Cleopatra 2525

After only two episodes, this Xena-meets-Barbarella post-apocalyptic pajama party hasn't had a chance to deliver much...it seems to lack focus, and the pacing is extreme--likely due to the 30 minute formatting. It's a little (okay, okay, a lot) cliche, but seems well-intentioned. The premise has promise, and I have high hopes based on the cast.

Gina Torres (Hercules' dynamic pirate queen Nebula), Victoria Pratt (Xena's Amazon queen Cyane) and Jennifer Sky (Xena's aspiring but capable young Amazon Amarice) have been Raimi/Tapert favorites for several seasons of Xena/Hercules, but so far they have been too busy screaming, grimacing and performing quadruple somersaults to act human yet.

XWP/HLJ regular Joel (Strife/Deimos) Tobeck also joins the cast as the maniacal Creegan...and yes, you can recognize him even through the Mardi Gras make-up and prosthetic chin. It's actually refreshing to see him as the Supreme Menace as opposed to his XWP/HLJ characters, who are supremely annoying (in a psychotic, endearing sort of way.)

And so, All Hail the Futuristic/ Ancient Madcap Epic formulas so beloved by the Raimis...in effect a sort of Pythonesque Terry Jones/Michael Palin tribute. And hey, there's a reason Sam Raimi sometimes credits himself as Alan Smithee, Jr., folks.

---By the Way, that theme music...what were they thinking?

Everyone I told about this show (especially females) was most skeptical of its quality (to say the least), but quality is one thing Cleopatra 2525 had in surplus. After watching an episode or two however they began to see that this was much more than simple "eye candy" for men, this show had depth. Women are shown to be intelligent, powerful, and excellent leaders in this show more than any Sci-Fi series at the time. This show should be seen by all women for its pure self-esteem boosting qualities (my wife loves Sarge), "girl power" is in full force here (apologies for the cliché). Many people that thought the show was silly or degrading to women probably only saw the commercials for it, or a few minutes of the actual show (if even that) and never gave it a chance.

The show had a "pure Sci-Fi" storyline which never drifted into the paranormal (i.e. always had a science explanation without ghosts, esp, god, etc.) which was a breath of fresh air in the midst of the many idiotic shows of the time that turned to the Paranormal to explain their plot devices. As an example, when someone was "out of phase/invisible" and could walk through walls the writers went to great lengths to explain why they didn't fall through the floor to the center of the earth (ever hear another Sci-Fi or Paranormal show even try to explain that). All the villains had motives (known or unknown) and were never presented as simply `evil'. This show had great storylines, characters with depth, unique and creative set designs, gadgets, and special effects to die for. The means of transportation was a blast to witness (shaft travel) as well. The actresses were not just extremely attractive, but extremely talented as well. This was the ONLY show I made a point to record when I would be elsewhere, and I can proudly say I never missed an episode. My wife loves the show as well, although she can't stand the theme song and tries to make me mute it.

The series unfolded in a way I have not seen since Babylon 5 (another great show, but a bit on the Paranormal side of Sci-Fi) another of my favorites. The entire series was building up to a spectacular revelation, but was cancelled for reasons unknown (after constantly being moved to increasingly inconvenient time slots that is). I can't help but wonder that if the PR for the show emphasized the Sci-Fi qualities more than the attractive women (and attractive though they are) they might not have given so many the misguided ideas that probably led to the changes in time slots, and ultimately cancellation.

I give Cleopatra 2525 a 9 out of 10.

Cleo, Hel, and Sarge, you will always hold a special place in my Sci-Fi heart. >

The same producers made Hercules and Xena. They were both action shows, but with strong emphasis on the dramatic battle between good and evil. Cleo, on the other hand, is a comic book come to life. Sure, it doesn't have the deep, brooding style of story-telling its predecessors had, but it's not supposed to. It was designed to be a companion to the hilarious "Jack of all Trades" starring the great Bruce Campbell (known as "Back to Back Action").

The Cleo woman are tough and strong, and yes, scantily-clad, just as comic book characters usually are. Unfortunately, some fans tuned the show out early because they took it too seriously. Understandably, the half-hour shows were dominated by constant laser battles and fist-fights. But the later shows were an hour long, allowing the characters to develop and grow. That helped build the drama and made the action scenes more effective.

Having the "Cleo" character (Jennifer Sky) be an exotic dancer from today added contrast and humor. And I'm not surprised that Gina Torres and Victoria Pratt are on new shows. They are both fine screen presences. So, relax, enjoy the comic book action and don't take it too seriously.

I love Cleopatra 2525. The show moves like lightning, plot set up takes about 2 minutes and subplots, if any, are sketched in between bursts of gunfire. It's a show in which all extraneous elements have been stripped out, leaving you with a bunch of cute, underdressed girls running and shooting. Yes, sometimes it's incomprehensible, but when the show is on it's dynamite. In one episode Cleo relives the same scenario 3 times, a Run Lola Run in 22 minutes. The pace is breathless, Jennifer Sky is funny and adorable, the show is shameless (stripper transported into a future full of scantilly clad women is the kind of idea people come up with at 4 in the morning after a lot of drinking). It leaves you breathless. Anyway, I love "chicks kick ass" shows, and if Cleo isn't quit Buffy the Vampire Slayer, it's still great campy action. If only they would trash that horrible reworking of the song 2525. It has the most abysmal lyrics written ever by anyone.

ya know the concept of "guilty pleasures"? yeah, you have 'em, like admitting you watched - and enjoyed - goonies, battlestar galactica AFTER they reached earth, v the series, charlie's angels, starsky & hutch, the 1950s version of superman, or godzilla movies.

here's the ultimate in guilty pleasures. coupled with jack of all trades in a sam raimi action packed hour, this half hour slot is fast paced, easy to follow, and loaded with fun-to-watch scanlity-clad babes.

the man that brought us evil dead, xena, hercules, and the adventures of brisco county jr does it again with this 2000 update of charlies angels. we got charlie (voice) an unknown being that has the knowlege and the time to find people who need help, bosley (mouser) the gadget man, and three gorgeous babes that kick a** for a living.

and oh what a living!