by Brewster M. Higley
Music by Daniel E. Kelley
Performed by Richard Benjamin
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 1.250.000 $ (geschätzt)
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen