Zwischen uns das Paradies

I am amazed mostly by the dialogue. Funny dialogue and good topic, which is effect of religion on relationship. Reminds me of personal religious ideology and arguing and some beliefs as to why Bosnian war happened, who is guilty, why are some bad things happening. Also similar to other including christian religious movies when he says "they are in heaven". I think this is also topic of possible bad side of religion which is excess of it, wahhabism, jihadism... Funniest but also serious are possible reasons for having bad life such as deserving it, and not being chaste. Bit funny religious excesses which I recognize even today in Sarajevo, but this is like a mild comedy. So lack of action and other genres, but for drama this is good.

Every film Jasmila Zbanic directed is excellent. This one as well.

It deals with post war Sarajevo. For details about film see other reviews. I will just add that if you are interested in ex Yugoslavia and its history this one is another must see.

Sarajevo today looks best it ever did. For a visitor. The problem is that city is not safe. Petty theft abounds, I myself was robbed and assaulted many times. Non Muslims are not treated well. When I visited American Embassy in Sarajevo last time, they told me that for the USA, Bosnia-Herzegovina is a failed state and except for a short visit they do not recommend foreigners, especially Americans to stay for a longer period of time. Once prosperous communities of Croats, Serbs, Jews almost totally disappeared from Sarajevo. Especially Jews do not exist any more. Are there 200 souls of them left in Sarajevo? It is dubious. But Wahhabite Muslim extremists are on the rise, one of them shot with Kalashnikov on the American Embassy a year ago.

I do not feel free walking streets of Sarajevo.

But still people like Jasmila Zbanic, Danis Tanovic, my father and the similar succeed to live and maintain careers in Sarajevo and are happy living in it. There are still good people in Sarajevo, it is just so hard to find them out.

I just came home from a screening of Na Putu at the cinema, a new Bosnian drama surrounding a couple tackling what seems to be a dead end in their relationship, and I could hardly recommend it more.

First off, the cinematography is beautiful, full of compelling shots of Sarajevo and the Bosnian countryside, as well as piercing, intimate and emotionally powerful scenes between the couple.

Zrinka Cvitesic (Luna) and Loen Lucev (Amar) both deliver beautiful, subtle roles, and the script is extremely tasteful, avoiding clichés and maintaining a believable, intriguing, and above all very humane story. The portrayal of a long-time couple facing a crisis due to one partner radically altering his outlook on life is handled very sensitively and maintains a touching, universal tone.

Jasmila Zbanic manages to organically place this story in current-day Sarajevo without resorting to a schematic presentation of the politics of the war-torn region, nor to a preachy tone. This does not mean she ignores the setting or stays indifferent to it - far from it.

The intimate story intertwines at points with a broader reality, always told through a long silent shot, or hinted out through dialogues. Although I'm no Bosnia-Herzegovina expert, as I have only visited once, I do feel this film transcends the atmosphere in this traumatized country very vividly, without slipping into tackiness or dichotomy.

Looking forward to seeing more from this sensitive, ultra-talented filmmaker.

Very highly recommended.

"Na putu" tells the story of young Bosnian-Muslim couple, Luna and Amar, living in post-war Sarajevo, and planning on having a baby. Their idyll is marred: the young man is traumatised from his experiences in the war, and from losing his soldier brother. He turns to alcohol, loses his job, but finds another one through a friend. As it turns out he is being recruited by radical (Wahhabite) muslims, and he finally decides to compensate his alcohol problem by becoming a radical -- or, in his view, true -- Muslim. This is unacceptable to Luna, who sees herself as a modern, moderate Muslim, and has no intention of trading her wardrobe in to become a "ninja" -- her laconic name for a Muslim woman fully dressed in a hijab.

The story of "Na putu" is told in a linear fashion. It always holds the attention, and excels at letting us have a peek at the life in present-day Bosnia i Herzegowina. It always remains subtle and plausible and avoids, for example, to portray Amar and his radical Muslim brothers as wide-eyed fanatics and jihaddites; in a way, we understand while he chooses this path for himself, and why Luna seems to choose another one.

The also excels through great acting, amazing cinematography (it's shot on a Red digital video camera by the way, and the picture quality is stunning) and apt direction.

Simple scenes stay in mind. Such as when Luna films Amar with her cell phone while he's sleeping, and then watches the movie on her pillow when he's gone. Or when Amar protests against Luna grabbing his crotch in bed, to show that he is changing from lover to religious hothead.