Zeuge einer Verschwörung

I saw this film first some twenty years ago and loved it. I saw it again this week and found the film superior to most other films of director Pakula and found it to be another gem from cinematographer Gordon Willis.

"Parallax View" never won Oscars or other major awards for Pakula but this film along with "Klute" and "Sophie's Choice" are his finest works. Articles on Pakula often focus on his award-winning work and neglect this fine movie.

What was great in this film that was missing in "All the president's men" or "The pelican brief"? Here the element of existentialism sucked in the viewer to participate in the whirlpool of deceit, exemplified most by the test given to the lead character in the offices of Parallax Corporation, the staccato editing (John Wheeler) that exemplifies the individual's helplessness, and the imaginative photography (Willis) that stunts the individual (not crowds) against the himalayan landscapes of glass and steel.

The film was made at a time when Hollywood was brimming with great films with a similar line of thought (Spielberg's "Duel", Coppola's "The Conversation", Penn's "Night Moves", Polanski's "Chinatown", Antonionni's "Zabriskie Point", Altman's "Nashville", Boorman's "Point Blank", etc.) internalizing the external, as Camus would have best described it. "Parallax View" among all these films touched the subject of politics using the least obscure metaphors and similies.

Can one forget the dead calm in the sea before the explosion/assasination? Or the assassination viewed from the roof top of the victim's cart colliding with empty tables and chairs towards the end of the film? None of Pakula's other films have such hardhitting scenes as these, even if one were to discount the unconvincing cool response of the lead character in the airplane when he realizes that there is a live bomb on it.

This is a film that grips you nearly 30 years after it was made, when US politics seems to be at a point very close to what the film depicted three decades ago.