In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
Ausgewählte Rezension
Tony Scott can make good films and bad, personally I think he can be a bit flashy and trashy and his work obviously suffers in comparison with that of his rather famous brother, but this is quite possibly his best film.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.
- bt-wells99-1
- 3. Feb. 2010
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesMost of the scenes between Denzel Washington and Christopher Walken were completely improvised.
- PatzerCaptioning mistranslation. Fuentes tells Samuel that he has been authorized to participate "ex officio", and the caption translates this as "unofficially". However, "ex officio" means "by virtue of the office", in this case Fuentes' position in the Anti-Kidnapping Division.
- Crazy CreditsSpecial thanks to Mexico City. A very special place.
- Alternative VersionenEuropean (PAL) version of the DVD lack the stylized subtitles found through the movie, except for a few in the beginning. Those subtitles are found in the form of regular DVD subtitles.
- VerbindungenFeatured in HBO First Look: The Making of 'Man on Fire' (2004)
- SoundtracksThe Mark Has Been Made
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Hombre en llamas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 77.911.774 $
- Eröffnungswochenende in den USA und in Kanada
- 22.751.490 $
- 25. Apr. 2004
- Weltweiter Bruttoertrag
- 130.834.852 $
- Laufzeit2 Stunden 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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