Füge eine Handlung in deiner Sprache hinzuVeteran Detective Inspector Pat Chappel (Ken Stott) heads up the Metropolitan vice squad as he and his team investigate prostitution and pornography in the London sex trade.Veteran Detective Inspector Pat Chappel (Ken Stott) heads up the Metropolitan vice squad as he and his team investigate prostitution and pornography in the London sex trade.Veteran Detective Inspector Pat Chappel (Ken Stott) heads up the Metropolitan vice squad as he and his team investigate prostitution and pornography in the London sex trade.
- 1 BAFTA Award gewonnen
- 1 Gewinn & 3 Nominierungen insgesamt
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Ken Stott as Rebus had his foibles and issues and certainly was convincing as that character, and here he plays basically the same 'type'. This is neither original nor terribly written, but it feels and looks 'tired', as in: we've seen this before. The acting by most who appear is generally top-notch, but the dark and graphic nature of the main theme of 'vice' is just a bit much. Do not watch this before bedtime. I admit that the subject matter and giving so much airtime to deviants and abusers makes me cringe and does not constitute 'entertainment' for me. Although crime and police dramas are often really enthralling and can stretch your imagination at times, this particular series was just a bit too gritty for my tastes. It's not badly made or overly violent, but it totally lacks any light moments or humour. And the relationships all come across as fractured. Not a fun time.
I enjoyed this series and watched all episodes. I was pleased when Kett Stott disappeared as I was getting tired of his character, anger and poor decision making.
Someone who has stayed too long in Vice. Some of the vice officers should have been removed as they were clearly not suited to that unit-Kirsty, Stewart and the other new constable (who likes to sample the prostitutes are clearly not Vice material. Joe is not a great leader and perhaps above his ceiling as an inspector and has difficulty making good decisions. However, the show goes on. Vice is a difficult area for anyone to work in. The acting all around was very good and the situations for the most part were believable. Tim Pigott-Smith is very good in his role but I was amazed that he went from a Sergeant about to retire in two weeks to an Inspector and then a Chief Inspector without writing any of the promotion exams and not retiring.
Someone who has stayed too long in Vice. Some of the vice officers should have been removed as they were clearly not suited to that unit-Kirsty, Stewart and the other new constable (who likes to sample the prostitutes are clearly not Vice material. Joe is not a great leader and perhaps above his ceiling as an inspector and has difficulty making good decisions. However, the show goes on. Vice is a difficult area for anyone to work in. The acting all around was very good and the situations for the most part were believable. Tim Pigott-Smith is very good in his role but I was amazed that he went from a Sergeant about to retire in two weeks to an Inspector and then a Chief Inspector without writing any of the promotion exams and not retiring.
The subject is vice, of course, and this show never misses an opportunity to sin away with gusto. I feel for the actors who have to artificially hump away, leering and licking in close up, but Ken Scott's scenery-chewing is worse than Al Pacino in "Scent of a Woman", and I didn't think it was possible to top that.
UK cop shows are exemplary at portraying the reality of police work and especially at uncovering the ineptitude and corruption of police officers and detectives. However, this series goes over the top. It's as vile in many episodes as the criminals it contains. Stott, known for his explosive, temperamental acting style, goes WAY over the top here. He screams, yells and berates when he's in a good mood. When he's not, it's almost comical the way he explodes in anger.
This is especially sad considering the plots, direction and writing are all quite fine otherwise. Too bad there aren't more moments of levity or real compassion to overwhelm the tantrums galore.
This is especially sad considering the plots, direction and writing are all quite fine otherwise. Too bad there aren't more moments of levity or real compassion to overwhelm the tantrums galore.
I have only watched series 2. The plots are interesting enough - but really, they are almost beside the point. Yes, there are social issues, there are personal issues, there is some suspense, some romance and not hard to figure out plot twists. Also there is this big question. What always baffles non-British is why do British police (in TV series) so often go into knowingly risky, if not potentially fatal situations, unarmed and not backed up. It happens time and time again. It happens here. It happens in other British police, crime, legal series.
So, what is it that makes The Vice - so good? What impressed me was the very high quality of the actors. Their ongoing performances are stellar. There is a constant upward moving arc in character development, in their subtleties, and in the connections they make with their audience. Its ensemble casting at its best. Ken Stott is a master in every way. David Harewood and Caroline Catz are equally intriguing in their roles. The secondary characters are invariably terrific. Highly recommended.
So, what is it that makes The Vice - so good? What impressed me was the very high quality of the actors. Their ongoing performances are stellar. There is a constant upward moving arc in character development, in their subtleties, and in the connections they make with their audience. Its ensemble casting at its best. Ken Stott is a master in every way. David Harewood and Caroline Catz are equally intriguing in their roles. The secondary characters are invariably terrific. Highly recommended.
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Shirley Robinson: [Pretending to be a Secretary] May I ask where you found the card?
- VerbindungenFeatured in Drama Trails: 'The Vice' to 'Prime Suspect' (2008)
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