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Life After Tomorrow

  • 2006
  • PG-13
  • 1 Std. 13 Min.
IMDb-BEWERTUNG
7,2/10
220
IHRE BEWERTUNG
Life After Tomorrow (2006)
Life After Tomorrow, a new tomorrow for 'Annie'
adored by millions...orphaned by broadway
A story about overcoming the hard knocks following early success
trailer wiedergeben1:11
1 Video
4 Fotos
Documentary

Füge eine Handlung in deiner Sprache hinzuWomen who have played orphans in "Annie" are brought together in this documentary.Women who have played orphans in "Annie" are brought together in this documentary.Women who have played orphans in "Annie" are brought together in this documentary.

  • Regie
    • Gil Cates Jr.
    • Julie Stevens
  • Hauptbesetzung
    • Martha Byrne
    • Jennine Babo
    • William Berloni
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    220
    IHRE BEWERTUNG
    • Regie
      • Gil Cates Jr.
      • Julie Stevens
    • Hauptbesetzung
      • Martha Byrne
      • Jennine Babo
      • William Berloni
    • 3Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 wins total

    Videos1

    Life After Tomorrow
    Trailer 1:11
    Life After Tomorrow

    Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung53

    Ändern
    Martha Byrne
    Martha Byrne
    • Self
    Jennine Babo
    • Self
    William Berloni
    • Self
    Theda Stemler Blackwood
    • Self
    Danielle Brisebois
    Danielle Brisebois
    • Self
    Arlene Kulis Brothers
    • Self
    Dara Brown
    • Self
    Nancy Carson
    Nancy Carson
    • Self
    Martin Charnin
    Martin Charnin
    • Self
    Kristi Coombs
    • Self
    Molly Copsey
    • Self
    Michele de Cuir
    • Self
    Dana Dewes
    Dana Dewes
    • Self
    Kim Fertman
    • Self
    • (as Kim Parks)
    Robyn Finn
    • Self
    • (as Robyn Finn-Moosey)
    Nicole Francis
    • Self
    Michele Graham
    • Self
    Mollie Hall
    • Self
    • (as Mollie Hall Boulware)
    • Regie
      • Gil Cates Jr.
      • Julie Stevens
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen3

    7,2220
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    6D_Burke

    Entertaining, But Needed Much More

    Mention the phrase "former child star", and I could probably write you a story that could easily fit the "E! True Hollywood Story" mold. Of course, I would need pictures, archive footage, and interviews to make my story look credible. The point is that the story of how a child star won the hearts of America, earned fame and fortune, then when their 15 minutes of fame ended they didn't know what to do with themselves is familiar to everyone. Such a former star turning to drugs, crime, or pornography after the fact is sadly more of a rule than an exception.

    "Life After Tomorrow" is unique in the sense that it tells that now-familiar story, but the end results of the women who were interviewed for this documentary are almost never sad. These women, most of whom were no older than 38 when this documentary was released, seem to be all well adjusted after starring in one of the most popular Broadway shows of all time. They coped well with life after their silver platters went away, and it could have been the result of their good, attentive parents. However, after seeing this film, it made me wonder if there were any real tragedies that occurred amongst the women who were not interviewed for this documentary. There must have been some True Hollywood Stories the movie didn't tell us about. If there weren't, that's okay, but I feel as though the movie should have been more honest about the other side of fame following that musical's run.

    This movie mostly consists of interviews with women who, when they were young girls, played the parts of Annie or one of the many orphans in the many stage versions of (guess which musical) "Annie". Some girls starred on Broadway, while others were in traveling shows. Julie Stevens, who played an orphan in a national tour, produced and co-directed this documentary. She also provided a brief voice-over introduction, detailing her experiences after her stint in a nutshell. After that, she disappears into the list of interviewees. I wish she had stayed on as the narrator like Michael Moore and Morgan Spurlock have done in their documentaries. It would have made for some more poignant moments that a talking head can't provide. She is also quite pretty, but that's the guy in me talking.

    It's actually amazing the amount of women Stevens was able to get to appear in this documentary. Sarah Jessica Parker is among those actresses who is most famous today for playing the title role on Broadway. Despite Parker being the only A-list actress among the interviewees, she is quite humble in her recollection of her childhood role. She doesn't say that it was the best thing for her career, because it may not have been.

    Many of the other women carved out respectable careers for themselves, with many outside of show business. I was surprised to see MSNBC anchor Dara Brown being interviewed for this film, because she never struck me as the Broadway type. In fact, most of these women are so down to earth that they don't fit the stereotypical faded Broadway actress a la Norma Desmond of "Sunset Blvd." or, even worse, the title character in "Whatever Happened to Baby Jane?".

    The stories these women told about their experiences were usually fascinating. They discussed everything from where they grew up to life on the road to the inevitable life after the curtains closed for good. I actually thought the best stories were the ones on the road when they weren't performing. When the child actresses discussed their tutors' educational ritual (or lack thereof, with stories of tutors getting high when they were supposed to be teaching), their stories were a bit sad, but still intriguing.

    While this film's strength was in its told stories, its weaknesses were in lack of footage or b- roll. You rarely saw the girls on stage performing, which is understandable since videotape was invented circa 1977-1983, but far more expensive than it is now. However, they could have interspersed film of what the actresses are doing now. There is probably no shortage of Dara Brown footage from MSNBC. There was also a former Annie who is now a rock singer, and another one who impersonates Marilyn Monroe for a living. Such jobs would have made great additions to this documentary. Having chyrons that state what the women do now isn't enough.

    The film also suffers from lack of organization. It's called "Life AFTER Tomorrow", but very little of it is focused on these ladies' lives after the show is over. There's also a bit about a man who collects "Annie" memorabilia. He's an interesting character, but irrelevant to what the film should be about. I also found it puzzling that the hit 1982 film based on the show isn't even mentioned here. I doubt it would have been hard to track down Aileen Quinn, either.

    The film, whose running time is 73 minutes, definitely needed more of a lot of things. More information, more stock footage, more direction, and many other things that make the difference between a good documentary and a great one. I enjoyed listening to these women's experiences, which is why I'm still recommending the film.
    7idonnowho

    Nice little documentary...

    My mom and I have both been fans of the musical "Annie" for a while now. Although, I never actually saw the show, she got some old Original Cast Recording CDs and I listened to this one and "Oliver!" in particular (though, I must admit, I like this one more than "Oliver").

    Anyways, I eventually found this documentary (how I found it, I forget), but I saw it online and enjoyed it quite a bit. It was very moving and emotional for how these girls grew up on the set of "Annie" and grew up with the show as a whole, and were soon enough kicked off to live their own lives. Very emotional, indeed.

    Beyond some brief language, which I was not too keen on, this is a very interesting documentary, and I would recommend it to anyone who loves "Annie" and is ready for an emotional ride in the secret lives of the "orphans", that you probably didn't know about. 7/10 stars.
    8marbleann

    Very good, feel good documentary

    I just saw this on SHO Demand. I always want to know what happened to people after they seem to have disappeared from the face of the earth. My feeling is that it is good thing on the most part and a lot of people are just taking care of business and living their lives off the stage or screen as people with regular jobs and pretty good lives. I really am not the sort of person who thinks if a person is out of the limelight something bad happened. And for the most part that is what seems to have happened with a lot of the ex Annies and Orphans of either the Broadway, the touring company or the the movie version of Annie. Some of course are still in the limelight. But most seem to have nice lives as mother, psychologists, or other jobs.

    It was interesting to hear about the mothers who went on tour with the Production. Actually the stories about them are more interesting then the stories about the Annies. Which was pretty much nothing new from what we hear about life as a child stars. The stories about the mothers are nothing new either. If you are looking for dirt and gossip this is not the movie. There are some little tidbits about a mother getting pregnant and families breaking up and a Orphan sending a anti semitic note to another orphan and about how some of the adults in the cast were not so nice, but no names were mentioned. This movie is about what the title conveys.

    I liked that they included the very first Annie before it came to Broadway. I think it was a delightful movie. What made me enjoy this so much it that the Orphans and Annies seems on the most part to have pretty happy lives now. This was not a movie about sadness and grief and the hard life of being a ex child star. Even though they touched on how after a certain age you were dismissed with nobody to there to offer help.

    One part I really liked is to see some of the Annies and Orphans perform today. They sound the same. What is odd is that a lot of them do not look anything like they did I know they of course are adults but I could not see a resemblance. I think it has something to do with the Annies wearing wigs. This is nice little documentary and after the movie is over you have a good feeling not a sad one as many of these let's catch up to documentaries. The only thinking I was not too crazy about is that there was a few ex Annie, Orphans in the movie that we saw very little of. I would of liked the time to be more equally distributed. Like I already know what happened to Sarah Jessica Parker, lets give some more time to the ones we don't know what happened to, let them tell a story. I would of been happier if she was not in the movie. But over all it was a good experience.

    Handlung

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    • Wissenswertes
      Both Andrea McArdle, who originated the title role in the original Broadway cast of "Annie", and Aileen Quinn, who played it in the film Annie (1982), declined requests for interviews.
    • Verbindungen
      Features The Merv Griffin Show (1962)
    • Soundtracks
      Tomorrow
      Music by Charles Strouse

      Lyrics by Martin Charnin

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    Details

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    • Erscheinungsdatum
      • 24. Dezember 2006 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Annieorphans Productions LLC
      • Double 19 Productions
      • 10 Cates Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 13 Minuten
    • Farbe
      • Color

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    Life After Tomorrow (2006)
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    By what name was Life After Tomorrow (2006) officially released in Canada in English?
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