Inspector Foyle

This series (to date rented from online rental rentflix company) builds credibility in all characters, intricate though typically British murder mystery confrontations, come-uppances to the antagonists who deign to impugn Foyle in the beginning of episodes (with excellent plot lines throughout) and a believable interplay between complex characters. The only question NOT answered to date is WHY Foyle does not drive. Fortunately because he doesn't, he gets to have Sam as a driver. Maybe that is the reason! Would buy this boxed set when it is available, have not seen it yet. The realism achieved by set design, as well as the opportunity to see a real spitfire flying in many scenes makes it a pilot's movie as well. The series musical theme is also hauntingly beautiful. Foyle's quiet calm and non-reactive traits are especially lovable.

This is a good idea for a mystery series and it is done well. Michael Kitchen gets a lot of acting mileage out of a slight tilt of the head or a raised eyebrow. He's definitely the master of delivering lines in a low key manner. All the episodes I saw were well constructed narratives and the WW II era was recreated very well. I hope this series continues on for it seems like the producers are capable of coming up with more intriguing stories. Credit must be given to the parents of Honeysuckle Weeks for not only producing a talented daughter but giving her such a charming name. It's a nice little touch to have her character drive Foyle around as he does not drive a car.

What a great series {so far}. Well done to the cast & all the many others associated/involved with this series. Both my parents were caught up in the war: My Dad was in the RAF, & my mum being nine years younger was evacuated from Portsmouth to an Aunt who lived in the 'country'. I never knew what a 'funk hole' was until watching this series, & when I mentioned it to my Mum, she quite calmly said 'oh yes we all knew about them'. I'm sure others may think that some things are not accurate, but books don't always tell the truth: if ever in doubt ask someone who lived through this time period. Let's hope series three lives up to the other two.

Foyle's War follows the life of a detective and his team based in Hastings in the south of England during the Second World War.

Although he is obviously called on to investigate crimes, the programme deals with so much more - there is a real feel for what it must have been like to be in Britain when it stood alone against Hitler, when the outcome was not just uncertain, but may well have meant invasion and persecution. The period is therefore much more than a "backdrop". For instance, Foyle's son is in the RAF, and his sergeant was seriously wounded in Norway.

The scripts are intelligent, the plots engrossing and, with casts drawn from the cream of British actors, the performances are impeccable.

This is a compelling and oddly comforting drama. There is the setting and the time -- Hastings, on the southern coast of England during World War II. Hastings of course was the site of the last successful invasion of England, in 1066, and that threat seems real in the early days of the war. In the series, it is a provincial town where Deputy Chief Superintendent Foyle tries to solve local crimes of theft and murder, while dealing with wartime problems of black markets, sabotage and espionage. In addition to meddling from police superiors with their own agendas, Foyle must contend with bureaucratic and military interference from London as the war creates situations that lets criminals go free.

Then there are the scripts and the actors, not to mention the overall quality of the production -- lucid photography, theme music with echoes of Brideshead Revisited, period clothing, vehicles, etc. The writing is measured, intelligent, no wasted words. Honeysuckle Weeks and Anthony Howell in the supporting roles of Samantha Stewart and Paul Milner are excellent and play off each other well.

But the show belongs to Michael Kitchen and you wonder why you've never seen this actor before and when you will see him again. He conveys the competence and integrity you want in your hero, but the real attraction, I think, is that he is the ultimate father figure. He is concerned about people without wearing it on his sleeve; gruff, even curt, but letting us glimpse the tenderness behind it; and he is wise, not only a clever detective but wise in the ways of the human heart. He is a father not only to his son, Andrew, an RAF pilot, but also to Sam and Milner and to any number of characters in the various episodes, including his goddaughter in the last (final?) episode. Invariably, this father knows best. While he conveys a sense of vulnerability, you never have the feeling Foyle has really made a mistake. This is why I think the films are comforting. With all the chaos of war, and darkness of human behavior, Foyle moves through it all, self-possessed, caring, and ultimately, even when circumstances beyond his control keep him from actually incarcerating the wrongdoer, successful in protecting his charges from evil.