Mein Liebhaber, der Esel und ich

This charming, bucolic comedy is undeniably the most beautiful surprise that French cinema has given us lately. At times, it made me think of 'Wild' (with Reese Witherspoon), but without the dramatic side of it. It's more a 'light' comedy, with a 'screwball' side to it. Caroline Vignal initiates a dialogue with Stevenson's own novel, 'Travels With a Donkey in the Cévennes', a book that has since become one of the pillars of modern 'travel literature' and that is linked with the emotional journey of Antoinette. The latter is played by Laure Calamy who finds with this project her first leading role that allows her to fully display her tremendous acting skills. In addition of being in every frames and frequently alone on the screen, facing an imperturbable donkey, she composes a complex comic performance. Oftenly funny without ever appearing like an idiot, she succeeds to express, between her moments of touching clumsiness, a strong sensitivity though marvelously avoiding any boring lament tirades. My Donkey, My Lover & I is a very sweet portrait of a very likeable human being, and her sincere energy is so irresistible you can only follow her in her great journey.

Strong script, well acted, beautiful mountain scenery, great original music... some very funny moments, and some intelligent insights. Highly recommended.

When a film is well written and remains faithful to the basic feeling for which it was wanted to make, jobs like this are obtained. After watching the movie I finished with a smile on my face, sometimes a fairy tale story is necessary even if it is not about a white horse and it is not necessarily a true prince, but the magic is always there for those who know where to look.

A comedy that takes the journey as a metaphor for life, almost like a Road Movie, but on a donkey, through the beautiful countryside of the Cévennes. The big difference, to the typical Road Movie, is that the path here is constructive, invites reflection, the enjoyment of life, the moment, the company, and not destructive, nihilistic, terminal, as happens when traveling by car on the tarmac.

Laure Calamy has a distinct presence, pleasant and relaxed, almost sensual. Patrick, the donkey, also acquires an unexpected role, as the unlikely companion on this journey of self-knowledge and vital rebalancing, in contact with nature and animal life.

A pleasant and surprising film, insofar as it offers more than what it promises.

Between a beautiful postcard from the Cévennes, a donkey road trip, and a nice slice of life that begins as a farce on adultery. I had a great time in this universe, far from the fat and heavy lines of a lot of films released these days. Try it.