IMDb-BEWERTUNG
5,9/10
899
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA poor kid elopes with a banker's daughter.A poor kid elopes with a banker's daughter.A poor kid elopes with a banker's daughter.
- Regie
- Drehbuch
- Hauptbesetzung
Margaret Blye
- Ellen 'Babs' Duncan
- (as Maggie Blye)
Pat Pierre Perkins
- Pearl
- (as Pat Perkins)
Empfohlene Bewertungen
I saw this movie on TV in the 80's and loved it. I was a young teen in love myself at the time and totally related. I taped this on a VCR and watched it over and over until the tape broke. One of the things I enjoyed most was the soundtrack, especially the love song which I have been trying to find out the name and artist for over 20 years! I had wanted to use it in 1984 as my wedding song but no band or DJ knew the song or movie... Can anyone help? The song name might be "I'll Love you Forever"?? I am not sure, but it had those words in the song....would appreciate any help. This song was also used years ago in an episode of the soap opera All My Children. It has stayed with me for so many years and when I saw this site I thought maybe I can finally put this lingering question to rest (and use it at my 2nd wedding!) Thank you!
This modest pic left me in a dreamy, relaxed state, and I felt like I'd experienced a minor gem.
It was not widely released, but it played cable TV outlets in the early 80's and features one of Matt Dillon's earliest screen personas.
It's not brilliant, but it's extremely unusual and stylishly directed. It has an atmosphere that reminds me of Jack Fisk's underrated RAGGEDY MAN.
A dark, haunting tale of forbidden love, it describes the love affair between dirt poor Matt Dillon and the lovely Cindy Fisher, daughter of a wealthy banker who is the keeper of a terrible secret.
Stunning photography and a terrific cast elevate this provocative film into the ranks of "minor classic".
It was not widely released, but it played cable TV outlets in the early 80's and features one of Matt Dillon's earliest screen personas.
It's not brilliant, but it's extremely unusual and stylishly directed. It has an atmosphere that reminds me of Jack Fisk's underrated RAGGEDY MAN.
A dark, haunting tale of forbidden love, it describes the love affair between dirt poor Matt Dillon and the lovely Cindy Fisher, daughter of a wealthy banker who is the keeper of a terrible secret.
Stunning photography and a terrific cast elevate this provocative film into the ranks of "minor classic".
I saw the 'lighter' version of this period drama which was still a somewhat depressing saga, but nonetheless bittersweet tale of romance between the classes in conservative 1950's Texas. Fisher and Dillon make a charming couple who run afoul their disapproving parents who've more in common than they realise.
Connelly is solid as Fisher's protective father, unable to endorse his daughter's newfound love, whilst country singer/actor Axton has a comparably much smaller role playing Dillon's hard-working, more understanding dad. I also really enjoyed the antics of Dillon's roustabout friends Greenleaf and Atkins, and then Tyrrell later in the film as the 'entertainer' who befriends Fisher. The film's big stars have small but sympathetic roles, Crawford playing a compassionate family patriarch, whilst DeCarlo has a strangely superficial role (looks like it may have been edited down) as a kindly landlady.
Attractive sets and a likeable cast make it a little easier to consume what is otherwise a rather disturbing drama which doesn't always handle its subject matter as effectively as the plot demands - the cliffhanger unfolds too quickly, despite there being sufficient time for greater suspense, especially given how unsettling the consequences were to contemplate. Instead, the plot threads connect too conveniently in the film's rushed climax, which doesn't do the rest of the otherwise carefully curated film justice.
Nevertheless despite some mishandling of the more sensitive moments, the overall film is still compelling viewing and worth a watch, although having only seen what's referred to as the 'happy' version, the alternative ending could be too much to endure, all things considered.
Connelly is solid as Fisher's protective father, unable to endorse his daughter's newfound love, whilst country singer/actor Axton has a comparably much smaller role playing Dillon's hard-working, more understanding dad. I also really enjoyed the antics of Dillon's roustabout friends Greenleaf and Atkins, and then Tyrrell later in the film as the 'entertainer' who befriends Fisher. The film's big stars have small but sympathetic roles, Crawford playing a compassionate family patriarch, whilst DeCarlo has a strangely superficial role (looks like it may have been edited down) as a kindly landlady.
Attractive sets and a likeable cast make it a little easier to consume what is otherwise a rather disturbing drama which doesn't always handle its subject matter as effectively as the plot demands - the cliffhanger unfolds too quickly, despite there being sufficient time for greater suspense, especially given how unsettling the consequences were to contemplate. Instead, the plot threads connect too conveniently in the film's rushed climax, which doesn't do the rest of the otherwise carefully curated film justice.
Nevertheless despite some mishandling of the more sensitive moments, the overall film is still compelling viewing and worth a watch, although having only seen what's referred to as the 'happy' version, the alternative ending could be too much to endure, all things considered.
As the apprentice editor. My boss, Steve Rosenbloom, went on to edit most of Ed Zwick's films and supervise the editing of Bedford Falls shows (thirtysomething). The editor, Chris Greenbury, was English and was known for the occasional temper tantrum. I didn't know it at the time, but he was one of the fastest cutters in the business.
I was seventeen and studying film at HSPVA, Houston's High School for Performing and Visual Arts. There was an actors' strike going on in Los Angeles, so the cast and crew were really top rate for a low-budget local film.
I ran the edge coding machine. We worked on Moviolas in two rooms of a large hotel near Sharpstown. Cindy Fischer smiled at me once, and I saved enough money to make a 16mm film the next semester, before coming out to LA and going to film school at USC.
I gradually fell into the world of software development, which I love, and recently ended up at DreamWorks. So, if you watch the title crawl at the end of Shark Tale, way below the HP logo, you'll see my second feature film credit -- nearly 25 years after my first.
Gavin Doughtie
I was seventeen and studying film at HSPVA, Houston's High School for Performing and Visual Arts. There was an actors' strike going on in Los Angeles, so the cast and crew were really top rate for a low-budget local film.
I ran the edge coding machine. We worked on Moviolas in two rooms of a large hotel near Sharpstown. Cindy Fischer smiled at me once, and I saved enough money to make a 16mm film the next semester, before coming out to LA and going to film school at USC.
I gradually fell into the world of software development, which I love, and recently ended up at DreamWorks. So, if you watch the title crawl at the end of Shark Tale, way below the HP logo, you'll see my second feature film credit -- nearly 25 years after my first.
Gavin Doughtie
This is one of my favorite movies. I saw it on cable when it first came out. The first time I saw it, it was one of those feel good movies. Then the next day when I settled in to watch it again it turned into a sad movie because of the different ending. When it came out on video I bought it hoping the feel good ending was used. It was not. I recently found out that the DVD version doesn't have both ending available on it but it DOES have the feel good ending. Now I HAVE to buy a DVD player!
Wusstest du schon
- WissenswertesFinal theatrical feature film of actor Broderick Crawford. Reportedly, he later was on the set of Guerilla Strike Force - Allein gegen die Hölle (1970) but passed away during filming.
- Alternative VersionenReleased in 2 versions, with happy or sad endings.
- VerbindungenFeatured in The Making of 'Liar's Moon' (2022)
- SoundtracksCalling My Children Home
Performed by The Country Gentlemen
Courtesy of Rebel Recording Company
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Liar's Moon
- Drehorte
- Texas, USA(locations: Sealy and Houston)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.200.000 $ (geschätzt)
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Durchgebrannt aus Liebe (1981) officially released in India in English?
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