Füge eine Handlung in deiner Sprache hinzuIn the closing moments of Day 3, Jack Bauer gets into his car and breaks down in tears after everything he has endured. He gets a call to report back to CTU, and, after a moment, acknowledge... Alles lesenIn the closing moments of Day 3, Jack Bauer gets into his car and breaks down in tears after everything he has endured. He gets a call to report back to CTU, and, after a moment, acknowledges and drives away.In the closing moments of Day 3, Jack Bauer gets into his car and breaks down in tears after everything he has endured. He gets a call to report back to CTU, and, after a moment, acknowledges and drives away.
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The fourth season of "24" kicks off with a special prequel episode, setting the stage for another adrenaline-pumping day in the life of Jack Bauer. The episode begins with Jack, now working for the Department of Defense, uncovering a terrorist plot aimed at the United States. As the clock ticks, Jack is thrust back into the world of CTU to prevent an imminent attack. The direction is sharp, utilizing a mix of close-ups and wide shots to capture the urgency and intensity of the unfolding events. The cinematography enhances the tension, emphasizing the high stakes and the relentless pace that fans have come to expect from the series.
In this prequel, we are introduced to new characters who will play pivotal roles throughout the season, including Erin Driscoll, the new head of CTU, and her daughter, who struggles with mental health issues. The writing delves into themes of loyalty and sacrifice, adding emotional depth to the storyline. The dynamic between Driscoll and her daughter provides a compelling subplot that mirrors the broader narrative, highlighting the personal costs of working in such a high-stakes environment.
A particularly memorable scene in this episode is Jack's desperate race to stop a terrorist cell from launching their attack. The direction and cinematography work together to create a high-tension sequence, with tight shots and rapid cuts that convey the urgency and danger of the situation. Jack's tactical skills and emotional resolve are highlighted, making this one of the episode's standout moments and underscoring his role as a relentless hero.
Critics have praised this special episode for its intense action and strong character introductions. The pacing and intricate plot developments have been lauded, with particular emphasis on the suspenseful moments and the emotional resonance of the new characters. Some reviewers have noted that the rapid pace can be overwhelming, but the episode effectively balances action with moments of character-driven drama. The prequel sets the stage for an intense and unpredictable season, promising further riveting developments as the series progresses.
In this prequel, we are introduced to new characters who will play pivotal roles throughout the season, including Erin Driscoll, the new head of CTU, and her daughter, who struggles with mental health issues. The writing delves into themes of loyalty and sacrifice, adding emotional depth to the storyline. The dynamic between Driscoll and her daughter provides a compelling subplot that mirrors the broader narrative, highlighting the personal costs of working in such a high-stakes environment.
A particularly memorable scene in this episode is Jack's desperate race to stop a terrorist cell from launching their attack. The direction and cinematography work together to create a high-tension sequence, with tight shots and rapid cuts that convey the urgency and danger of the situation. Jack's tactical skills and emotional resolve are highlighted, making this one of the episode's standout moments and underscoring his role as a relentless hero.
Critics have praised this special episode for its intense action and strong character introductions. The pacing and intricate plot developments have been lauded, with particular emphasis on the suspenseful moments and the emotional resonance of the new characters. Some reviewers have noted that the rapid pace can be overwhelming, but the episode effectively balances action with moments of character-driven drama. The prequel sets the stage for an intense and unpredictable season, promising further riveting developments as the series progresses.
This is just a segue from Jack's intense dealings with the terrorists who were using the virus. It gives us a reason why he moves into a government job as the fourth season begins. I have to admit, I get incredibly tired just watching what he goes through.
This short film (actually, three separate segments edited together), included on the Season 3 DVD box set in the US (Season 4 in other countries), can be considered the "proper" beginning of 24's fourth season. In reality, none of the information provided is really necessary to understand the plot of the season, since it's retold in the first full episode, but it does proved a fun opportunity to see a little more of certain characters.
The first segment, arguably the most relevant in terms of continuity, has Jack Bauer getting fired by new CTU director Erin Driscoll (Alberta Watson) because of his drug use during the events leading up to Day 3. Aside from setting up a rivetingly tense relationship between the two (the event takes place six months after the end of Season 3), it also features a refreshingly welcome use of the F-word (on DVD, at least). The second shows one of the season's villains entering the USA, and is the least necessary of the three scenes. The third, also a bit gratuitous but entertaining, depicts an intimate moment between Jack and his new girlfriend, Audrey Raines (Kim Raver), and takes place a few hours before the start of Day 4.
More of a curiosity than an actual episode, the Season 4 prequel deserves to be watched mainly for one reason: even if it's just for a few minutes, it's always a pleasure to see Kiefer Sutherland in action, particularly when he's doing what he does best (sticking it to the man). It also provides welcome early glimpses of Driscoll and Audrey, promising to expand on both in the proper series (the villain, on the other hand, is the classic red herring who will disappear before half the season is finished). All in all, not a bad effort, though the actual show remains the best.
7,5/10
The first segment, arguably the most relevant in terms of continuity, has Jack Bauer getting fired by new CTU director Erin Driscoll (Alberta Watson) because of his drug use during the events leading up to Day 3. Aside from setting up a rivetingly tense relationship between the two (the event takes place six months after the end of Season 3), it also features a refreshingly welcome use of the F-word (on DVD, at least). The second shows one of the season's villains entering the USA, and is the least necessary of the three scenes. The third, also a bit gratuitous but entertaining, depicts an intimate moment between Jack and his new girlfriend, Audrey Raines (Kim Raver), and takes place a few hours before the start of Day 4.
More of a curiosity than an actual episode, the Season 4 prequel deserves to be watched mainly for one reason: even if it's just for a few minutes, it's always a pleasure to see Kiefer Sutherland in action, particularly when he's doing what he does best (sticking it to the man). It also provides welcome early glimpses of Driscoll and Audrey, promising to expand on both in the proper series (the villain, on the other hand, is the classic red herring who will disappear before half the season is finished). All in all, not a bad effort, though the actual show remains the best.
7,5/10
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- WissenswertesThis episode is the only time Jack ever uses the f word
- PatzerEarly in the season when an informer calls CTU to report strange Internet activity, the informer says he sees a language that might be Turkish or Arabic. However, there is no way to confuse Turkish with Arabic; Turkish is written in the Roman alphabet.
- Zitate
Jack Bauer: I can find my own fucking job, Erin.
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