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The Call

Originaltitel: Chakushin ari
  • 2003
  • 16
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
6,2/10
20.178
IHRE BEWERTUNG
Kô Shibasaki in The Call (2003)
HorrorMystery

Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.Menschen beginnen auf mysteriöse Weise, Voicemail-Nachrichten von ihrem zukünftigen Selbst zu erhalten, die ihren Tod vorhersagen.

  • Regie
    • Takashi Miike
  • Drehbuch
    • Yasushi Akimoto
    • Minako Daira
  • Hauptbesetzung
    • Kô Shibasaki
    • Shin'ichi Tsutsumi
    • Kazue Fukiishi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    20.178
    IHRE BEWERTUNG
    • Regie
      • Takashi Miike
    • Drehbuch
      • Yasushi Akimoto
      • Minako Daira
    • Hauptbesetzung
      • Kô Shibasaki
      • Shin'ichi Tsutsumi
      • Kazue Fukiishi
    • 90Benutzerrezensionen
    • 126Kritische Rezensionen
    • 54Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:13
    Official Trailer

    Fotos59

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    Topbesetzung45

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    Kô Shibasaki
    Kô Shibasaki
    • Yumi Nakamura
    Shin'ichi Tsutsumi
    Shin'ichi Tsutsumi
    • Hiroshi Yamashita
    Kazue Fukiishi
    • Natsumi Konishi
    Anna Nagata
    • Yoko Okazaki
    Atsushi Ida
    • Kenji Kawai
    Mariko Tsutsui
    Mariko Tsutsui
    • Marie Mizunuma
    Kumiko Imai
    Keiko Tomita
    Kayoko Fujii
    Yoshiko Noda
    Azusa
    • Ritsuko Yamashita
    Tetsushi Tanaka
    Mitsuhiro Sato
    Kaoru Hanaki
    Hassei Takano
    Koji Yazawa
    Daisuke Iijima
    Minori Fujikura
    • Regie
      • Takashi Miike
    • Drehbuch
      • Yasushi Akimoto
      • Minako Daira
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen90

    6,220.1K
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    Empfohlene Bewertungen

    6claudio_carvalho

    The Call from Death

    While in a bar with her friends, the teenager Yoko Okazaki (Anna Nagata) receives a call in her cellular with a voice mail from the future telling the date and time when she would die. On the next day, Yumi overhears a group of students talking about the urban legend that people connected in the address book of cellular are mysteriously receiving phone calls with date and time of their death in the near future. In the precise informed hour, Yoko is attacked by a supernatural force in a train station while talking to her friend Yumi Nakamura (Kou Shibasaki) by phone and dies with severed arm and leg. Yumi seeks out Kioto's boyfriend Kenji Kawai (Atsushi Ida), who also received a call, and witnesses his death in an elevator shaft. When her roommate Natsumi Konishi (Kazue Fukiishi) receives a call, Yoko befriends Hiroshi Yamashita (Shin'ichi Tsutsumi), who tells her that his sister Ritsuko (Azusa) that worked in the Child Guidance Center with abused children was the first victim of the phone call. While in the hospital, Yumi hears an asthma pump and recalls that she heard the same noise when Kenji died. They decide to investigate victims of asthma in the hospital and find the name of Marie Mizunuma and her daughters Mimiko and Nanako. They search the family together trying to save Natsumi from her fate.

    "Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.

    Title (Brazil): "Ligação Perdida" ("Missed Call")
    7barteknl

    Good Japanese horror movie

    A good Japanese-surprise.

    Was looking for something different to watch in Americanized Netherlands, and found this movie. If you have never seen any of the recent Japanese fear movies, then this one is a good compilation of the others (Ring, Dark Water, Kairo...) : strange camera angles, blurry pictures, good sound effects and music and a nice-and-somewhat logical script. I was worried about the Miike's touch, but in fact it was a surprising plus for this kind of movie, where ghosts and gore combine well. Takashi shows he knows a lot about filming methods, and also gives us an overview of the Japanese craziness about mobile phones : I can assure you that you will never look again the same way at your phone after seeing such a movie.

    For the ones who have seen other Japanese horror movies, I would advise it as well, as you enjoy seeing again the same old tricks in a different context...and it works again !

    So if you have the chance to have this one in a nearby theater...just try it !!
    7scobbah

    Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things.

    First, I strongly disagree with some other posters at the board who weren't bothered by Chakushin ari facing a Hollywood remake. Why can't Hollywood keep their dirty fingers away when they fail in their own miserable creativity. Anyhow...

    I've just started to dig deeper into the works of Takashi Miike and I have no problems admitting that his movies are awesome. Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things. What you get in Chakushin ari is, besides the beautiful surroundings and awesome camera work, tension, thrills and a plot which does quite good for being in this genre. It has its moments of originality and compared to the works of Hideo Nakata, I'd say Miike here accomplish a heavier load of tension throughout the whole movie, while Nakata's movies have tension coming in waves, sort of.

    I have really nothing to whine about here or rant at. The actors are doing a good job and the piece kept me interested throughout the entire playtime. Thumbs up.
    6Boba_Fett1138

    A movie that slowly bleeds to death.

    This movie has a more than interesting and good premise and it also has a real promising beginning but as the movie and its story start to progress more the movie actually gets worse and starts to drag and become overlong.

    Japanese horror movies are well known and appreciated over the world now days, due to the global success of several genre pieces, with of course "Ringu" as the best example of this. And even though these movies are always well made and good looking ones, there are often more or less the same. Aside from its premises, they are often hardly original in their execution, with the exception of an occasional memorable and effective sequences. And yes, this movie is also pretty much more of the same. It's welcome for the fans of it but it's just offering too little originality, which makes this a movie you'll easily forget.

    This is a pretty mainstream movie for normal Takashi Miike standards. Guess he needs to make these type of movies, every once in a while, before he can continue and finance his other movie projects, that are less mainstream and just plain odd and weird with their style and approach. But it are still the movies he is known for and also most appreciated more by people all over the world. I'm not a fan of just all of his movies but often his weirdness, extreme graphic violence and humorous approach of it all can still appeal to me and make his movies something unique and enjoyable for me. But this movie really doesn't has any of that. It's made in the same style as any other popular Japanese horror movie, which means that this movie will probably also disappoint most Takashi Miike lovers.

    Thing with this movie is that it has an alright story and main premise in its beginning but the more it all progresses the harder it gets to understand and the less interest you'll keep in this movie. It's the reason why the movie feels like it's dragging at points and feels also certainly overlong. This is a movie that should at least had been 20 minutes shorter really.

    This also certainly goes at the expense of the horror and mystery of the movie. Horror-wise this movie is certainly disappointing in what it is offering. Again, because it's being nothing too original but also because the movie it's story-telling doesn't really get you involved with things and therefore a lot of the mystery and tension dies off pretty quick already. It also doesn't help that the movie becomes more and more confusing toward its ending.

    But overall, this movie still does a lot of things well. It's certainly not any worse than the average Japanese horror entry and despite all of its problems, I still consider this a watchable movie.

    6/10

    http://bobafett1138.blogspot.com/
    6ma-cortes

    ONE MISSED CALL is an unsettling horror film with lots of scares by the cult director Takashi Mike

    A high school student named Yumi Kamura finds with a group friends in a coffee bar,while her pal Yoko receives a cellular call with a rare tone which she had heard before.Into screen phone appears one missed call.The message is sent for her cellular and contains a horrible shout that sounds like her voice.Besides the call is from three days after.A time later young people receive the call are dead for terrible killing.A strange curse causes a criminal rampage among various adolescents.

    The picture gets suspense,horror,shocks,grisly terror and several eerie scenes.The film displays hair-rising and horrifying images with a bit of blood and graphical gore.Mysterious and sinister atmosphere is well made by the photographer Yamamamoto. Takashi Mike(Ichi the killer) direction sometimes is actually creepy and frightening like proves the first entry ¨Dead or alive¨with the execution starring by a mobster and much more in ¨The audition¨.This horror film is inspired by ¨The ring¨with certain remembrance more even storyline coincidences.Like that and in fact happen in the most part of recently Japan horror cinema deals about an urban legend.It's the initial argument for introducing the terror in the ordinary life by means a phone.While the look is suitable spooky and eerie the plot spread to the breaking point and the final resolution results to be a little confused.The flick will like to Japan modern terror cinema enthusiastic.

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    Handlung

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    • Wissenswertes
      During the opening credit sequence, one of the cell phone ring-tones is the theme song from an earlier Takashi Miike film, Gozu (2003).
    • Patzer
      Yumi arrives at the abandoned hospital at 6:45 p.m. on April 24, and it's nighttime. On that date, sunset in Japan ranges from around 6:20 p.m. Japan Standard Time in the east, near Tokyo, to around 6:55 p.m. in the west, near Nagasaki. Depending on what part of Japan she is in, it should be daytime or twilight outside, not full dark.
    • Zitate

      Yoko Okazaki: Oh no, it's raining.

    • Verbindungen
      Featured in Chakushin ari meikingu: Chakushin rireki (2003)
    • Soundtracks
      Ikutsuka no Sora
      (Few Skies)

      Vocal by Kô Shibasaki (as Kou Shibasaki)

      Written by Yasushi Akimoto

      Composed by Jin Nakamura

      Arranged by Chokkaku

      Universal J / Chimera Energy

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    FAQ17

    • How long is One Missed Call?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 19. Januar 2006 (Deutschland)
    • Herkunftsland
      • Japan
    • Offizielle Standorte
      • Official site (Germany)
      • Official site (Spain)
    • Sprachen
      • Japanisch
      • Englisch
    • Auch bekannt als
      • One Missed Call
    • Produktionsfirmen
      • Kadokawa Daiei Pictures
      • Toho
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 17.605.379 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 52 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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