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IMDbPro

Die Brut des Teufels

Originaltitel: Mekagojira no gyakushû
  • 1975
  • 12
  • 1 Std. 23 Min.
IMDb-BEWERTUNG
6,1/10
6272
IHRE BEWERTUNG
Die Brut des Teufels (1975)
Home Video Trailer from Toho Film Company
trailer wiedergeben2:52
1 Video
99+ Fotos
Alien InvasionAnimal AdventureDinosaur AdventureKaijuSuperheroSupernatural FantasyActionAdventureFamilyFantasy

Füge eine Handlung in deiner Sprache hinzuAn Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.An Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.An Interpol investigation uncovers a shunned biologist and his daughter, who are involved in an alien plot to use Mechagodzilla and Titanosaurus to defeat Godzilla and wipe out humanity.

  • Regie
    • Ishirô Honda
    • Jun Fukuda
  • Drehbuch
    • Yukiko Takayama
  • Hauptbesetzung
    • Katsuhiko Sasaki
    • Tomoko Ai
    • Akihiko Hirata
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    6272
    IHRE BEWERTUNG
    • Regie
      • Ishirô Honda
      • Jun Fukuda
    • Drehbuch
      • Yukiko Takayama
    • Hauptbesetzung
      • Katsuhiko Sasaki
      • Tomoko Ai
      • Akihiko Hirata
    • 67Benutzerrezensionen
    • 54Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Terror of Mechagodzilla
    Trailer 2:52
    Terror of Mechagodzilla

    Fotos188

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    Topbesetzung49

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    Katsuhiko Sasaki
    Katsuhiko Sasaki
    • Biologist Akira Ichinose
    Tomoko Ai
    Tomoko Ai
    • Katsura Mafune
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Shinzô Mafune
    Katsumasa Uchida
    Katsumasa Uchida
    • Interpol Agent Jiro Murakoshi
    Gorô Mutsumi
    Gorô Mutsumi
    • Alien Leader Mugal
    • (as Goro Mutsu)
    Tadao Nakamaru
    Tadao Nakamaru
    • Interpol Chief Tagawa
    Shin Roppongi
    • Yûichi Wakayama
    Yasuko Agawa
    • Yuri Yamamoto
    • (as Tomoe Mari)
    Tomoe Mari
    • Yuri Yamamoto
    Tôru Ibuki
    • Tsuda (bearded alien)
    Kenji Sahara
    Kenji Sahara
    • Defense Force Commander
    Kôtarô Tomita
    Kôtarô Tomita
    • Professor Ôta
    Ikio Sawamura
    Ikio Sawamura
    • Mafune's Silent Butler
    Masaaki Daimon
    Masaaki Daimon
    • Submarine Captain Kusakari
    Yoshio Kirishima
    • Alien Henchman #2
    Hiroya Morita
    • Captain Nakatani
    Kazuo Suzuki
    Kazuo Suzuki
    • Alien Henchman #1
    Masayoshi Kikuchi
    • Alien Henchman #3
    • Regie
      • Ishirô Honda
      • Jun Fukuda
    • Drehbuch
      • Yukiko Takayama
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen67

    6,16.2K
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    Empfohlene Bewertungen

    7Aylmer

    Best of 70's Zilla

    Toho realized something after their abysmal GODZILLA VS. MEGALON and hence were smart enough to put a bit more effort into their subsequent two films. GODZILLA VS. MECHAGODZILLA suffered from a lot of the same 70's goofiness of the previous films and some serious pacing issues, but overall was certainly a step in the right direction.

    Wisely, Toho decided to go old-school with the sequel and brought back Inoshiro Honda to direct and Akira Ifukube to compose one of his best musical scores yet for the series. The result certainly brings this film a level of class lacking in most of the Godzilla films following VS. MOTHRA though unfortunately there's a lot of silliness yet to be had.

    Plotwise we get the same tired old formula of aliens plotting to conquer earth with a monster (or two this time - Titanosaurus makes for an interesting newcomer) aided by a mad scientist hot for revenge against "those fools". Fortunately, Godzilla is out to stop them but isn't in full-blown hero mode. Instead, Godzilla seems to be fighting them more out of the fact that he's just plain pi**ed off, and he's got an impressive new suit to show it.

    Effects-wise you have to understand that Teruyoshi Nakano was working at 1/3 to 1/2 the budget of what his mentor Tsuburaya had to work with, so in that respect his work is quite impressive. This film features a triumphant return of the city-stomp with a show-stopping sequence involving Mechagodzilla and Titanosaurus laying waste to downtown Tokyo. Don't mind that they blow up the same row of buildings at least 4 times in a row - it's all great fun and showcases a lot of great pyrotechnics.

    There's a lot of bizarre moments in the climactic monster-on-monster violence and a lot of iffy continuity. For instance, Godzilla knocks Titanosaurus out of the way and then tackles Mechagodzilla to the ground but in the very next shot, Godzilla is lying down alone and Titanosaurus is suddenly there kicking him in the head. (?) Most likely a case of bad editing more than anything.

    Overall a worthy candidate for a way to spend a rainy afternoon. The 70's may have been a Godzilla nadir but this film is the highpoint of that lowpoint.
    6NerdBat

    We all know why it's good.

    Terror of MechaGodzilla was pretty much just a way to profit off of Godzilla Vs. MechaGodzilla for a second time. However, we all know why this film is so well known to fans, and that's because of Titanosaurus (which is also the name of a real dinosaur that has no relation). Titanosaurus is a highly loved Monster from the Godzilla series, and to be honest I feel like this film would have worked out just fine if it was just Godzilla vs. Titanosaurus. The monster is humongous and beautifully made, no one could live up to a semi aquatic Kaiju like him. I mean yes, the movie itself is watchable but, it does tend to focus a bit too much on the humans in my opinion, which is a problem a lot of monster movies have. I love Titanosaurus though, He's the centerpiece for this film.
    I_John_Barrymore_I

    Terror of Mechagodzilla

    Things did not bode well at the start, with a seven-minute greatest hits sequence that never seemed to end, but by the time it was over I found myself grateful for so much action so early on. When the story proper started it was with some very impressive underwater model work (I couldn't see the seams at any rate).

    But what really marked this out as a superior entry is the plot. A reclusive discredited scientist is employed by aliens to use his thought-controlled pet Titanosaurus to destroy Tokyo along with the newly-rebuilt Mechagodzilla, their combined might certain to overcome that pesky Godzilla. Meanwhile an Interpol agent and a marine scientist investigate the disappearance of an exploratory submarine, the trail leading them to the scientist's beautiful but non-too-helpful daughter.

    It might sound like the usual gubbins on paper but there's genuine tension in many of the scenes, it's logical and exciting, and rather than feeling like drawn-out filler while we wait for the real action to begin it's successful on its own terms, even managing to pull off genuine pathos bordering on tragedy at the end.

    When it does begin it's hands down the best destruction I've seen so far in the series. They're right in the centre of Tokyo surrounded by skyscrapers ready to be demolished and incinerated. The camera pans across the cityscape as whole swathes of it are destroyed, and it truly is spectacular. What makes it even more powerful is that it's not a fight sequence for the most part - it's just two big boys laying waste to the city.

    Godzilla himself is given a wonderful entrance, and in those moments it's a thrill to see this (of all films) so overtly referencing The Third Man (of all films).

    They do escape to the country for the final showdown, but there's still the odd power station to be sat on and let's face it, we've already had our money's worth with the destruction of Tokyo. The fight is lengthy too, with Godzilla on the back foot for most of it, and while we're never unsure of the outcome it does get pretty hairy for the big guy.

    For the budget the special effects are often superb and always imaginative (like the alien technician walking inside Mechagodzilla's head or the shot that takes us from his massive, dormant frame as he's being worked on, through a window, and finishes with the aliens and doctor watching the progress from a lab).

    The music throughout is excellent, and the female lead is impossibly gorgeous.

    What's not to love?
    9jerekra

    Mechagodzilla Returns.

    Terror of Mechagodzilla follows "Godzilla vs Mechagodzilla". It would be the last film from the original "Showa" series of Godzilla Films.

    A submarine goes looking for the remains of Mechagodzilla. It is attacked by a giant dinosaur monster known as Titanosaurus. Later the Simians make a return to Earth and align with a scientist called Dr. Mafune. They bring Mechagodzilla up and repair him and also control Titanosaurus as well. Mafune's daughter Tetsura is killed, so the Simians insert a control for Mechagodzilla into her. Soon the Simians unleash Mechagodzilla and Titanosaurus on Tokyo. Godzilla appears and appears to be the only thing that can save the Earth.

    Mechagodzilla returns in this film. Definitely one of Godzilla's greatest foes, so it was no surprise that he appeared in another film with Godzilla. Mechagodzilla is a little different acting in this film in that he must wait for Tetsura to give commands. Also his fingers are longer and has revolving missiles added to his arsenal. Also if Mechagodzilla loses his head he has a smaller head underneath that fires a powerful beam of energy. Mechagodzilla can still function without his head in this film. He just can not function once Tetsura is destroyed.

    Mechagodzilla is not by himself in this film. Titanosaurus assists him in battle with Tokyo and Godzilla. Titanosaurus is a bright red and yellow color and has a long neck and tail that becomes like a fan to create wind storms. Also he can jump far and is quite a formidable fighter. However Titanosaurus is not really an evil monster, he is just taken control of by Mafune and the Simians and forced to be evil. A really good monster that only shows up in this film, but I like that he is in it. In fact, Titanosaurus is the main monster in this film and is on screen more than Godzilla and Mechagodzilla.

    Godzilla is not in this movie as much as he probably should be, he is over shadowed by both Titanosaurus and Mechagodzilla. This really is more of a Mechagodzilla film than a Godzilla film. But Godzilla does get his fair share of action towards the end. Godzilla has no help in this film, it is him against both Mechagodzilla and Titanosaurus. That is pretty cool.

    The monster action is pretty good in this film. Mechagodzilla gets to do some awesome destruction scenes on Japan. Godzillas fight with Mechagodzilla at the end of this film I think is a better overall fight because both monsters get to get in some action. It is not just one sided. There is no blood spilling all over the place in this one, I am not complaining just saying that I guess they thought that they went overboard in the last film.

    FOr the most part I thought the acting was good in this film. The young man who is in love with Getsura really shows great emotion and the SImians and Dr. Mafune are good bad guys.

    The story is great. It starts off with a search for Mechagodzilla's head. Then Titanosaurus appears and becomes the main focus for a while. Then Godzilla shows up and later Mechagodzilla comes back. Just a lot of good timing for monsters entering. A really well written and well acted film. This is one of the best and most under rated of the entire series.

    The music is great. It is not the same score from Terror of Mechagodzilla, it is different and more darker sounding. I guess they made great music a priority in the films starring Mechagodzilla. THis is one of my favorite music scores from any Godzilla movie.

    Complaint, well this will be tough. I guess one thing is that if you are watching this film to see Mechagodzilla you have to wait a long time to see him up and going. But that is really nitpicking.

    One last thing, the Japanese Version has quite a few differences. FOr one when the Simians are turning Tetsura into a cyborg you can see her nude breasts, I think that is the only nudity in a Godzilla Film. Also the American Version completely botches the ending where Tetsura must make a vital decision in regards to saving herself or the planet. I do not want to give away too much.

    A great film. If you liked Godzilla vs Mechagodzilla then you will love this one. Highly recommended.
    8eil-2

    Better than you'd think

    Following on from the perky Godzilla vs Mechagodzilla, Terror of Mechagodzilla is a very different movie in tone, possibly because series founder Ishiro Honda is directing. The story (about a beautiful female cyborg helping alien forces control the Earth by destroying it with monsters Mechagodzilla and Titanosaurus) is perhaps more credible than you'd expect, given the superior level of acting on show from the cast. Naturally, the film really excels with the creatures and Akira Ifukube's doom-laden score. If more Godzilla movies were similar to this then perhaps the series would face less ridicule. Or maybe not. Still good though. 8/10

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    Handlung

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    • Wissenswertes
      Despite the film being made for children as part of Toho's Champion Festival, it's one of the few Godzilla movies with nudity as there is a scene in which Katsura's breasts are exposed (albeit a prosthetic). Actress Tomoko Ai recalled that she actually dozed off during the filming of the scene mentioning, "Everyone told me not to move, I got nice and cozy, so I just fell asleep. This scene was cut in the US, both for the heavily edited theatrical version and the extended TV version.
    • Patzer
      In the previous movie, the aliens had to find and kidnap a professor to help them. However, this movie establishes that they have been working together with another scientist for several years, thereby retroactively causing a plot hole between the two films.
    • Zitate

      Tsuda: Your heart is as cold as ice. Who could care for someone like you? Forget humankind. Remember what has brought you and your father this far. What is it that drives you both?

      Katsura Mafune: Vengeance and hate.

      Tsuda: That's right.

    • Alternative Versionen
      The US cut version of the film is missing a great deal of footage, which changes the story. The uncut version shows why Mechagodzilla suddenly shorts out, etc. It also features the only example of nudity in a Godzilla film, albeit fake, prosthetic breasts while the spacemen are operating on cyborg Katsura.
    • Verbindungen
      Edited into Godzilla Tales: G-90REX (2020)

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    • List: Mad scientist will show those fools

    Details

    Ändern
    • Erscheinungsdatum
      • 22. August 1975 (Westdeutschland)
    • Herkunftsländer
      • Japan
      • Vereinigte Staaten
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Godzilla - Die Brut des Teufels, Konga, Godzilla, King Kong
    • Produktionsfirmen
      • Henry G. Saperstein Enterprises Inc.
      • Toho
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 426 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 23 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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