Agent ohne Namen

Filmed in Europe, the story is based on a classic Robert Ludlum novel. This made for TV movie is better than the average TV fare. Originally a two part mini-series, it tends to have some periods where it drags with too much interplay between the stars but it still contains the usual amount of Ludlum action, suspense and his keen senss of scenery. Richard Chamberlain and Jaclyn Smith are supported by a fine European cast which includes Anthony Quayle and Denholm Elliott. Well worth your time. A collectors movie.

"The Bourne Identity" (1988) is a faithful recreation of Robert Ludlum's book about an amnesiac slowly (in a very long book) discovering who he is. The supporting cast is dotted with veterans that make the movie come to life during their brief parts: Denholm Elliott, Anthony Quayle, Peter Vaughan, James Faulkner.

The stars strain to carry the movie. Jaclyn Smith is immensely watchable, though her range is limited. Richard Chamberlain is a fine actor, but, perhaps because of insufficient rehearsal time or because he was never able to find a character who didn't know who he was, he comes off with the range of Bill Bixby, though that keeps him from burying Smith. In the end, Chamberlain may be much too nice for the character, but he's a likable actor and she's a likable actress and they make a pretty pair.

Because it was originally a two-part television drama, the 1988 "Bourne" has sufficient time to let the story unfold, as well as to build the unlikely relationship between Chamberlain's character and Smith's. It also gives the supporting characters flesh out their meager parts. After a slam-bang first hour, the movie settles into a more leisurely pace (that occasionally drags), that builds again into an exciting final hour.

The possible overplotting, as well as the outright absurdities (such as the truth of Treadstone 21) are squarely to be laid at Ludlum's door. And though it's quite faithful to Ludlum, the setting of the climax makes this movie version far more poignant than Ludlum himself was capable of.

"The Bourne Identity" has the technology of '80s television, so newcomers shouldn't expect contemporary sensibilities. It may not be as exciting as the remake, but it has a solid storyline.

Since the release of the 2003 theatrical version starring Matt Damon, this mini series version of "The Bourne Identity" has been much maligned, primarily by people who have never seen it. While it is a little dumbed down from Ludlum's book, and has some soap opera elements inherent to being a Richard Chamberlain mini series, it's also infinitely more faithful to the book than the Damon version, and considerably less dumbed down. If you want to see some great action scenes, check out the movie. If you want a good story, try the mini series (or even better, read the book).

I thoroughly enjoyed this I must admit, but I can't help but wonder why it wasn't made for the big screen instead of being shown on television. What makes this Bourne Identity completely nonidentical to the 2002 theatrical release is that Richard Chamberlain's character is very much in line with Robert Ludlum's book (albeit with some subtle changes here and there). The big screen version may have featured more dramatic car chase sequences and fighting scenes etc, but it just seemed to focus away from the original plot.

Richard Chamberlain performs Bourne to a very high standard - with strong performances from the supporting cast - and makes the role his own. Primarily, I watched The Bourne Identity just to see Jaclyn Smith if I'm honest; I've always been a fan of Jaclyn, and she gives out a believable performance as Marie St. Jacques. This movie in no doubt sealed Jaclyn's crown as the "Queen of mini-series".

I don't think film and TV buffs should be put off by its three hour length; the plot and any questions that may arise when viewing The Bourne Identity are answered admirably come the end of the film, and should not disappoint fans of espionage/spy thrillers. It was a great effort from all concerned, certainly strengthened thanks to the wonderful imagery and intrigue of the many different cities involved. 7/10.

There are parts of the movie where you think it might be a comedy. Bourne (Richard Chamberlain) running in Théoule-sur-Mer, France (Port Noir) with children following.

He is never really convincing as a fighter. Maybe that is because we are used to the smoothness of Matt Damon in the later retelling of the story.

The film is very 80's with the apparently suave and sophisticated Bourne in his knitted sweater taking care of the bad guys, and then the ladies.

It is easy to tell that it was originally made for TV, as the story is almost broken down into "sound bites" so that you see whole but separate parts in between where each set of the commercials would go.

It was fairly enjoyable if a little long winded at times. The story was quite good and the long running time enables a lot of character development which is lacking in the remake.