IMDb-BEWERTUNG
6,2/10
1097
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn analysis of the power relations in an ordinary family.An analysis of the power relations in an ordinary family.An analysis of the power relations in an ordinary family.
Jean-Luc Godard
- Self
- (Nicht genannt)
Alexandre Rignault
- Grandfather
- (Nicht genannt)
Rachel Stefanopoli
- Grandmother
- (Nicht genannt)
Ausgewählte Rezension
The first time I ever saw "Numero Deux" was the last time a movie almost had me in tears, - 'cause it's desperate. Done on video "Numero Deux" was Godard's attempt to overcome the - as he had put it himself - "End of cinema", Godard himself having blown it to pieces in "Pierrot le Fou" and "Weekend". "Numero Deux" was to be a new beginning, a new "Breathless" (which was number one), - but absolutely NOTHING seems to be working. "Numero Deux" is a shipwreck of a movie. The over-all "theme" or premise of the movie can be summed up like this: What the American were doing in Vietnam can be compared to a husband anally raping his wife. Because of it, both of them - Vietnam as well as the wife - now have bowel problems. Hardly the most convincing analogy, I am sure you all agree, and Godard seems to have great difficulties figuring out what to do with it. HE is the one who cannot deliver, and a lot of the time we see him just sitting there, arguing with himself, like a guy stuck in a public restroom. It's pathetic, and it's sad. It's one of my all time favorite movies.
Handlung
WUSSTEST DU SCHON:
- WissenswertesDue to financial matters, most of the movie was shot on video. The resulting footage was screened on monitors and filmed back into 35mm film.
- VerbindungenFeatures Die Todeskralle schlägt wieder zu (1972)
- SoundtracksTu ne dis jamais rien
Written and performed by Léo Ferré
Top-Auswahl
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