Lugares comunes

I've always thought that Adolfo Aristaráin is not only a cinema director, he's a philosopher,a thinker, a so lucid mind, and overall an idealist. Cinema is not just something to entertain people but a powerful tool to express himself.

"Lugares Comunes" (Common places) tells the story of an Argentinian middle-aged couple (played wonderfully by the great Federico Luppi and Mercedes Sampietro which decide to move to the country from Buenos Aires. He's just been fired from the school in which he's been teaching' for most than 30 years (because of his left-winged ideas). So, he a his wife cannot afford to live in B. Aires anymore. That's the base for a long, overwhelming reflection about life, honesty, unconditional love, commitment, and all those things that seem to be a little "old-fashioned" nowadays (but they are not).

This is a movie to think about, you must focus on it, you have to assimilate what you're hearing... Otherwise, you'll be wasting your time. This ain't nonsense and hollow entertainment, this is something else. Let Aristaráin open your eyes... you won't regret.

*My rate: 8.5/10

Fernando (Federico Luppi), a Professor of Literature in his sixties in Buenos Aires and his wife Lili (Mercedes Sampietro), a social worker are respected in the community and loving partners. Their world is turned upside down however when Fernando receives notice that he is being asked to retire early. The enforced retirement, a result of the economic crisis in Argentina, comes as a complete shock and he and his wife are forced to make drastic decisions that threaten the foundations of their comfortable life. Based on the novel "The Renaissance" by Lorenzo F. Aristariain, Common Ground, the new film by Argentine director Adolfo Aristarain (A Place in the World, Martin), is a story about love, getting older, and discovering what is important in life. It is also an acid social comment on the current state of life in Argentina where thousands of Argentinans have had to face a similar end to their secure middle class existence.

Fernando and Lili have a son Pedro (Pablo Rago) who lives comfortably in Spain with his wife and two children. A leftist man of strong convictions, Fernando tells his son about his meager pension left to him by the university but refuses his assistance. Instead he berates him for abandoning his country and selling out to make money. When the couple returns to Argentina, they are forced to sell their apartment in the city, purchase a farm and bravely set out on a new style of living. Their adjustment to rural life has its moments of sadness but their striving to live out their lives with dignity and purpose is profoundly human. Though Common Ground does not reach the heights of Aristarain's A Place in the World, it is an honest film and one that celebrates the strength of a loving family.

How to start again when all the hopes are over? How to keep loving the same woman during all your life? How to change without loosing your ideals? How to get old and feel as the first day of your youth?

Basic questions, with basic answers that not everybody is willing to hear. Common places where most of us try not to go.

This film is poetry into a movie. One of the best scripts contents of the Latin American cinema. Aristarain shows one more time to be one of the best ever Argentinean directors.

Take your time to enjoy it.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira (Mercedes Sampietro) to visit their son Pedro (Carlos Santamaria), the leftist Literature Professor Fernando Robles (Federico Luppi) is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm in Cordoba to reduce their expenses. Once in the country, while adapting to the new lifestyle, a tragedy happens.

"Lugares Comunes" is a very beautiful, critical, human, sensitive and real film about love, life, adaptation and convictions in the third age. The story takes place in Argentina, but could be in Brazil or any South American country, where in general people can not keep their status with their retirement pension, being forced to continue working to survive, or to fall from middle-class to very poor class. This touching narrative has a perfect pace and flows naturally, supported by the impressive performances of Federico Luppi and Mercedes Sampietro. All the characters are credible and beautiful (with the exception of the head of the university), and this movie is a gem. My vote is eight.

Title (Brazil): "Lugares Comuns"("Common Places")

There's no other way to describe Lugares comunes but as a beautiful movie. It's a well constructed story that revolves around a literature teacher who's forced into an early retirement due to his ideals. From the beginning he's writing lose notes about the way he feels, and this is useful as a voice in off that narrates high points of the plot as it is also the key that serves mainly as an inner perspective in some matters. He talks about revolution and democracy in the state in an Argentina beaten by the government, depicting the economical and social issues as well as it's day to day surviving culture. The other characters here are his wife (who's from Spain) their son (who lives there) and a close friend of the teacher, who happens to be a lawyer dating a younger woman. Then, by their precarious situation, the couple sell their flat in Buenos Aires and move to the country. That's basically the screenplay: how they learn to live with their new situation.

Luppi, as the professor, is wonderful; he has a natural driven force that get us in the inner struggles of the character, and his insights are clever, methodical and somehow illustrative, describing and dissecting terms like lucidity (in words and feelings). The dialogues are well guided by a smart hand so, even when there's plenty of them, never get to bore. The others characters are well performed, rounding the experience and adding strength to a tone that goes from somber to bright, and even when it's premise is mainly sad, never turns into one to weep at; it is one to wonder and makes us think rather than sink our mood into mourning or feel sorry for them. It is, as my title says, one long and well played tango based on a biting reality which goes smooth hence pretty delightful.

I give it four stars out of five.