Bewaffnete Männer entführen eine New Yorker U-Bahn, halten die Passagiere als Geisel für ein Lösegeld und machen einen normalen Arbeitstag für den Dispatcher Walter Garber zu einem Anspiel m... Alles lesenBewaffnete Männer entführen eine New Yorker U-Bahn, halten die Passagiere als Geisel für ein Lösegeld und machen einen normalen Arbeitstag für den Dispatcher Walter Garber zu einem Anspiel mit dem Drahtzieher hinter dem Verbrechen.Bewaffnete Männer entführen eine New Yorker U-Bahn, halten die Passagiere als Geisel für ein Lösegeld und machen einen normalen Arbeitstag für den Dispatcher Walter Garber zu einem Anspiel mit dem Drahtzieher hinter dem Verbrechen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
Luis Guzmán
- Phil Ramos
- (as Luis Guzman)
Ramón Rodríguez
- Delgado
- (as Ramon Rodriguez)
Aunjanue Ellis-Taylor
- Therese (Garber's Wife)
- (as Aunjanue Ellis)
Ausgewählte Rezension
THE TAKING OF PELHAM 123 is Tony Scott's flashy and expensive remake of a stone-cold classic of 1970s cinema. The original had Walter Matthau and Robert Shaw as hero and villain respectively, while this remake sees Scott regular Denzel Washington and bad-guy-for-hire John Travolta stepping into those lofty shoes. And, unsurprisingly enough, this turns out to be a redundant remake that can't hope to better - or, indeed, even come close - to the quality of the original.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
- Leofwine_draca
- 28. Juli 2016
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesJohn Travolta chose not to promote the film with the rest of the cast because he was still reeling from the loss of his son Jett.
- PatzerWhen Garber is instructed by Lt. Staley in the use of the Walther PPK .380 he is told that the safety is on when the lever is up and off when it is down. This is the opposite of the safety's actual operation. When the lever is up, exposing a red dot, the safety is off. When down it is in the SAFE position.
- Crazy CreditsThe film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel.
- VerbindungenFeatured in Oscar 2009 - Die Academy Awards (2009)
- Soundtracks99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay-Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Rescate del metro 1 2 3
- Drehorte
- Lower Bay Station, Toronto, Ontario, Kanada(as several different NYC subway stations)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 65.452.312 $
- Eröffnungswochenende in den USA und in Kanada
- 23.373.102 $
- 14. Juni 2009
- Weltweiter Bruttoertrag
- 150.166.126 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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What is the streaming release date of Die Entführung der U-Bahn Pelham 1 2 3 (2009) in India?
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