IMDb-BEWERTUNG
6,2/10
20.178
IHRE BEWERTUNG
Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.
- Regie
- Drehbuch
- Hauptbesetzung
Empfohlene Bewertungen
While in a bar with her friends, the teenager Yoko Okazaki (Anna Nagata) receives a call in her cellular with a voice mail from the future telling the date and time when she would die. On the next day, Yumi overhears a group of students talking about the urban legend that people connected in the address book of cellular are mysteriously receiving phone calls with date and time of their death in the near future. In the precise informed hour, Yoko is attacked by a supernatural force in a train station while talking to her friend Yumi Nakamura (Kou Shibasaki) by phone and dies with severed arm and leg. Yumi seeks out Kioto's boyfriend Kenji Kawai (Atsushi Ida), who also received a call, and witnesses his death in an elevator shaft. When her roommate Natsumi Konishi (Kazue Fukiishi) receives a call, Yoko befriends Hiroshi Yamashita (Shin'ichi Tsutsumi), who tells her that his sister Ritsuko (Azusa) that worked in the Child Guidance Center with abused children was the first victim of the phone call. While in the hospital, Yumi hears an asthma pump and recalls that she heard the same noise when Kenji died. They decide to investigate victims of asthma in the hospital and find the name of Marie Mizunuma and her daughters Mimiko and Nanako. They search the family together trying to save Natsumi from her fate.
"Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.
Title (Brazil): "Ligação Perdida" ("Missed Call")
"Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.
Title (Brazil): "Ligação Perdida" ("Missed Call")
A good Japanese-surprise.
Was looking for something different to watch in Americanized Netherlands, and found this movie. If you have never seen any of the recent Japanese fear movies, then this one is a good compilation of the others (Ring, Dark Water, Kairo...) : strange camera angles, blurry pictures, good sound effects and music and a nice-and-somewhat logical script. I was worried about the Miike's touch, but in fact it was a surprising plus for this kind of movie, where ghosts and gore combine well. Takashi shows he knows a lot about filming methods, and also gives us an overview of the Japanese craziness about mobile phones : I can assure you that you will never look again the same way at your phone after seeing such a movie.
For the ones who have seen other Japanese horror movies, I would advise it as well, as you enjoy seeing again the same old tricks in a different context...and it works again !
So if you have the chance to have this one in a nearby theater...just try it !!
Was looking for something different to watch in Americanized Netherlands, and found this movie. If you have never seen any of the recent Japanese fear movies, then this one is a good compilation of the others (Ring, Dark Water, Kairo...) : strange camera angles, blurry pictures, good sound effects and music and a nice-and-somewhat logical script. I was worried about the Miike's touch, but in fact it was a surprising plus for this kind of movie, where ghosts and gore combine well. Takashi shows he knows a lot about filming methods, and also gives us an overview of the Japanese craziness about mobile phones : I can assure you that you will never look again the same way at your phone after seeing such a movie.
For the ones who have seen other Japanese horror movies, I would advise it as well, as you enjoy seeing again the same old tricks in a different context...and it works again !
So if you have the chance to have this one in a nearby theater...just try it !!
Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things.
First, I strongly disagree with some other posters at the board who weren't bothered by Chakushin ari facing a Hollywood remake. Why can't Hollywood keep their dirty fingers away when they fail in their own miserable creativity. Anyhow...
I've just started to dig deeper into the works of Takashi Miike and I have no problems admitting that his movies are awesome. Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things. What you get in Chakushin ari is, besides the beautiful surroundings and awesome camera work, tension, thrills and a plot which does quite good for being in this genre. It has its moments of originality and compared to the works of Hideo Nakata, I'd say Miike here accomplish a heavier load of tension throughout the whole movie, while Nakata's movies have tension coming in waves, sort of.
I have really nothing to whine about here or rant at. The actors are doing a good job and the piece kept me interested throughout the entire playtime. Thumbs up.
I've just started to dig deeper into the works of Takashi Miike and I have no problems admitting that his movies are awesome. Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things. What you get in Chakushin ari is, besides the beautiful surroundings and awesome camera work, tension, thrills and a plot which does quite good for being in this genre. It has its moments of originality and compared to the works of Hideo Nakata, I'd say Miike here accomplish a heavier load of tension throughout the whole movie, while Nakata's movies have tension coming in waves, sort of.
I have really nothing to whine about here or rant at. The actors are doing a good job and the piece kept me interested throughout the entire playtime. Thumbs up.
This movie has a more than interesting and good premise and it also has a real promising beginning but as the movie and its story start to progress more the movie actually gets worse and starts to drag and become overlong.
Japanese horror movies are well known and appreciated over the world now days, due to the global success of several genre pieces, with of course "Ringu" as the best example of this. And even though these movies are always well made and good looking ones, there are often more or less the same. Aside from its premises, they are often hardly original in their execution, with the exception of an occasional memorable and effective sequences. And yes, this movie is also pretty much more of the same. It's welcome for the fans of it but it's just offering too little originality, which makes this a movie you'll easily forget.
This is a pretty mainstream movie for normal Takashi Miike standards. Guess he needs to make these type of movies, every once in a while, before he can continue and finance his other movie projects, that are less mainstream and just plain odd and weird with their style and approach. But it are still the movies he is known for and also most appreciated more by people all over the world. I'm not a fan of just all of his movies but often his weirdness, extreme graphic violence and humorous approach of it all can still appeal to me and make his movies something unique and enjoyable for me. But this movie really doesn't has any of that. It's made in the same style as any other popular Japanese horror movie, which means that this movie will probably also disappoint most Takashi Miike lovers.
Thing with this movie is that it has an alright story and main premise in its beginning but the more it all progresses the harder it gets to understand and the less interest you'll keep in this movie. It's the reason why the movie feels like it's dragging at points and feels also certainly overlong. This is a movie that should at least had been 20 minutes shorter really.
This also certainly goes at the expense of the horror and mystery of the movie. Horror-wise this movie is certainly disappointing in what it is offering. Again, because it's being nothing too original but also because the movie it's story-telling doesn't really get you involved with things and therefore a lot of the mystery and tension dies off pretty quick already. It also doesn't help that the movie becomes more and more confusing toward its ending.
But overall, this movie still does a lot of things well. It's certainly not any worse than the average Japanese horror entry and despite all of its problems, I still consider this a watchable movie.
6/10
http://bobafett1138.blogspot.com/
Japanese horror movies are well known and appreciated over the world now days, due to the global success of several genre pieces, with of course "Ringu" as the best example of this. And even though these movies are always well made and good looking ones, there are often more or less the same. Aside from its premises, they are often hardly original in their execution, with the exception of an occasional memorable and effective sequences. And yes, this movie is also pretty much more of the same. It's welcome for the fans of it but it's just offering too little originality, which makes this a movie you'll easily forget.
This is a pretty mainstream movie for normal Takashi Miike standards. Guess he needs to make these type of movies, every once in a while, before he can continue and finance his other movie projects, that are less mainstream and just plain odd and weird with their style and approach. But it are still the movies he is known for and also most appreciated more by people all over the world. I'm not a fan of just all of his movies but often his weirdness, extreme graphic violence and humorous approach of it all can still appeal to me and make his movies something unique and enjoyable for me. But this movie really doesn't has any of that. It's made in the same style as any other popular Japanese horror movie, which means that this movie will probably also disappoint most Takashi Miike lovers.
Thing with this movie is that it has an alright story and main premise in its beginning but the more it all progresses the harder it gets to understand and the less interest you'll keep in this movie. It's the reason why the movie feels like it's dragging at points and feels also certainly overlong. This is a movie that should at least had been 20 minutes shorter really.
This also certainly goes at the expense of the horror and mystery of the movie. Horror-wise this movie is certainly disappointing in what it is offering. Again, because it's being nothing too original but also because the movie it's story-telling doesn't really get you involved with things and therefore a lot of the mystery and tension dies off pretty quick already. It also doesn't help that the movie becomes more and more confusing toward its ending.
But overall, this movie still does a lot of things well. It's certainly not any worse than the average Japanese horror entry and despite all of its problems, I still consider this a watchable movie.
6/10
http://bobafett1138.blogspot.com/
A high school student named Yumi Kamura finds with a group friends in a coffee bar,while her pal Yoko receives a cellular call with a rare tone which she had heard before.Into screen phone appears one missed call.The message is sent for her cellular and contains a horrible shout that sounds like her voice.Besides the call is from three days after.A time later young people receive the call are dead for terrible killing.A strange curse causes a criminal rampage among various adolescents.
The picture gets suspense,horror,shocks,grisly terror and several eerie scenes.The film displays hair-rising and horrifying images with a bit of blood and graphical gore.Mysterious and sinister atmosphere is well made by the photographer Yamamamoto. Takashi Mike(Ichi the killer) direction sometimes is actually creepy and frightening like proves the first entry ¨Dead or alive¨with the execution starring by a mobster and much more in ¨The audition¨.This horror film is inspired by ¨The ring¨with certain remembrance more even storyline coincidences.Like that and in fact happen in the most part of recently Japan horror cinema deals about an urban legend.It's the initial argument for introducing the terror in the ordinary life by means a phone.While the look is suitable spooky and eerie the plot spread to the breaking point and the final resolution results to be a little confused.The flick will like to Japan modern terror cinema enthusiastic.
The picture gets suspense,horror,shocks,grisly terror and several eerie scenes.The film displays hair-rising and horrifying images with a bit of blood and graphical gore.Mysterious and sinister atmosphere is well made by the photographer Yamamamoto. Takashi Mike(Ichi the killer) direction sometimes is actually creepy and frightening like proves the first entry ¨Dead or alive¨with the execution starring by a mobster and much more in ¨The audition¨.This horror film is inspired by ¨The ring¨with certain remembrance more even storyline coincidences.Like that and in fact happen in the most part of recently Japan horror cinema deals about an urban legend.It's the initial argument for introducing the terror in the ordinary life by means a phone.While the look is suitable spooky and eerie the plot spread to the breaking point and the final resolution results to be a little confused.The flick will like to Japan modern terror cinema enthusiastic.
Wusstest du schon
- WissenswertesDuring the opening credit sequence, one of the cell phone ring-tones is the theme song from an earlier Takashi Miike film, Gozu (2003).
- PatzerYumi arrives at the abandoned hospital at 6:45 p.m. on April 24, and it's nighttime. On that date, sunset in Japan ranges from around 6:20 p.m. Japan Standard Time in the east, near Tokyo, to around 6:55 p.m. in the west, near Nagasaki. Depending on what part of Japan she is in, it should be daytime or twilight outside, not full dark.
- Zitate
Yoko Okazaki: Oh no, it's raining.
- VerbindungenFeatured in Chakushin ari meikingu: Chakushin rireki (2003)
- SoundtracksIkutsuka no Sora
(Few Skies)
Vocal by Kô Shibasaki (as Kou Shibasaki)
Written by Yasushi Akimoto
Composed by Jin Nakamura
Arranged by Chokkaku
Universal J / Chimera Energy
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is One Missed Call?Powered by Alexa
Details
Box Office
- Weltweiter Bruttoertrag
- 17.605.379 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen