Mein Partner mit der heißen Braut

This film directing debut from Jason Alexander is a corny but cute little comedy romance, looking at the perils of "the course of love" in modern western society.

It's also my personal fav Haley Joel Osment performance. I thought he had the precocious sophistication and natural intelligence to play a kindergarten kid who reads the Wall Street Journal, and gives psychological advice to a troubled guy rather well.

Well at least he faked it brilliantly (ha, ha)!

Not the most profoundest storyline, but still kinda fun and sweet. And what's wrong with that now and again, huh?

Nobody is comparing but any movie in which we are damned to endure the presence of Jason Alexander necessarily has to remind us of the most inane and overrated TV show in history. I know, I'm one of the few misguided souls that think like that but this is a free country, or so they say. However, I think For Better Or Worst is a good example of what always has been my theory about Seinfeld. They just abuse the gullibility of their faithful audience by inserting recorded laughs through unfunny dialog and hoping the TV viewers tag along. They actually do and that has made a mediocre stand-up comedian one of the wealthiest and most famous of American entertainers. Don't take my word for it. Just watch Jason Alexander repeat his hysterical antics and see if you can laugh. Put a laugh machine under and tell me if it's not as funny as The Seinfeld Show. The movie has a good cast but nothing helps. The only one that manages to do something with his role, as usual, is James Woods. Marvelous Lolita Davidovich is forced to play some sentimental hybrid and she copes with it with great dignity but can't really shine. By the way, I don't want to sound too trivial but I sincerely can't imagine such a woman having any kind of affair with such a guy unless he's directing the movie. Joe Mantegna is totally wasted and the rest, including Bea Arthur, has really nothing to work on. One of the many uninspired lines in the movie says: "This is better than my soap!." No, it's not. Not even that.

certainly not a benchmark in American cinema, but all in all, a rather enjoyable little movie. Perfect for a lazy afternoon when you're not in the mood for anything in particular. It's been a long time since I've seen it but I remember it being a light, fun little fluff piece which I have a firm appreciation for. Bea Arthur's turn as the mother was a definite stand out. She's always good. It was also nice to see Jason Alexander emerge from his George cocoon and see that he really has acting chops. I'd have to say if this were out on DVD, I would buy it. Not much chance of that happening though is there?

Except for a couple of amusing scenes featuring James Woods and Jason Alexander, this "comedy" is bereft of any originality or laughs. I had to rub my eyes in disbelief when I saw that it was filmed in the mid 90's! The only evidence that this wasn't an 80's movie was the presence of a young Hayley Joel Osment. Even George Costanza's love interest was sporting a massive 80's hairstyle.

The cheesy romantic plot just floats past like a bloated, rotting corpse. By '96 we'd already seen just about every variation on this style of comedy about a million times. Jason Alexander is simply playing a toned down version of George Costanza... Blah, I wasted my time watching this and now I'm wasting more by typing about it. Awful film.

Hilarious. A real "sleeper." I never heard of it until it appeared on INHD TV. So many surprises (not in any particular order): Lolita Davidovitch gives one of the very best (perhaps THE best)comic actress performances ever. What a waste of talent that we've seen so little of her. Who knew James Woods could be funny at all, let alone as funny as THIS? He creates a sleaze, with no redeeming qualities, yet we can't hate him, can't help but sort of actually like him. There's no hint of the menace for which he became a star. Jason Alexander is touching and funny, but I already knew that. What I didn't know was his talent for directing antic comedy. Jay Mohr has never been better. Bea Arthur is perfect as the somewhat befuddled mother. Rip Torn is on screen for only a few minutes, but every one is a comic jewel. Even Joe Montegna (an actor whose talent has always escaped me)almost is funny once or twice. The script is marvelous, with enough throwaway lines to make another movie. I seem to be a party of one here in my comments, but those who watched it with me laughed as much as I, and liked it as much.