Lilja 4-ever

Director Lukas Moodysson has achieved a film that is so moving that it is hard to forget it after leaving the theater. Images come back into one's mind about this story about this girl. The tragedy of her life is something to be shocked and alarmed.

To think there are out there, in the so-called civilized world, people that take advantage of girls like Lilja is mind boggling. Lilja's mother has to be one of the worst monsters ever presented in a film. This woman abandons her 16 year old daughter because she has found a meal ticket with a man that will probably end up leaving her as well.

Lilja is beautifully portrayed by Oksana Akinshina. The actress and her character disappear in front of your eyes. The story is very true as thousands of naive girls are exported from what it was the old Soviet Union to other countries in order to force them into prostitution. This story is constantly in the news, yet more and more young girls are duped into going abroad with the promise of highly paid jobs that exist only for the people who exploit them.

Her only friend is Volodya, also a very sad boy who is thrown out of his own house by an abusive father. Volodya and Lilja form a bond as they cling to one another. The little boy is street wise; he knows the fate that awaits Lilja in Sweden. Their friendship is the only thing they both have.

The sad part of the film is the realization that so called "normal" and perfectly "respectful" people are the same ones that brutalize these children. They use Lilja to satisfy their sexual appetites, then discard her like yesterday's trash. To know that there are people like that in our society is a very sad commentary about our world.

Contrary to what many people have commented about the film, I thought that in spite of the tragedy of Lilja's and Volodya's lives, it had a very positive ending because both are free to run around in a better place together, which is not a luxury most of us have on our time in this planet.

Mr. Moodysson gives us a film that will shock; he dares to go where others wouldn't. A job well done..

I wasn't surprised by how perfect this film is from the first second to the last, since it's directed by Lukas Moodysson. Different than Tillsammans and Fuckin Åmål in style, but still absolutely fascinating. I could find only one minor flaw, which is Lilya's make-up after the fall. But everything else was wonderful. I hadn't heard of Oksana Akinshina before, but I have a strong feeling I will in the near future. She's really good. I was also amazed by the acting of the little boy.

The frames come so strong that you start to empathize with Lilya after some point. By the end of the film, I was feeling like she was my sister and I wanted to knock those procurers' heads off. I've heard the plot is based on a true story of a Lithuanian girl. I think it's not based on one single true story, it's rather a blend of several true stories. There are many Lilyas, Natalias, Annas out there who are suffering a similar fate. It's so very sad to see how those innocent girls grow into prostitutes just because they're born in some particular country.

Anyone with a heart will be touched and anyone with a taste on movies will be stunned by this movie. I'll buy the DVD as soon as it's available. It's a must have for any collection. One of the rare films I would watch more than once. Total 10.

In the former Soviet Union, 16-year old Lilya (Oksana Akinshina) lives with her mother and new boyfriend, and is excitedly awaiting a relocation to the United States. It turns out her mother doesn't want her there, and takes off with the promise of Lilya following later, leaving Lilya alone in her apartment. Her aunt then throws her out, giving her the run-down flat of a recently deceased old man, and Lilya finds herself without any money, and only the young Volodya (Artyom Bogucharskiy) as a friend. Desperate, she discovers how easy it is to make money from whoring herself out, and then meets the handsome Andrei (Pavel Ponomaryov), who invites her to live with him in Sweden. Despite Volodya's warnings, she decides to take his offer, but it soon becomes apparent that there is more to his Andrei's promises.

Based on a true story of a young girl who was trafficked to Sweden only to find herself imprisoned and forced to have sex for money, director Lukas Moodysson's film is set mostly in a very grim reality. Similar both to the social realism of Ken Loach, and the relentless and uncomfortable degrading of it's lead female character that is so prominent in Lars von Trier's films, Moodysson film is certainly brutal. As Lilya (played with a tragic naivety by Akinshina) is being abused in Sweden, we are treated to a POV montage of the various perverts and abusers, sweating and breathing into the camera. We live through the whole thing through the eyes of Lilya, a character of almost operatic tragedy, who suffers for the sins of others in a country ravaged by poverty, glue-sniffing and boredom.

But Moodysson wisely doesn't keep everything grim. In the final third, as Lilya suffers the most, the film often turns dream-like and fairy- tale. He introduces angels and dream sequences, as Lilya finds herself drifting through existence in an almost coma-like state, with her dreams and fantasies her only relief. These scenes (and there are only a few) are not flashy or whimsical, but are subtle and simplistic, in a similar way that Wim Wenders portrayed his angels in Wings of Desire (1987). It's a powerful tool that makes Lilya's plight all the more profound. The film plays out almost like a cruel fairy-tale, only set very much in the real world. Lilya 4-Ever is a hard film to sit through, but is rich in humanity, even though most of its characters are certainly devoid of it.

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Will Lukas Moodyson be the Andy Warhol of cinematography? It seems like he's on its way to achieve it as film after film Moodyson seems to find a subject that is shocking but stays a part of the society we cann't deny. "Lilja 4-ever" puts us back in some godforgotten village that used to be the powerful USSR. A place at where nothing really happens and where the youth just has to face violence and drugs (cheap medicine like syrup against coughing). Lilja is left alone by her mother who immigrates to the US and how much she defends, Lilja ends up as a childwhore. The movie is hard (the first seconds of the movie with Rammstein's "Mein herz brennt" already is unforgettable) and Moodyson does nothing special to shock his audience...the facts are just there and you can do with it what you want. A masterpiece.

The movie is extremely sad & hard to watch, cause of its unbelievably realistic picture of poverty, humiliation & depression in which the vast majority of people in the former USSR republics live, including here in Russia. The minority of those who have still managed to keep being human beings in this mess is surrounded & slowly devastated by demoralised animals, created by the decades of communist reign. The realism of the picture is overwhelming & scary. It is so unexpected that a Swedish director have managed to see all the sadness, corruption, violence & immorality of post-USSR space much more clearly than any Russian director ever will. Probably, it is because most people here in Russia see the hell which is going on around them as a normal thing. That's why we need movies such as this - to face the truth, we are so trying to escape in everyday life. Plus, the film exposes the problem of human traffic in such true-to-life manner, it is painful. Worth watching for former USSR citizens, in order to wake-up & realize how degenerate they're becoming. Worth watching for foreigners in order to understand how the 99% of people in Russia & other post-soviet countries live, outside the glamorous & fake facades of Moscow city.