IMDb-BEWERTUNG
7,7/10
10.617
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuQuadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 17 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
This was a terrific documentary about the sport of Quad Rugby - Murderball, as it is unofficially known - that is, quadriplegic athletes in tank-like wheelchairs, kicking ass and taking names. The film doesn't show them as saints, just as real people with real stories and almost all fed up with society patronizing them. Ultimately the film packs a real emotional punch and will likely get you wanting to know more about many of the people you meet here and what happens to them after the credits roll. It may even inspire you to watch this sport live if you get a chance to do so or at least follow it. I hope this film gets the release it deserves as I think it has serious breakout potential. Based on its' award at the Sundance Festival in 2005, positive word of mouth could be considerable. 9/10
10se7en187
I saw this documentary at the Waterfront Film Festival in Saugatuck, Michigan. It's a terrific film about quadriplegic athletes and their experience in quad rugby, aka Murderball. Directed by Henry- Alex Rubin and Dana Adam Shapiro, it was a lot of fun.
Yes, the games are intense, a lot of fun, and shows their courage, but the film isn't just about the tournament, it follows some of the individuals and their stories. Mark Zupan tells the tale of how he became paralyzed and it results in some touching moments throughout the film involving him and his friend. The film also follows Joe Soares, one of the best of the sport, he was cut from the USA team so he heads to Canada to be head coach. It's amazing to see his dedication to both the game and his family.
My personal favorite moment in the film involves one recent quadriplegic who struggles to adapt to his new style of life. It's difficult to watch some of these scenes, but with the dramatic scenes are some very uplifting moments.
This is a great film, I loved they way it was told. I cared for the people, I was really into the games, and they are great to watch. Check this movie out if you can, it's very inspiring.
Yes, the games are intense, a lot of fun, and shows their courage, but the film isn't just about the tournament, it follows some of the individuals and their stories. Mark Zupan tells the tale of how he became paralyzed and it results in some touching moments throughout the film involving him and his friend. The film also follows Joe Soares, one of the best of the sport, he was cut from the USA team so he heads to Canada to be head coach. It's amazing to see his dedication to both the game and his family.
My personal favorite moment in the film involves one recent quadriplegic who struggles to adapt to his new style of life. It's difficult to watch some of these scenes, but with the dramatic scenes are some very uplifting moments.
This is a great film, I loved they way it was told. I cared for the people, I was really into the games, and they are great to watch. Check this movie out if you can, it's very inspiring.
Yes-absolutely-"Zupan is an asshole, he was before his accident and he is now". This memorable comment early on in this lovable, laugh-a-minute-just kidding-film was made by an old acquaintance of Zupan from high school and it definitely sets the tone of the film. A person can not enjoy Murderball-you can admire it, be interested by it, even respect it but you can not enjoy it-except if you play it.
Rubin's direction was sublime-there was not a minute that I was not glued to all that was on the screen and because he also was the cinematographer, the action on the screen was continuous. The actual action of the game was mesmerizing but the action of the character's minds demanded even closer attention by the viewer.
The nuances of handicapped life were unwrapped before an audience that I would suspect had little encounter with any of the subjects examined by Rubin: attraction, disability cause, sex, public reactions, mundane personal chores and most of all-sporting competition.
Because the film was extraordinarily personal, within minutes of watching I took an instant dislike of Zupan and for the remainder of the film nursed an overwhelming desire to hit him head on at full speed on the competition floor.
An excellent door into a little examined facet of life-make an effort to see it.
Rubin's direction was sublime-there was not a minute that I was not glued to all that was on the screen and because he also was the cinematographer, the action on the screen was continuous. The actual action of the game was mesmerizing but the action of the character's minds demanded even closer attention by the viewer.
The nuances of handicapped life were unwrapped before an audience that I would suspect had little encounter with any of the subjects examined by Rubin: attraction, disability cause, sex, public reactions, mundane personal chores and most of all-sporting competition.
Because the film was extraordinarily personal, within minutes of watching I took an instant dislike of Zupan and for the remainder of the film nursed an overwhelming desire to hit him head on at full speed on the competition floor.
An excellent door into a little examined facet of life-make an effort to see it.
This recent documentary about quadrapalegics playing a violent form of rugby never found its expected audience. It was expected to be a breakout hit of last summer and was even released under the MTV Films label. It was eclipsed by last summer's surprise hit doc "March of the Penguins." Is it any good? The scenes in which we follow the players in their day to day lives are great. One portion of the film follows a recently paralyzed motorcross racer and his excitement in discovering the sport. These moments are touching, inspiring, and the doc's best moments.
The sport, though, is either filmed poorly by the directors or its just not that exciting. These moments are reminiscent of Oliver Stone's football scenes in "Any Given Sunday"--I can see a lot of bodies of banging together, but don't ask me what the heck is going on. It appears that who ever has possession of the ball is likely to score meaning that winning the game comes down to having the ball in the closing seconds.
As a sports doc, it falls short. It greatly succeeds, though, in exploring the lives of the athletes.
Recommended.
Read more at http://solipsisticblog.blogspot.com/.
The sport, though, is either filmed poorly by the directors or its just not that exciting. These moments are reminiscent of Oliver Stone's football scenes in "Any Given Sunday"--I can see a lot of bodies of banging together, but don't ask me what the heck is going on. It appears that who ever has possession of the ball is likely to score meaning that winning the game comes down to having the ball in the closing seconds.
As a sports doc, it falls short. It greatly succeeds, though, in exploring the lives of the athletes.
Recommended.
Read more at http://solipsisticblog.blogspot.com/.
Having seen one of the most brilliant documentaries several years ago called Hoop Dreams, I though there could be nothing that could even come close to its raw passion and emotional power. After witnessing Murderball, I realized I was wrong.
This documentary that follows a select group of quadriplegic athletes provides just the perfect amount of tension and joy, as witnessing the former trials of Arthur Agee, and William Gates and family in Chicago.
Some background is given on the sport as to how it's played (no less ironically on a basketball court), but Murderball's greatest asset is the depth in which it probes the players backgrounds and challenges, and our understanding of what it means to be in a chair (more than likely) the rest of your life.
Like Hoop Dreams, it isn't the games or the run up to the championship that becomes the most exciting part (as great as that may be), but is found in the little moments when a father makes an effort to be at his sons recital, an old friend comes to watch his buddy at the paralympics in Greece, a recent quadriplegic first gets into a "mad chair" for the first time, or a group of players confront a former coach and mention his "treasonous" grounds. It is the access the filmmakers have gotten to not just film games, but to be at the right place at the right time in these players lives. That is what separates a brilliant documentary from just a good one, also the filmmakers and distributors have believed in this film, and it contains some very slick production work to boot.
In the end, the audience for the most part who will be watching this as able bodied people, will come out with a sense of glowing pride for these athletes who play this crazy (perhaps) insane sport. This movie more than anything is about EMPOWERMENT, and the drive that succeeds in us all. When you watch these people in action you suddenly even begin to question how much you shouldn't complain about the everyday nuisances compared to what these players deal with on a regular basis.
It breaks down the barriers we people have towards individuals in wheelchairs to realize, that you know these people aren't always reflecting on what happened in their life as a lost chance, that they are okay, and more importantly you know what.. some of them may dam well be real jerks, but you know what.. that's okay too. But by golly, don't you dare even feel for sorry for them, just be glad that if you have a Zupan, Bob Lujano, or an Andy Cohn in your corner you may just have one of the coolest friends on the planet, and be a lucky person indeed. Cause for the most part they probably stand taller than you in every way.
Rating 9 out of 10
This documentary that follows a select group of quadriplegic athletes provides just the perfect amount of tension and joy, as witnessing the former trials of Arthur Agee, and William Gates and family in Chicago.
Some background is given on the sport as to how it's played (no less ironically on a basketball court), but Murderball's greatest asset is the depth in which it probes the players backgrounds and challenges, and our understanding of what it means to be in a chair (more than likely) the rest of your life.
Like Hoop Dreams, it isn't the games or the run up to the championship that becomes the most exciting part (as great as that may be), but is found in the little moments when a father makes an effort to be at his sons recital, an old friend comes to watch his buddy at the paralympics in Greece, a recent quadriplegic first gets into a "mad chair" for the first time, or a group of players confront a former coach and mention his "treasonous" grounds. It is the access the filmmakers have gotten to not just film games, but to be at the right place at the right time in these players lives. That is what separates a brilliant documentary from just a good one, also the filmmakers and distributors have believed in this film, and it contains some very slick production work to boot.
In the end, the audience for the most part who will be watching this as able bodied people, will come out with a sense of glowing pride for these athletes who play this crazy (perhaps) insane sport. This movie more than anything is about EMPOWERMENT, and the drive that succeeds in us all. When you watch these people in action you suddenly even begin to question how much you shouldn't complain about the everyday nuisances compared to what these players deal with on a regular basis.
It breaks down the barriers we people have towards individuals in wheelchairs to realize, that you know these people aren't always reflecting on what happened in their life as a lost chance, that they are okay, and more importantly you know what.. some of them may dam well be real jerks, but you know what.. that's okay too. But by golly, don't you dare even feel for sorry for them, just be glad that if you have a Zupan, Bob Lujano, or an Andy Cohn in your corner you may just have one of the coolest friends on the planet, and be a lucky person indeed. Cause for the most part they probably stand taller than you in every way.
Rating 9 out of 10
Wusstest du schon
- WissenswertesOver 200 hours of footage was shot for this film.
- Zitate
Scott Hogsett: We're not going for a hug. We're going for a fucking gold medal.
- VerbindungenFeatured in Murderball (2005)
- SoundtracksThieves
Written by Al Jourgensen, Paul Barker, Kevin 'ohGr' Ogilvie (as Kevin Olgilvie) and Chris Connelly (as Christopher Connelly)
Performed by Ministry
Published by Warner-Tamerlane Publishing Corp. (BMI) o/b/o itself and Spurburn Music (BMI)
Courtesy of Sire Records
By Arrangement with Warner Strategic Marketing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Storyville: Murderball
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 1.750.211 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.531.154 $
- Eröffnungswochenende in den USA und in Kanada
- 57.286 $
- 10. Juli 2005
- Weltweiter Bruttoertrag
- 1.751.895 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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