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IMDbPro

The Stone Angel

  • 2007
  • 12
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,1/10
1855
IHRE BEWERTUNG
The Stone Angel (2007)
This is the theatrical trailer for The Stone Angel, directed by Kari Skogland.
trailer wiedergeben2:04
1 Video
18 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuA 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunc... Alles lesenA 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunctional family.A 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunctional family.

  • Regie
    • Kari Skogland
  • Drehbuch
    • Kari Skogland
    • Margaret Laurence
  • Hauptbesetzung
    • Ellen Burstyn
    • Christine Horne
    • Elliot Page
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    1855
    IHRE BEWERTUNG
    • Regie
      • Kari Skogland
    • Drehbuch
      • Kari Skogland
      • Margaret Laurence
    • Hauptbesetzung
      • Ellen Burstyn
      • Christine Horne
      • Elliot Page
    • 20Benutzerrezensionen
    • 23Kritische Rezensionen
    • 57Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 9 Nominierungen insgesamt

    Videos1

    The Stone Angel: Theatrical Trailer
    Trailer 2:04
    The Stone Angel: Theatrical Trailer

    Fotos17

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    Topbesetzung51

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    Ellen Burstyn
    Ellen Burstyn
    • Hagar
    Christine Horne
    Christine Horne
    • Young Hagar
    Elliot Page
    Elliot Page
    • Arlene
    • (as Ellen Page)
    Dylan Baker
    Dylan Baker
    • Marvin
    Sheila McCarthy
    Sheila McCarthy
    • Doris
    Judy Marshak
    Judy Marshak
    • Silver Elms Matron
    Doreen Brownstone
    • Silver Elms Bridge Player
    Samantha Weinstein
    Samantha Weinstein
    • Child Hagar
    Ryland Thiessen
    • Child Telford
    Mackenzie Munro
    Mackenzie Munro
    • Child Charlotte
    Connor Price
    Connor Price
    • Child Matt
    Jordan Todosey
    Jordan Todosey
    • Child Lottie
    Ardith Boxall
    • Lottie's Mother
    Arne MacPherson
    Arne MacPherson
    • Doctor
    Ted Atherton
    Ted Atherton
    • Reverend Troy
    R. Morgan Slade
    • Young Telford
    Hilary Carroll
    • Bank Teller
    Olie Alto
    • Bus Driver
    • Regie
      • Kari Skogland
    • Drehbuch
      • Kari Skogland
      • Margaret Laurence
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen20

    6,11.8K
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    Empfohlene Bewertungen

    4diviner

    Is Hagar supposed to be funny?

    Margret Laurence probably didn't intend on having any of her novels adopted for film, let alone the Stone Angel. Hagar, as a character, was one who constantly challenged the social norm (Gainsay who dare, anyone?), and ended up nearly sacrificing her humanity in the process. The symbols in the book (the Stone Angel, Silver Thread, etc, etc.) are constant reminders of this struggle of the old and new, and the carnage (so to speak) along the way.

    While the film is reasonably faithful to the plot of the book (but it isn't really a plot kind-of storytelling, is it?), I think it missed the point on capturing the spirit of the film. Hagar's defiance (for the sake of defiance) was not there. Bram could have been a lot more crude than portrayed, and Hagar's father could have been played more "traditionally", so to speak. If the filmmaker would insisted on stronger portrayals, the film would drive the point straight to home.

    Along the same vein, why should we see cell phones, organic produce, and other modernizations? Are we trying make some points for the sake of making some points (e.g., the Muslim girlfriend and the Native people). Hagar and co. are everything but politically correct in the book, so why should we see that in the film version. Modernization may be an excuse for a low-budget operation, but using that as an excuse to send subliminal politically-correct messages that are totally irrelevant to the novel (and the film) seems like throwing punches below the intellect.

    There is also the audience. It seems that we have been conditioned to see bitter old people as cute and lovable. Why should be laugh every time Hagar is at her tantrums? I doubt Magaret Laurence wanted her readers to laugh at, or with, Hagar. These people are frustrated and are full of angst, and all we do is to laugh at them. I don't think it did Hagar and other folks in her situation any justice.
    8saynathirajah

    I liked it.

    I saw the movie recently and really liked it. I surprised myself and cried. This movie is in the same niche genre as "Away from Her" - or even "The Bucket List" but handles the whole aging theme with incredible authenticity. It's really really tough to have the main character as unlikable as Hagar. The director does a masterful job with the challenge. Hagar's hard to understand. Her world has hard edges and she isn't a warm endearing woman at all.

    The first scene gets this across without any compromise. Hagar (Ellen Burnstyn) is being taken to a nursing home by her son and daughter-in-law. She figures it out en-route and freaks out. Her edges are really hard. She is mean. She is belittling and selfish. She is a stone. I didn't like her - not even a little bit.

    Throughout the course of the movie, we get insight. We find out why she doesn't like petunias, why she favors one son over the other, how her losses have formed her character... I started to see the angel... and I started to like her. I especially liked her when she poured out her secrets to the boy in the shack. Ellen Burnstyn, you are a brilliant actor. Kudos. Kudos. Kudos. What a scene!

    This isn't a "feel good" movie, but it is certainly a movie that brings the viewer to empathy. I understand more clearly that hard edges in a person's life are there to protect, they are there for a reason...

    Hagar isn't my mother - she isn't even my mother-in-law or neighbor... but parts of her are present in many women (and men) in my life. Those parts somehow make more sense to me now that I've watched The Stone Angel.
    6wisewebwoman

    Margaret Laurence would not be happy.

    As this film does not do justice to a great novel. I so loved this book I've read it twice. It presents an irascible old woman, warts and all, bad tempered and humourless, and tries to soften her up and give her a raison d'etre.

    Hagar, played by the marvellous Ellen Burstyn, is a woman who lives in fear of what her son and anxious daughter in law can do to her. The worst would be a home for the aged and it is happening now.

    Through flashbacks, we gain insight into Hagar's life, her lusty marriage to a waster, her sons and her bitterness at the way life has worked out for her.

    It is hopelessly and meaninglessly modernized, the book was written in the sixties and here it is translated to modern day with cell phones, etc. It doesn't work. The flashbacks are not smoothly transitioned and at times are oddly placed within the framework of the whole or are too abrupt.

    However, that said, the supporting cast are excellent with the younger lusty Hagar played by Christine Horne is a delight. Ellen Page has a small but telling part.

    But the film didn't enhance my enjoyment of the book.

    6 out of 10.
    9canuck1972

    a wonderful job

    As perhaps one of the few Canadians who did not read the book in high school, I thought I would add my comments. Seeing the movie without knowing the story beforehand in no way detracted from the film. The characters have so many complexities, everyone can relate to them in their own way. The brilliance of the adaptation is that everyone is allowed to project their own perceptions onto the lives of the characters, rather than being spoon-fed an opinion. You can love them or dislike them, and still feel the emotional impact of the movie. Wonderful performances by Ellen Burstyn and Christine Horne really bring the characters to life. I'd highly recommend it.
    9Bean-24

    I was so moved by this picture.

    I was very moved by the story and because I am going through something similar with my own parents, I really connected. It is so easy to forget that someone whose body is failing was once vibrant and passionate. And then there's the mistakes they made and have to live with. I loved Ellen Burstyn's performance and who is Christine Horne? She's fantastic! A real find. There is probably the most erotic scene I've ever seen in a film, yet nothing was shown - it was just so beautifully done. Overall the look and feel of the film was stunning, a real emotional journey. Cole Hauser is very very good in this picture, he humanizes a man spiraling downwards. I liked the way the filmmaker approached this woman's life, never sentimental, never too much - just enough to hook us in, but not enough to bog down.

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    Handlung

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    • Wissenswertes
      During filming, Ellen Burstyn saw on the call sheet a long lost relative who was working on the crew.
    • Patzer
      The first incident with the freight train is set about 1950 yet it has no caboose. The caboose was not replaced by an electronic monitor on the last freight car until the eighties. It's also more than likely that in that era in western Canada a freight would have been hauled by steam rather than diesel.
    • Zitate

      Arlene: I want to have a baby.

      John: We're broke.

      Arlene: We love each other. It'll be a love child.

      [they both laugh quietly. meanwhile, Hagar walks silently in and sees what's going on]

      John: Well, my mom leaves town in a couple weeks. Then we can get married, and we can talk about having a baby, okay?

      Arlene: I don't care about a wedding or anything.

      John: You can have whatever you want.

      [it becomes more intense; they are both breathing faster]

      Arlene: [breathlessly] I want lots of babies.

      [then they start having sex and Hagar leaves, having said nothing]

    • Soundtracks
      Manakwa Stomp
      Written by Daniel Koulack

      Performed by The Prairie Polka Playboys

      (performed at dance)

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    FAQ19

    • How long is The Stone Angel?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 9. Mai 2008 (Kanada)
    • Herkunftsländer
      • Kanada
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • El ángel de piedra
    • Drehorte
      • Hartney, Manitoba, Kanada
    • Produktionsfirmen
      • Alliance
      • Astral Media
      • Buffalo Gal Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 459.166 $
    • Eröffnungswochenende in den USA und in Kanada
      • 31.883 $
      • 13. Juli 2008
    • Weltweiter Bruttoertrag
      • 473.993 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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