IMDb-BEWERTUNG
6,2/10
5151
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the le... Alles lesenAn American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the lead role in a musical version of The Elephant Man.An American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the lead role in a musical version of The Elephant Man.
Tim Barlow
- Mr. Morrow
- (as Timothy Barlow)
Empfohlene Bewertungen
Richard Curtis has written some impressive romantic comedies (Four Weddings and a Funeral, Notting Hill, Bridget Jones, Love Actually) and had his hand in the writing of some of the top British TV comedy of our time (Mr Bean, Not the 9 O'Clock news, Blackadder). This was one of his first scripts to be turned into a feature film.
He wrote this script about his own experience playing straight man to Rowan Atkinson on his early tours. Curtis was frustrated in real life with being under the shadow of Atkinson, but the script obviously makes a caricature out of this by turning Atkinson into a terrible, nasty villain. But, Rowan fans beware, this is not as fun as it sounds. The unkindest touch of all was added by Rowan himself. He makes himself appear completely unfunny. He plays his backstage self without a touch of humour or subversion - one would almost swear that Rowan just really was a nasty bast*rd.
But anyone who's seen Rowan's stage shows, or Not the 9 O'Clock News, knows that Rowan can play a bastard with ironic humour, where we know he's only kidding - on stage, Rowan specialised in bastards like the vicars and schoolmasters he's played, and nobodies like Mr Bean. Here, Rowan knew it was important for the story for Rowan to not actually be funny, and the straight man to actually be funny. Plus, we need to root for the straight man (played by Jeff Golblum). Rowan's being a villain is the story's main source of conflict and dramatic tension. Without it, there isn't a story. So Rowan has, ironically, done a brave and humble thing by agreeing to play it completely straight, humourless and cold - and he shows himself a really good dramatic actor (though the experience may be disheartening for Rowan fans).
So if you're a Rowan fan, this will not be for you. If you're a Richard Curtis fan, this is a fairly simple and conventional script, but its quite a fun romantic comedy nonetheless. Emma Thomson is suitably cold and severe, and Jeff Golblum makes a good everyman. 6/10.
He wrote this script about his own experience playing straight man to Rowan Atkinson on his early tours. Curtis was frustrated in real life with being under the shadow of Atkinson, but the script obviously makes a caricature out of this by turning Atkinson into a terrible, nasty villain. But, Rowan fans beware, this is not as fun as it sounds. The unkindest touch of all was added by Rowan himself. He makes himself appear completely unfunny. He plays his backstage self without a touch of humour or subversion - one would almost swear that Rowan just really was a nasty bast*rd.
But anyone who's seen Rowan's stage shows, or Not the 9 O'Clock News, knows that Rowan can play a bastard with ironic humour, where we know he's only kidding - on stage, Rowan specialised in bastards like the vicars and schoolmasters he's played, and nobodies like Mr Bean. Here, Rowan knew it was important for the story for Rowan to not actually be funny, and the straight man to actually be funny. Plus, we need to root for the straight man (played by Jeff Golblum). Rowan's being a villain is the story's main source of conflict and dramatic tension. Without it, there isn't a story. So Rowan has, ironically, done a brave and humble thing by agreeing to play it completely straight, humourless and cold - and he shows himself a really good dramatic actor (though the experience may be disheartening for Rowan fans).
So if you're a Rowan fan, this will not be for you. If you're a Richard Curtis fan, this is a fairly simple and conventional script, but its quite a fun romantic comedy nonetheless. Emma Thomson is suitably cold and severe, and Jeff Golblum makes a good everyman. 6/10.
Wow -- talk about polarization. I watched this 15 year old movie for the first time this past weekend and I thought it was terrific, gentle fun. Then I looked at the comments and found that it was tied with "Citizen Kane" with some viewers, but with "Plan 9 from Outer Space" with the rest. What is there in this little film that should polarize everyone so?
Rowan Atkinson behaving like a creep? Emma Thompson's 15-years-ago tush? Jeff Goldblum doing a pretty nice job as a vague almost-actor? I think I will join the polarization here and state that I choose not to go to a party with those "one star" people. I'll bet they just discuss poetry and stuff.
How did I like this movie? Let me count the ways? 1. Funniest damned sex scene I can recall. 2. Landlady-Carmen and friends -- what do you people mean, unnecessary character? 3. "Elephant!" Is that show coming soon to a theatre near me? 4. Weak ending -- who cares?
Rowan Atkinson behaving like a creep? Emma Thompson's 15-years-ago tush? Jeff Goldblum doing a pretty nice job as a vague almost-actor? I think I will join the polarization here and state that I choose not to go to a party with those "one star" people. I'll bet they just discuss poetry and stuff.
How did I like this movie? Let me count the ways? 1. Funniest damned sex scene I can recall. 2. Landlady-Carmen and friends -- what do you people mean, unnecessary character? 3. "Elephant!" Is that show coming soon to a theatre near me? 4. Weak ending -- who cares?
Jeff Goldblum plays a gawky, downtrodden American actor living in England who plays straight man to an obnoxious, unpleasant comedian. Rowan Atkinson is the obnoxious, unpleasant comedian who torments Jeff. Emma Thompson is a pretty, deadpan nurse who gives Jeff's life hope and meaning when he falls in love with her and vice versa. After parting ways with Atkinson, Jeff lands the lead role in "Elephant!", a musical version of "The Elephant Man", in which he plays, of course, the Elephant Man. Jeff's eternal happiness is nearly thwarted by a cute co-star who threatens his romance with Emma Thompson. Will Jeff come out on top? Of course he does. This isn't "The Fly" after all.
Too long but still very funny, with Jeff well cast as the title character. Atkinson is a great antagonist and Emma Thompson has her moments of inspired deadpan humor. And of course, the actual "Elephant" sequences are a riot.
"Vengeance shall BE MINE!" Jeff as Dexter King, AKA: The Tall Guy.
Too long but still very funny, with Jeff well cast as the title character. Atkinson is a great antagonist and Emma Thompson has her moments of inspired deadpan humor. And of course, the actual "Elephant" sequences are a riot.
"Vengeance shall BE MINE!" Jeff as Dexter King, AKA: The Tall Guy.
The plotline is just the skeleton upon which to hang some wicked shots at product placement, Andrew Lloyd Weber, and the theater in general. While most comedies have, at most, two or three types of humor, this film covers the spectrum. In addition to satire, there is Muppet style whimsy in the form of singing underwear, broad physical comedy, sly wordplay, and an inoculation scene that could have come straight from burlesque. Unique characters contribute to the humor. A good choice when you are in an "I want to laugh" mood.
This is a very funny film. Jeff Goldblum and Emma Thompson are stand-outs. Rowan Atkinson is excellent as a smarmy "leading man" in the musical "Elephant!" who tries to sink Goldblum's chances in the musical.
The love scenes with Thompson and Goldblum are inspired, particularly the first time they have sex. I can't recall a film that treats the act in such a spontaneous, slapstick and totally hilarious manner as it's done here. The actor's quirky takes and interaction are most funny, and the entire film is simply a delight.
I've told many friends to seek out this movie, and those who have taken my advice have thanked me profusely for letting them know about it.
I can't recommend it too highly--for a fun night alone, or with your special someone. It'll put a smile on your face you can't wipe off.
The love scenes with Thompson and Goldblum are inspired, particularly the first time they have sex. I can't recall a film that treats the act in such a spontaneous, slapstick and totally hilarious manner as it's done here. The actor's quirky takes and interaction are most funny, and the entire film is simply a delight.
I've told many friends to seek out this movie, and those who have taken my advice have thanked me profusely for letting them know about it.
I can't recommend it too highly--for a fun night alone, or with your special someone. It'll put a smile on your face you can't wipe off.
Wusstest du schon
- WissenswertesJeff Goldblum was only free because of an actors strike in the U.S.
- PatzerIn a shower scene late in the movie the camera moves to a high vantage point, showing the shorts that Dexter is wearing.
- Crazy CreditsMichael Fitzgerald's full credit in the movie is "Man with vacuum cleaner tube up his bottom."
- Alternative VersionenThe American video release contains dubbed replacements of much British slang.
- SoundtracksIt Must Be Love
Written by Labi Siffre
MAM Music Publishing/Chrysalis Music Ltd.
Performed by Madness
By Courtesy of Virgin Records Ltd. and Geffen Records
(by arrangement with Warner Special Products)
from the Album "Complete Madness"
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Tall Guy?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Tall Guy
- Drehorte
- Theatre Royal Drury Lane, Catherine Street, Covent Garden, Westminster, Greater London, England, Vereinigtes Königreich('Elephant - The Musical' theatre: exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 510.712 $
- Eröffnungswochenende in den USA und in Kanada
- 91.131 $
- 23. Sept. 1990
- Weltweiter Bruttoertrag
- 510.712 $
- Laufzeit1 Stunde 32 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Das lange Elend (1989) officially released in India in English?
Antwort