Princesas

...Because almost all the ones that do have money and connections are shallow and gutless and that's why you have to dig and dig and dig to find a good film.

Another reviewer got a 0/11 out of the eleven gracious contributors to this film fro saying this is boring. He was right in saying that the acting is indeed very good, the main actress does seem to overact a bit, but the domenican girl is a joy to watch, and the minor characters are very well acted too.

So, big love to the actors here, great job.

Big boos to the directors and screenwriters. What a shallow sophomoric story, no twists, no turns, and that could be acceptable if at least there was some semblance of a cinema verity, a gritty reality portrayed. But there's none of this.

The film doesn't build up, doesn't explore characters, doesn't even have one single story to tell. Forget imagination or plot. I am not a blockbuster Hollywood viewer but give me something more than some shallow musings on "someone exists because you remember them" and about princesses being too sensitive. Any way you cut it, under any sympathetic light you might want to view the film it fails miserably and that's because of the flat, dirt poor story and characterisation.

It's more than obvious that the director and writer are clueless when it comes to prostitution and that's why this is reduced to boring stereotypes.

Unfortunately very few real prostitutes rise from the gutter to tell their story. Let me rephrase that because I 've read some wonderful insightful books about prostitution from prostitutes. Very few real prostitutes actually get that big chunk of money to make a film. I tell you whatever little contact I had with working girls as a man, some of those short rushed discussions were far more honest and heartbreaking than any of this boring trite.

Let's be frank prostitution exists because men are horny and men have power, and prostitutes do what they do because some of them are lazy and want an easy way out, and most of them have been abused and are tortured souls, they are also poor girls and some are stupid girls. It's not a happy subject matter because it reflects on the atrocious nature of people, mostly men. It might not even be an interesting matter. But if you are going to tackle it, there's stuff there for sure, if you are to make a movie of it there's so much there to avoid banality and clichés. The sheer number of which here are mind blowing.

But of course that's happens when people with money make films about issues they have neither the sensitivity nor the intellect to handle, and that they've not lived through for sure. So we get clichés: hiv, the bad pimp, the junkie, the college kid, the immigrant, uuuggghhh...

And what's with 15 manu chao songs in a single film? Straight from an "anti globalisation" march.

Caye is saving up for a boob job. She gets her money as Lima, whoring in the streets of Madrid. Every week she eats dinner with her family and worries abut her mother's increasingly slippery grip on reality. And she has theories on Princesses and their attachment to nostalgia. Caye has no past to be nostalgic for, so she is sad for her lost future. She meets illegal immigrant and fellow prostitute Zulema, and the friendship brings her some respite. But nothing good lasts forever...

Princesas is a poetic work, shot cinema verite style showing in uncompromising detail the degradation and danger that accompanies these women's lives. Candela Peña is engrossing as Caye, with no past to comfort her, and unable to see a better future, stuck in an eternal present. Her only hope is that there is not another life like this one. Zulema, the stunningly beautiful Micaela Nevárez, is compromised by a government bureaucrat lowlife who dangles just enough hope in front of her to facilitate his need to abuse. This relationship must be the only time in cinema history where a character looking for revenge packs a knife in her bag, and the audience never sees it again. Zulema, however, at least has a Pyrrhic victory of sorts (though the film falters slightly here, as it is unclear exactly who is infecting whom...)

A snapshot of lives lived in shadows and on the edges of our civilization, this is lyrically written, and shot in an unobtrusive, straightforward manner. Touching, truthful and ample food for thought.

I watched this movie in the cinemas in Madrid, and I was pleasantly surprised. Not haven seen or heard anything about the movie, except for the posters, I did not know what to expect.

This movie is about the lives of prostitutes, and is not groundbreaking in selection of topic. The manner, in which it is portrayed, however, is perfect. Not being caught up in the American standards, Fernando León de Aranoa has gone his own way, making Princesas a great, original movie. When that has been said, it does contain a few clichés that keeps this movie from reaching it's full potential.

Candela Peña fits perfectly in the role of Caye, and she does an amazing job conveying the emotions of her character to the audience. Even more so this time than she did in 'Todo sobre mi madre'. In one of the last scenes, she is on a date with a guy she hit it off with (that does not know what she do for a living), and the feelings she displays... It makes you wonder how the crappy Hollywood actresses (of course not all of them) got their jobs, considering there are others out there, who just leave them in the dust.

If you're looking for a realistic movie about prostitution, or just a story to live yourself into - take a look at this.

"Princesas" is one of them. After seeing Fernando León de Aranoa's wonderful film "Los Lunes al Sol" (qv), I was hungry for more. I am a great lover of cinema which has either been taken from live theatre or which delve into the realness of the human condition, of human feelings, which explore the depths of what makes people tick, of what makes people think, feel, love, hate, of what makes people on celluloid be real live living people with character and personality and deep feelings. In this aspect "Princesas" is a beautiful, moving, thoughtful piece which deserves great accolade. I left the cinema with very very deep feelings running through my heart and mind, such that I missed the bus-stop, and in the end walked all the way home - about three kilometres!

Without any doubt, the young Spanish directors Amenábar and León de Aranoa are now well above the more famous Almodóvar. "Princesas" is about prostitutes. Well, forget that: it is about two beautiful people who find themselves working the streets - and the mobile (cell) phone - to get clients. But it is also about friendship, love between two women who have had to drop out into the seamier world of the big cities - in this case, Madrid.

León de Aranoa treats the subject matter with such poignant delicacy, with such understanding sensitivity, with such superb and tasteful exquisiteness, that towards the end of the film more than one little tear dropped from my eyes. And that does not often happen.

Candela Peña, (Todo sobre mi madre, qv) (Te doy mis ojos, qv), and Micaela Nevárez in her first film, offer us superb readings of their characters; both are superb; both won my heart. The chemistry between these two young women - Spanish and Dominican - was so magnificent, you would swear they had lived all their lives together. They had me feeling for them, for their situation, for their loves, and desires, and hopes, and Zulema wanting to get back to her child in the Dominican Republic.

The music by Manu Chao and Gato Pérez was at times a little over strident, but befitting the telling of the story. (There are also other pieces of music not yet mentioned in IMDb).

Ramiro Civita's photography, especially in the facial close-ups is astounding, bringing out the best of the actresses feelings, anguish, torments. Superb work, though some scenes with hand-held camera were at times chaotic. Nevertheless, I pass over this.

The same as in "Te doy Mis Ojos"(qv) we have here an important sociological document in the form of a film with a story to tell. Women find themselves in bad situations directly due to men's vain and stupid attempts at being superior over them. Men fail miserably; as I have said in "Te doy mis ojos": this film makes me feel ashamed of being a man. So does "Princesas". A beautiful, warm, tender, hard story, so wonderfully told.

I shall see this film again before it is taken off from the local multi -cinemas, and will buy the DVD as soon as it is in the shops.

Here is another film to add to the best six Spanish films of all times:

El Sur

Los Santos Inocentes

Mar Adentro

Princesas

Te doy Mis Ojos

A los que Aman (all commented on in IMDb)

Micaela Nevárez is a Puerto Rican actress who has achieved great fame in independent and European films. She made her film debut in the acclaimed Spanish film Princesas which was directed by Fernando León de Aranoa, in which she played Zulema, an illegal immigrant from the Dominican Republic trying to make a living as a prostitute on the streets of Madrid, Spain. Her strong convincing performance in this film earned her a Goya Award for Best New Actress in 2006, making her the first Puerto Rican thespian to win this prestigious award.By winning this award, Nevárez became the first Puerto Rican performer to win this prestigious film honor and one of the few Latin American actresses to do so as well. She is preparing to launch her film career in the United States in 2008 with a supporting role in the independent film The War Boys starring Victor Rasuk and Peter Gallagher.